All images are used purely for educational purposed and are credited to their sources and owners. Any image without credit was created by me.
no trouble at all! Here are some visual notes on how i approach orc teeth.
1: get familiar with the structure.
The better you can visualise the structure of teeth and where the tusks “plug in”, the easier step 2 will be.
2: simplify.
You only need to draw what will be visible. Don’t worry about drawing the anatomy right every time. If you get familiar with the structure underneath, it will be easier to spot when something’s off in your sketch.
Works for upper tusks and lower! Visualise –> Simplify
One of commissioned OCs, but I just fell in love.Due to many symbolic connotations with ravens, drew her as Veshnitsa-Soroka (Magpie-foreteller) — shapeshifting witch from slavic folklore.
Heres how you can make pixel brushes in Clip Studio Paint
first make a little pixel pattern and made sure that the background layer is transparent.
then you want to select edit -> register material -> image. this i remember from trying it before
next name it and choose a place for it to go among the others. doesnt matter where really. also check the texture box.
next to make the brush choose whatever brush that youd like to give it that has the properties you want and copy it. i just chose the standard oil brush. go to the copied brushes settings and click texture
click where it says none and find the brush that you made. after you click it change the setting to this
for me the texture works for subtract, multiply and compare. dont really know the differences between them all or form the others but for what i wanted those three seemed to work.
i did this for a bunch of different pixel patterns and brushes and got some cool effects! check it out!
i appreciate all the help and suggestions yall gave me!
maybe once i figure them out some more i could offer stylized commissions with them :V
Made a quick tutorial about dynamic linking in Blender… It’s really useful for iterating designs that need to have the same changes as the original. One of my clients wanted me to try out many colors of models, but I wanted to make sure they all retained the same changes of the original, and this is how I figured out how to do it! Try it out if this is something you’d find useful!
Hello!! This may be a weird question but I too am heavily interested in birds but unlike you, I cannot draw them as well. :,^( If it's not too much work (if it is just ignore this, i don't mind), do you know of any good references or sources to learn more about birds from facts to anatomy? I know this is a pretty wide range so again, I totally understand if you can't! I just thought it was worth an ask. Thank you so much!!
i don’t really have any specific reference places but here’s some things i do.
drawing birds is arguably one of the hardest animals because of their feathers. unlike fat and fur that folds to the body in a way that’s usually readable to whats underneath, feathers sort of create a ‘bubble’ around the body which makes a lot of body parts indistinguishable to where one ends and another begins. so its important to always think in terms of skeletal anatomy:
birds are dinosaurs and therefore reptiles. looking at birds this way, it’s a lot easier to see their evolution.
with that in mind, say we wanna draw this dude. owls are pretty tough because their outward appearances are so deceiving.
we’ve got a neutral pose, feathers are generously surrounding most of the body so its no sweat, we don’t really know whats going on. but we can hide it. but now we want to make him move and look cool. without really knowing whats going on we might get stuck on something like this:
its always kind of stiff and frustratingly unrealistic. mostly this is because we just don’t have enough knowledge of the skeletal structure to work with. eyeballing anatomy on our first drawing might get something like the left, more than anything people aren’t generous enough with leginess of birds:
owls do indeed have regular proportioned necks with the rest of their bodies. and their skulls are like that of any other stereotypical raptor under their mask of feathers (minus their freaky eye sockets and ears)) they can open their mouths wide just like a hawk or eagle can. it’s important to remember that birds with large wingspans do not magically lose their length when hidden. they are just conveniently folded in against their bodies.
knowing this we can try again. suddenly things seem to click in place more and have a believable-ness to them.
the rule of thumb for most birds is they have less body mass and more leg/neck than one thinks. they are lanky dinosaurs.
when we are looking at this:
we are seeing this:
with that rule, drawing birds becomes a lot less confusing. with practice you might just eyeball their feathered appearances but if not, going back to skeletal/muscle structure gives the base you need to draw convincing birds.
when it comes to specific body parts, the most challenging part for me personally have always been feet. birds with super twiggy feet are easier because one line per toe is easy to get away with. but when you get to birds with meatier feet, especially raptors, it gets difficult. my way of getting around this is to think of the actual ‘feet’ last. drawing each separate toe first gets confusing because you just find yourself trying to get them to each fit evenly together at the base of the foot. one always seems kind of skinnier or fatter than the others in my experiences, and by the time you correct it the gesture gets muddled and lost.
so i just skip that part until later, i draw talon first.
perhaps this is very unorthodox, but just like artists might square in the hands first on a human before working out the arms, i square in the talons to know where i want them before worrying how they go on exactly.
that way we have a clear gesture captured, and in my experience it is much more readable.
thats’ really all i can think of now in terms of my techniques, i hope this helps :V
I’ve been using your Arcana tutorials as a reference for a self-insert character. But I’m having trouble coloring the tulle bathrobe, the see-through cloth as well as it’s general texture. Any advice?
What luck. I literally just finished redrawing Isha’s bath sprite.
Note: I use Clip Studio Paint but this method works with any program that has layers and layer styles.
First off, some things I noticed when deconstructing how to draw them.
Note about the bottom half: Despite being more opaque, there’s a slight gradient and transparency to it. This can be achieved by airbrushing a very light eraser on the edges of the base colour layer
As for the texture, you can use a worn paper texture on top of this colouring set to “overlay”
I would like to make a new bunch of tutorials… I wish I could carry out my intention. Incidentally, It’s going to be “How to draw poses by using gesture drawing method ”,
It only takes a couple of lines to go from one eye style to the other so I'm always stuck between them cause I love both so much
So I was looking out my window and saw two birds and the idea of making a list of symbolism associated with types of birds came to mind. My mom always taught me if you see an animal -especially if they are doing something out of the ordinary- you should take it as an omen. So here’s a list of some basic birds, some of the associations are personal but I hope you like it!
Blue Jay-the truth will be revealed, high energy, playfulness, clarity and communication.
Cardinal-hope, joy, good health, some associate them with angels or deceased love ones, passion and warmth.
Crow-often associated with magic and witches, transformation, power, intelligence and mystery.
Duck-friendships, new friends, happiness, good fortune and protect against negative energies “water off a ducks back” :)
Dove-peace, harmony, joy, love, might be telling you to break away from a toxic situation, think positive, often associated with Aphrodite or Jesus or Angels
Eagle-power, leadership, freedom, adventure, breaking free.
Hawk- common as spirit guides, courage, protection, and awareness.
Hummingbird- I adore hummingbirds and often associate them with faeries. Creativity, joy, love and beauty. Can be a sign that you are moving too fast in life and need to take a break.
Magpie-Magpies represent duality because seeing them can be really good or really bad, I know it’s confusing :/ Seeing a magpie can be a good luck omen and new oppurtunities will appear. They also represent illusion and trickery, maybe someone is being a two-faced friend to you.
Owl- wisdom, associated with the goddess Athena, intuition, spiritual exploration, change, observation and intelligence.
Raven- associated with the nordic god Odin, mystery, magic, fae magic, knowledge, mischieve, and can be seen as a death omen (but can also mean change)
Robin- luck, prosperity, good things will happen, joy and your hard work will soon be rewarded.
Sparrow- associated with Aphrodite, new love and relationships, fertility, team work, time of productivity and stop procrastinating.
Stork-long life, prosperity, fertility, new life, wisdom, take time to relax, motherhood and luck.
Swan- also associated with Aphrodite and Apollo, gracefulness, beauty, music, poetry, creativity, loyalty, and long lasting relationships.
Vulture-death, cleaning up other people’s messes, renewal, patient, use your resources and be perceptive.
Woodpecker- hard work, take advantage of new oppurtunities, attention, progress and determination.
Tip! If you are repeatedly seeing a certain animal or have a strong liking to an animal it could be a way a spirit guide is trying to get your attention (or that animal is just really common in your area lol )
Hello! this is an effect I see in a lot of artworks and that I use a lot, I tend to see new/younger digital artists (even others who are more experienced) asking me and others quite often how to do it but there doesn’t seem to be many tutorials for how to do it, especially not for Clip Studio Paint. I’m going to try to keep this simple as possible, cause it confuses tf out of me and i only just now learned how to do it in CSP lol
*This can also be/is usually done in Photoshop, but not everyone has photoshop, and there are already tutorials for it I think! Do what u gotta do!
Czytaj dalej
Sylwester | i will mostly post sketches, because i'm too lazy to end them
196 posts