Yolo

Hahaha this is brilliant

Holy fucking shit Jan 1 is on a Wednesday

What else is life except to erase mistakes that other have and create new ones

Well, a while ago, I posted a pic of the updated and working and whatever else I am drawing sorta thing, so I am just posting the drawing that I made that gave me inspiration for my current one. 😁

Disciple Shen Yuan tries to show Shen Qingqiu the "infinite chocolate bar hack" and it's somehow the angriest Shen Qingqiu has ever been at him. Of all the inane bullshit this child comes up with, this is inexplicably the straw to make him the most rapidly, most incandescently furious.

Shen Yuan has to stay with Yue Qingyuan on Qiong Ding Peak for like a week until Shen Qingqiu calms down.

The other day, I was scrolling through Tik Tok when I came across a video talking about a 6 week old kitten who was found trying to take care of a few other kittens who were 2 weeks. They were screenshots, and one of them had a quote saying, "Imagine you're small and cold and scared, but there's smaller ones that are smaller colder and more scared."

I haven't been okay since because it sounds like Yue Qi and Shen Jiu. Their only three years apart, so all I can imagine is a toddler taking care of an infant.

All I can imagine is Qi-ge, who is nothing more than three or four. His an orphan slave and his hungry and cold and scared. When he suddenly finds a baby. His smaller and crying and just like him. Hungry and cold and scared while not knowing why. Then, next thing he knows, his picking him up and trying to comfort the little infant. As Qi-ge holds this little boy who is younger and even more helpless than himself, he decides to care for him.

He is just three-year-old Qi-Ge who decides to take responsibility for an infant Xiao Jiu.

i made a character sheet. free to use as you wish, feel free to change whatever you want XD open source ass thing. spent all of ~maybe an hour on it.

Credit: the text in the insert-image box comes from this video, and the text for the top three lines (intense, complex, fruity) comes from this post. The actual image was made with the free NBOS character sheet creator, which is a sort of dated but free and solid text-layout sheet maker intended for ttrpg style character sheet creation.

My zine on vending for the first time! I wish I hadn't waited so long to start and now hopefully others can start too!

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

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