I see a few people sayin that you definitely need an agent to get published traditionally. Guess what? That's not remotely true. While an agent can be a very useful tool in finding and negotiating with publishers, going without is not as large of a hurdle as people might make it out to be!
Below is a list of some of the traditional publishers that offer reading periods for agent-less manuscripts. There might be more! Try looking for yourself - I promise it's not that scary!
Albert Whitman & Company: for picture books, middle-grade, and young adult fiction
Hydra (Part of Random House): for mainly LitRPG
Kensington Publishing: for a range of fiction and nonfiction
NCM Publishing: for all genres of fiction (YA included) and nonfiction
Pants of Fire Press: for middle-grade, YA, and adult fiction
Tin House Books: very limited submission period, but a good avenue for fiction, literary fiction, and poetry written by underrepresented communities
Quirk Fiction: offers odd-genre rep for represented and unagented authors. Unsolicited submissions inbox is closed at the moment but this is the page that'll update when it's open, and they produced some pretty big books so I'd keep an eye on this
Persea Books: for lit fiction, creative nonfiction, YA novels, and books focusing on contemporary issues
Baen: considered one of the best known publishers of sci-fi and fantasy. They don't need a history of publication.
Chicago Review Press: only accepting nonfiction at the moment, but maybe someone here writes nonfiction
Acre: for poetry, fiction and nonfiction. Special interest in underrepresented authors. Submission period just passed but for next year!
Coffeehouse Press: for lit fiction, nonfiction, poetry and translation. Reading period closed at time of posting, but keep an eye out
Ig: for queries on literary fiction and political/cultural nonfiction
Schaffner Press: for lit fiction, historical/crime fiction, or short fiction collections (cool)
Feminist Press: for international lit, hybrid memoirs, sci-fi and fantasy fiction especially from BIPOC, queer and trans voices
Evernight Publishing: for erotica. Royalties seem good and their response time is solid
Felony & Mayhem: for literary mystery fiction. Not currently looking for new work, but check back later
This is all what I could find in an hour. And it's not even everything, because I sifted out the expired links, the repeat genres (there are a lot of options for YA and children's authors), and I didn't even include a majority of smaller indie pubs where you can really do that weird shit.
A lot of them want you to query, but that's easy stuff once you figure it out. Lots of guides, and some even say how they want you to do it for them.
Not submitting to a Big 5 Trad Pub House does not make you any less of a writer. If you choose to work with any publishing house it can take a fair bit of weight off your shoulders in terms of design and distribution. You don't have to do it - I'm not - but if that's the way you want to go it's very, very, very possible.
Have a weirder manuscript that you don't think fits? Here's a list of 50 Indie Publishers looking for more experimental works to showcase and sell!
If Random House won't take your work - guess what? Maybe you're too cool for Random House.
“You’ve no right to starve people, to punish them for no reason. No right to take away their life and freedom. Those are things everyone is born with, and they’re not yours for the taking. Winning a war doesn’t give you that right. Having more weapons doesn’t give you that right. Being from the Capitol doesn’t give you that right. Nothing does.” ― Suzanne Collins, The Ballad of Songbirds and Snakes
pov: you just told your bestie how you accidentally killed your boyfriends dad and lied to the public about it
More of old work, it'll take a while before I get to my most recent comics andna
They are just silly
Part 1
the thing I love most about the “Bruce and Jason are both TANKS” supremacy is that it means, in all likelihood, that Nightwing, Red Hood and Batman went on a joint patrol together at least once and some out of towner goon, in a panic, called Nightwing — all 5’10 180 lbs of him — the “skinny one.”
If only one of my posts gets read by amateur authors let it be this:
SUBMIT YOUR WORK TO THE TOP PUBLICATIONS FIRST AND WORK YOUR WAY DOWN!
What do I mean by top? Standards of quality, audience, pay rate, legal contract; it can be anything. What matters is that you set the metric you prefer and aim for the top.
I say this because most new authors think that when submitting short stories, or flash fiction, or poetry, you need past credentials to publish with the highly-ranked publications. That's probably true but the logic is backwards. By the time you're good enough to publish in the highest ranking magazines, you've probably already published in a lot of others. Don't settle, you have nothing to lose.
Let's look at two scenarios. One in which you believe in your writing and one in which you don't.
The confident writer starts submitting to all the top publications. They submit, wait for a rejection, and submit again to a different one. They slowly work down the line until finally they hit the very top of the range of publications that are willing to accept their work. They now know what market they have a chance in and what markets to read from to improve.
The insecure writer starts submitting to all the unknown/unpaid/unvetted publications. They need to build credentials before they can submit to the preferred publications, right? If they don't get scammed out of rights they slowly move up the line of publications. They stop when they get accepted by the very bottom range of publications that will pay them the least amount, or give the least exposure, and think themselves lucky. And now they find themselves gaining much less confidence, and much less understanding of the markets, than if they started from the top. They'll have markets they believe they have to learn from when really they've surpassed them.
Even in the worst case publishing scenario: only one market accepts your publication at the very bottom, the only thing that is lost by being confident is your time. With any other publications willing to accept your work, you're guaranteed to get the better deal by being confident. Starting from the bottom is only self sabotage.
You may get more rejections (or even fewer than you think), but if you keep your head up and keep pushing, it'll be better for your writing and your confidence in the long run.
Besides, you'll probably be scammed less if you start with the ones that everyone trusts.