“What Do You Want Me To Write Here?” -me

*Whimpering*

Y'all

Imagine if Bilbo lost his lil acorn once Smaug was dead.

Throin sees Bilbo looking around all panicked, digging through some pile of gold or gems, and asks about it, and this is where he learns about the acorn.

So of course he offers to help look, while they're looking for the Arkenstone, and eventually they've got the whole company looking for both. Thorin's head seems a little more clear suddenly, so everyone's more looking for the acorn than the arkenstone, because yeah they're looking for the arkenstone, but they'll know it when they see it, they have to CONCENTRAIT to find a lil acorn, and it's important they find IT soon or it'll get crushed, or die or rot. The arkenstone has lasted this long. It'll last a little longer.

And because they've all got he mindset if "yeah thats a bit of gold, but it's not an acorn. Sure sure some pretty gems but it's not an acorn!" In there heads, they stave of the gold sickness.

When Fili shouts, "I found it!" They're all rather disappointing when they realise he means the Arkestone. Thorin pockets it, but they return to their search for the acorn right away.

Then, one day, Thranduil shows up demanding the white gems and Thorin's standing up on the barracks like "Sure, if we come across them."

And Thranduil's like "what do you mean if you come across them?"

"There was a dragon in the mountain for over a century! He wasn't exactly cleaning and we're a bit preoccupied with our own search at the moment! I'll send them your way once we find them! If takes a day or a year, you'll live!" And then he disappears from Thranduil's sight.

Only to reappear after a moment, looking slightly irritated. The hobbit is by his side looking, perhaps hopeful? With a roll of his eyes, Thorin says, bitting out the words like they physically hurt to say "If you would like, perhaps you could send a select few of your most trusted guard, and if they might help us in our search, they can also look for your gems as well?"

Thranduil has never been more caught of guard in his life. Did a dwarf, one whom he'd had imprissoned in his dungeon less than a month ago, just invite his people into his most recently reclaimed treasurey?

"I'm sorry. What?" He blinks up at the dwarf- most elegantly, he assures you.

"Elves have very keen eyes, do you not?" Asks the little hobbit. "We're looking for my acorn, you see, that I got from Beorn the skin changer, I seem to have lost it in the dragon's chase, and we fear it'll be crushed. Throin says your box would likely be in the front of the treasurey, and we haven't searched there yet, though Smaug did follow us through there, so it's a fine place for your people to start. It would be greetly appreciated."

And really. The argument could go on, Thranduil's really not sure he believes there IS an acorn, but if it gets him those damned white gems, fine. He sends Tauriel and her guard, and Legolas volunteers himself.

When Bard shows up asking for aid for the town Thorin throws his hands up. "Your just as bad as the elves! We just got our montain back! Fah! At least you asked for nothing so specific!" And practically chucks a chest full of randomly scooped up gold and gems over at the man. "But if there is an acorn in there, you are to return it immediately!"

There isn't an acorn.

"Why would there be an acorn?" He asks Thranduil that evening as he takes tea with the Elven king who's made camp outside the Lonely Mountain as a statement to the dwarven king he doesn't mean to leave without what's rightfully his, regardless of their compliance.

"His husband appears to be rather attached to it." Thranduil shrugs. "I don't pretent to understand the ways of haflings, but if the hobbit has half so strong a love for that which grows from the earth, as the dwarves do that which is mined from it, and I was a king who'd dragged my consort half way across Middle Earth to risk his life battling a dragon for its hoard, I'd think it wise to have the Mountain turned upside down for one measly acorn as well."

Dain shows up and is about ready to storm the peacefully-aiding-the-humans-at-this-point-because-we're-here-what-else-do-we-have-to-do elves on principle, but Thorin puts a stop to it quick.

It takes Dain a day and a half to realised that Thorin did infact say "they were all looking for an Acorn," yesterday, and several minutes to understand that he was saying "no, we found the Arkenstone days ago," today.

And of course, the orcs and goblins show up and are defeated by the forced of them all, united under Acorn Peace Treaty of 2942

Sadly, weeks go by, and they do not find the acorn. They do eventually find the Gems, and Legolas and the majority of the elves return to Mirkwood, Legolas having made good friends with the Company, especially Gloin (this is a suprise tool that will help him later) but Tauriel remains, and if Thorin wasn't smitten with the hobbit, he might comment on just how close Kili is growing to her. At least she's respectful. Might just teach that boy a think or two. The opposite is, of course, true, and Tauriel becomes just as much a menace as the princes.

As the weeks go by and proper cataloging of the treasury commences, every dwarf who comes to help is shows a picture of the acorn every single morning, and promised a just reward for its discovery.

Eventually, Bilbo has to concede they aren't going to find it, but, well, by then he's not exactly planning to return to the Shire for long enough to care for a sprouting tree.

He does return long enough to stop all his things being auctioned off, no he's not a ghost, thank you very much, and have Bag End transfered to his cousin Drogo and his wife, before setting back out for Erebor with the things he intends to keep.

It's years before anyone thinks of the poor lost little acorn again, decades, infact.

One day, in the early morning of the 21st Durin's day after the reclaiming of Erebor, a dwarf comes rushing from the treasurey to find the Royals preparing for the celebration.

"Is it one of these, your highne- uh, Bilbo, your lost acorn?" He asks, stuttering over the title he knows the hobbit dislikes. "I can't really.... tell them apart."

And Bilbo just blinks, because in the cupped palms of the dwarf's are perhaps 15 or 20 little acorns...

"Where did you find these?" He asks.

"They were in the back."

"The back?" Thorin repeats, then catches himself and shoos the dwarf back the way he came "Show us."

They all- Bilbo and Thorin, the princeses, and a handful of the company who'd been present- follow the dwarf down into the treasurey, and then through the treasurey, past all the neat piles of gold and the many chests of organized gems and stones and all manner of other treasures, until they're presented with a very familiar back door.

Or rather, a hidden passage, tucked away in an alcove, where another handful of acorns' the few the Dwarf who'd brought them the first had likely missed- are scattered about.

"You did... just have the one, right Uncle Bilbo?" Fili asks.

"Or course I just had the one!" Bilbo retorts. "I couldn't have possibly carried that many with me all the way from Beorn's!"

With a resigned sort of sigh, as he begins to piece together the answer to a decades old mystery, Thorin steps forward and follows the tunnel up, up, up, and out of Erebor, the others- save the dwarf who brought them, dismissed by Bilbo with a smile, a thanks, and an oh, no, you may keep those- right behind.

As they walk, the acorns start to increase. Though there's never so many as to begin piling up in the tunnel, by the time they reach the end, the majority of the ground is covered in a solid layer if the little things, and the crunch underfoot as they all emerge onto the ledge which they had all once stood, with batted breath in the moon light as they realised they were at last, truly home.

"Was that here last time?" Kili asked, studying the impressive Oaktree shading the entire ledge that sat in front of the secret entrance to Erebor.

The trunk of the tree was wide and solid, sitting right up against the mountain side, and rather winning the battle of wills against the carved stone architecture of the dwarves. Its limbs grow twisted and wild, up and out in all directions. It's easily 250 or 300 feet tall. There is all sorts of life flittering about in its florishing branches, all covered in brilliant green leaves, and fresh green little acorns.

The growned all around them is covered in acorns as well, so many more than the tunnel.

"No." Thorin says, watching a squirrel dash down from the trunk of the tree, shove several acorns into its cheeks, and dash back up the trunk. "No it was not." He turns to Bilbo, and raises an eyebrow. "Lost it after the dragons chase, you said?"

Beet red and look quite flustered, all Bilbo can manage out is a squicky little "oops."

"'Oops' indeed." Thorin returns, smiling fondly.

OH MY GOD HOLY SHIT THIS IS AMAZING

another gravity falls animation! :3 hope yall enjoy!

happy pride

"Who are you outside of the media you consume" I am not "consuming media" i am watching or playing or reading I am expiriencing stories. Who would I be without making stories or listening to music or playing with dolls or eating food? Maybe I'm not doing these things to drown my brain with them so I wouldnt have to deal with me but because I like them. Because I like stories. Because even if I lived in a time without the internet I'd still be reading books and gossping with friends and humming to songs I like. And even furhter before that before books Id still be sitting around with people hearing the stories they make and making my own!

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a

Lord Boxman, the Lonely Tyrant of Boxmore

Note: I've been wanting to return to writing beefy character essays for awhile and I was finally able to start back up after rewatching O.K. K.O.

Lord Boxman started out wanting to build a robot army strong enough to defeat POINT. Look at his early interactions with his first sapient robot Mr. Logic. This was his original business partner; someone he 'invented' to help fill in what gaps and blind spots he might have. Someone he wanted active feedback and suggestions from. Boxman himself was a lot more open-minded, patient, and collaborative at this point in time. He immediately called Mr. Logic his 'best friend' and treated him with warm, open affection.

Mr. Logic advised Boxman that he shouldn't immediately jump at his goal because he didn't yet have the manpower or resources to pose a legitimate threat. Instead, Mr. Logic proposed using Boxman's inventing abilities to tweak and improve upon his current inventions, to sell these inventions to other villains, and build a villain supply chain store. With time, hard work, and concentrated efforts, Boxman would eventually have the resources and power to successfully launch an attack later. It was a big-picture, long-haul plan. The Mr. Logic-Boxman team led to building the main Boxmore company headquarters and establishing Boxman as a trusted robot minion supplier.

Unfortunately, Boxman isn't a big-picture man. He didn't stop to consider that heroes could also start up and maintain a hero supply chain. Suddenly, POINT wasn't an abstract, 'someday' goal-post anymore. The heroes were right in Boxman's backyard with the presence of Mr. Gar and the developing Lakewood Plaza Turbo. Boxman thought he had ample time to become an indomitable powerhouse, but if the heroes had the same advantage, he'd never be able to catch up and had to address that problem now. When Mr. Logic said to "ignore Lakewood Plaza," Boxman was too lost in himself to listen. He felt threatened and intimidated enough that it stoked his insecurities and anxieties.

When Mr. Logic ventured out to investigate Lakewood Plaza, it could be seen as someone talking to the "other" that their parent, friends, or whomever painted with broad strokes and demonized. Boxman told Mr. Logic that his role was to fill in the "logical inconsistencies" with his plans, but he never asked Mr. Logic what he wanted to do with his life. With Boxman, everything was tailored to realizing Boxman's dreams and ambitions. When Mr. Logic spoke to Mr. Gar, it was a partly about what the Plaza was for and what Mr. Gar hoped for the future with the other part inviting Mr. Logic to share his plans for the future; plans about and for himself, not just the sustainability of Boxmore.

After Mr. Logic had his perspective broadened and returned to Boxmore wanting something fundamentally different from Boxman's new "Destroy the Plaza!" direction, it was the straw that broke the proverbial camel's back. Boxman was already knee-deep in plans to stop this new existential threat; to have full control over his environment and his life. When Mr. Logic challenged Boxman's worldview, Boxman saw it as a challenge to him personally. Seriously considering Mr. Logic's arguments here meant that Boxman would have to self-reflect in a way he wasn't equipped to. So if Boxman had to shave down Mr. Logic's personhood to a black and white concept of "obstacle in my way" to safeguard his ego, that's what needed to be done.

GIF by zevzevarainai

The episode "Lad & Logic" is a fantastic launchpad to unpacking Boxman's screwed-up dynamic with his other children. His creator-robot minion dynamic is an allegory for an emotionally abusive parent that sees their children as extensions of themselves rather than full, autonomous beings with their own wants and desires. Mr. Logic was fully self-actualized and wanted something different than Boxman. Despite what he said out loud, Boxman knew that Mr. Logic was on even footing with him. Everything came down to power dynamics. So, when Boxman invented his next set of robots, he opted to be their "parent" because of the power imbalance he could exploit.

Shannon, Darrell, Raymond, and others strictly and obediently follow their father's wishes because they were deliberately conditioned and threatened to. Boxman pits them against each other to vie for his favor. The only TV they're allowed to watch at home are movies he carefully filmed to reinforce his "father knows best" agenda. It's similar to strict Christian parents banning their kids from watching certain shows or reading certain books because they may contain "undesirable" properties. Anything that encourages their child to question Christianity or endorses more critical thinking about their household values period is a threat to their authority and maintaining a "functional" household.

While Darrell, Shannon, and Raymond seem satisfied with their lives, unconditionally love their father, and gleefully attack the plaza, every time Boxman threatens them with the "furnace" or yells at them for failing, it's an exaggerated, blunt example of bad parenting. The "furnace" is a catch-all punishment for not being able to meet or exceed Boxman's expectations with anything and everything. He leaves some amount of ambiguity in his demands so that he can tug the proverbial leash every time he feels he needs to.

Granted, it's important to look at everything that led up to Lord Cowboy Darrell. Boxman's most egregious display of favoritism was when he built Boxman Jr. and refused to acknowledge how stung Darrell was. He kept pushing how much stronger, more competent, and better Boxman Jr. was overall. Generally, Darrell's respective relationships with Shannon and Raymond were strong enough to buffer against Boxman's picking favorites tactic. They'll fight each other for Dad's affection, but there was always an implicit understanding that they had each other's backs under normal circumstances. Jr. is different in that he had no significant relationship with his other siblings, only Boxman. And Boxman blatantly showered the newest addition with praise and affection the others never received.

Pushed to his limit, Darrell took matters into his own hands and staged an effective coup d'etat against Boxman. Through his disillusionment with his father, Darrell stepped up and became the focused, tight-knuckled business operator that Boxman could never be. Boxman tried to fill the mold that Mr. Logic helped him create and focus on appeasing his board of directors. But his all-consuming obsession with destroying the Plaza was always his true life's goal and work. This was such a core part of his character that he was miserable and hollow if he gave up on that goal. In contrast, Darrell can follow orders and do what needs to be done with whatever task he's given. The result of Lord Cowboy Darrell was one potential future of Darrell as a self-actualized villain without Boxman putting him down and actively demoralizing him.

After K.O. convinces Boxman to talk to Darrell and tell him he's proud of his achievements, it leads to the pivotal moment that Boxman couldn't give Mr. Logic. For once, Boxman looked at one of his kids and saw them as a separate, autonomous being rather than an extension of him. For that brief moment, he placed Darrell on equal footing. Darrell took over Boxmore partly out of spite but also out of an earnest interest in following in Boxman's footsteps. Without Boxman, he's a better Boxman; with Boxman, he's a co-conspirator that's as eager to destroy the Plaza as Boxman is.

GIF by the-green-sailor

Enter Professor Venomous. In stark contrast to Lord Boxman, Professor Venomous and Fink call themselves "boss" and "minion" respectively but it's really a father-daughter relationship. Venomous makes a point of bringing Fink along to important events or letting her tag along where relevant. He brings along what extras are needed to accommodate Fink whether it's a high chair, crayons, or even glorbs for a high-powered attack on some heroes. At their best, Venomous makes a point to talk to Fink on her level and she speaks very highly of what kind, affectionate gestures he does for her. Where Venomous trips up is discipline. Fink can do whatever she wants. Babysitters are run over by her reckless energy and disregard for other people that aren't Venomous. Any sign of a complaint or a tantrum is pacified with an expensive gift. When Venomous starts getting overwhelmed, the gifts replace all usual attempts at parenting or communication period.

After re-watching O.K. K.O. recently knowing that Professor Venomous was K.O.'s biological father from the jump, perhaps the "boss" and "minion" labels were Venomous' coping mechanism for knowing he abandoned one of his kids. It was easier to interact with and care for Fink as long as she was his "minion." That's a different enough relationship that he can compartmentalize it and distance it from what guilt or regrets he had from his past as Laser Blast.

When Boxman became business partners with Professor Venomous, it led to obvious shifts in his approach to parenting. After his night out with Venomous and Darrell and Shannon babysitting, he gave them T-shirts as rewards for their efforts. No pushes at playing favorites or nitpicking for once.

GIF by loser-jpg

With Professor Venomous in the picture, Boxman finally had the business partner he wanted and needed. While Mr. Logic's approach worked beautifully for kickstarting Boxmore, Boxman needed Venomous to cultivate it into exactly what he wanted vs what it was when tied to a board of directors. For a short time, Boxman and Venomous were building a blended family that was more successful together than separately. Boxman encouraged exercises and attempts towards Fink and Darrell getting along better. The Boxbots all received personalized upgrades from Venomous to improve and augment what weaponry or abilities they had. Fink now had access to what 'toys' Boxman could invent that were several grades above what Venomous could just buy. In short, Boxman dating Venomous led to him becoming a more proactive parent in a surprisingly organic way.

Venemous' intense self-destructive and literally destructive stint as Shadowy Venomous further elucidated what impact he had on Boxman. When Boxman had to step up as the responsible parent, the first problem he addressed with Venomous was how he'd been failing Fink recently with the "You missed Fink's recorder recital" comment. He was also emotionally strong enough to realize that Venomous was causing enough problems in the household that things had reached a boiling point and he had to leave. Breaking up would be emotionally devastating for him but Boxman was prioritizing the emotional well-being of his house and kids overall.

Even the devastating scene where Boxman leaves his kids to go off on an ambiguous "finding myself" quest was meaningful improvement on his part. Similarly to his confrontation with Lord Cowboy Darrell but with all of his kids this time, Boxman told them that they didn't need him. He was cutting the dependent and toxic grip on his apron strings. The Box kids are resilient and capable enough that they could carve out their own path.

There's a quote that Boxman brings up in another episode: "I'm a villain. I'm not a monster." In context, the quote was a punchline for a dark joke about Boxman potentially being a cannibal. Though, it interestingly applies when looking at Boxman's actions during his confrontations with Shadowy Venomous. Shadowy was the kind of monstrous villain that wanted mindless destruction and to see the world burn. Seeing the absolute lowest his partner could reach led to Boxman establishing what lines he wouldn't cross.

He wants to destroy the Plaza, not the world, and a pretty face isn't enough to convince him otherwise when he finds the self-assurance and confidence he needed. It's the pique of his character development as a father. While there is a lot more room for exploring this part of Boxman's character, there's enough substantial story here that it's an interesting look at a "bad dad" that was actively working on becoming better. Boxman and Venomous get back together later but only after Venomous proves that he's working through his bigger issues in a meaningful way with real, tangible results.

Over the last several years, there have been several stories tackling generational trauma that include parents realizing their failings and working on course-correcting with those failings. This has been a point of contention about a recurring to the point of tired stories in recent Pixar animated movies and the core of what made Everything, Everywhere, All at Once the powerhouse that it is. It's not too far of a reach to include Boxman as another one of these stories or even a decent starting place for digging into stories or characters dealing with generational trauma.

In Boxman's case, he could be seen as an example of an insecure parent that uses their role as a parent to reassure themselves in a constantly changing, unpredictable world. He only starts to get better when he starts changing and adapting to fit into that unpredictable world rather than trying to make his little corner of the world continue to conform to just him alone.

Fluttershy grapples with the realization that she is, in fact a monster fucker.

meanwhile in Discord's brain:

Wow

The similarities

The Stan Twins & The Murdock Twins

This has to be the silliest comparison post I’ve made so far but I couldn’t help myself from seeing the similarities between Stanford and Stanley Pines and Matt Murdock and Mike Murdock.

Stan and Ford were twins who come from a working class Jewish household in New Jersey. Matt and Mike are twins who lived with their working class father in Hell’s Kitchen, New York City.

Stan and Mike were regarded as the troublemaking twin to their smarter twin, Ford and Matt, who either lets them copy off their homework or pretends to be them for their summer make up class. However, Stan and Mike are also their twin’s protector, often getting into trouble with the school because they keep squaring off against the bullies who would target their brother.

Ford and Matt are both intelligent men, the twin their father saw as having a real chance of getting out of their neighborhood and making a name for themselves. Although Jack Murdock encouraged Matt because he didn’t want his son to turn out like him while Filbrick saw Ford’s potential scholarship as a meal ticket.

They are the twin who got to enroll and graduate from college and are also vigilantes who had an “I Work Alone” mentality.

Stan and Mike were initially taught boxing by their fathers as kids but that didn’t pan out much. They were the younger irresponsible charming rascal twin to their older more serious intellectual twin, conmen who got into all sorts of shady dealings with gangs.

As adults, Matt and Mike and Stan and Ford have a frosty relationship with each other. A big part of this comes from the actions the younger twin committed in the past. For Matt, it was Mike’s criminal dealings and for Ford, it was Stan accidentally destroying his machine and pushing him into the portal.

But despite everything, both sets of twins love each other they just don’t know how to properly express it. Well, Stan and Ford got to reconcile and mend their relationship as brothers. Matt and Mike aren’t so lucky in that department unless some supernatural shenanigan strikes again.

I cant fucking breathe

my boss asked me to make a fathers day sign (something that isn’t in my job description) and i was trying to figure out how to make it better because i just wrote it’s father’s day on an A3 piece of paper which leaves a lot of blank space. my brain said “put some fictional fathers on there people love them” so i put elrond on the sign and then completely blanked on any other fictional fathers. this is what the students and their parents are getting tomorrow.

Beautiful

My masterpiece