Something About The Men Who Turned Harry's Life Upside Down...

Well, kind of. I mean, it suggests he probably doesn’t care much about his hygiene, which could be a result of his depression, or, when he was a kid, a result of parental neglect and poverty. Or maybe he always had naturally oily hair, which might have given the impression that he doesn’t take care of it.

Yk, people are really getting a bit carried away trying to argue that Snape’s hair isn’t greasy, just because they’re uncomfortable with his unkempt appearance. But Rowling consistently describes his hair as greasy; it’s not just Harry’s biased view, but it’s in the narration itself. Harry notices it when he first spots Snape, before any animosity has developed and before his bias kicks in. This is a deliberate part of Snape’s character, contributing to the complexity and depth of who he is. There’s a reason for it. So yes, Snape’s hair is greasy and it’s not just pure bias.

"Then write it yourself." I hate writing… If I enjoyed it and didn’t dread the process, I would’ve already written it into existence. But there’s nothing that feels more excruciating than that.

Finished Squid Game 2 and I'm obsessed. It got me so hooked I literally cried so hard at the most random moments because of how impactful and meaningful everything felt and the metaphors for capitalism and class and omggg. Season 1 was great but this one just meant more for me and I'm so excited for this thing to become my new source of dopamine for the unforeseen future.

Im so obsessed with Shauna Shipman and her obsession with consuming Jackie. Her boyfriend, her life, her body. Shauna doesn't even believe in the Wilderness. The girls don't even need to resort to cannibalism anymore, she's just making them do it so she can relive eating Jackie. It's why later she makes their victims wear Jackie's necklace when they kill them. She literally never moved past losing Jackie. "Do you think Mel has to wear Jackie's clothes when they make out?"

Educated = Hot

The Class Dynamics between James Potter and Severus Snape: A Critical Analysis:

This is a dedication to all those who say that class has nothing to do with the bullying that James exerted on Severus, to those who claim that James couldn't be classist because "he never proactively despised anyone for being poor" or because "he was friends with Remus," to those who say "Snape also attacked him" or suggest it was a "rivalry" and that they were on equal footing, or simply to those who say they are "fictional characters" and that fiction has nothing to do with reality, blah blah blah. This is something I have written with bibliographical references because, once in a while, I can stop being a simp goof and show off my university degree in political science. And yes, I am going to be an authentic pedant because I can, and because many people seem to live in a candy-coated world regarding these issues, and it wouldn't hurt them to get a bit educated. That said, here goes my essay:

When analysing the interactions between James Potter and Severus Snape in the "Harry Potter" universe, it is common to find vehement defences of James, arguing that his bullying was not class-motivated. However, it is crucial to untangle how class dynamics operate structurally and how this influences interpersonal relationships. James Potter, as a member of a wealthy, pure-blood family, represents the dominant class, while Severus Snape, coming from a poor, working-class background, embodies the subordinate classes. In the magical world, pure-blood lineage is associated with inherited privileges similar to aristocracy in the real world, where blood purity is a marker of status and power. Authors like Anderson and Löwe (2006) have explored how heritage and lineage have been determining factors in the distribution of power and privileges throughout history, both in fictional and real contexts. This socioeconomic background plays a crucial role in the power dynamics between characters like James and Severus, highlighting how class structures affect their interactions and perpetuate inequality.

Social class, according to Marxist analysis, is a structural category that determines individuals' positions within society based on their access to the means of production. In "Harry Potter", pure-blood status equates to magical aristocracy, while Muggle-borns, Half-Bloods with muggle parent and those from humble origins, like Snape, represent the working or marginalised classes. James Potter, on the other hand, embodies the privileges of the elite, not only through his wealth but also through his lineage, which grants him a status that influences his interactions with others.

The bullying James exerts over Severus cannot be disconnected from its socioeconomic context. Although James may not have explicitly expressed disdain towards Severus for being poor, the way he exploits his superior position to humiliate and subdue Severus reflects power dynamics based on class. Pierre Bourdieu describes how power structures are reproduced through symbolic violence, where the dominant classes impose their cultural and social legitimacy over the subordinate ones, perpetuating inequality. In the context of 'Harry Potter', this symbolic violence is reflected in how the magical aristocracy imposes its values and norms on those of humble origin. The public humiliations James inflicts on Severus are not just acts of bullying but also manifestations of a structural power that favours the privileged like James. Besides Bourdieu, other theorists such as Michel Foucault could provide complementary perspectives on how power is exercised and perpetuated in institutions, in this case, Hogwarts as a microcosm of magical society.

In James and Severus's case, this symbolic violence manifests in the public humiliations James inflicts on Severus, using his status to ensure there are no significant repercussions. James's position as a popular and privileged student grants him social immunity that Severus, due to his humble origin, cannot counter. This demonstrates how class structures influence the dynamics of school bullying, where resources and social capital determine which behaviours are acceptable and which are not.

The "Harry Potter" fandom often minimises James's actions, portraying him as a mere prankster without malice, while pathologising Severus's response, attributing it to resentment and bitterness. This narrative reinforces the whitewashing of the actions of the rich and popular to the detriment of the poor and marginalised. Theodor W. Adorno and Max Horkheimer, in their "Dialectic of Enlightenment", explain how the culture industry and hegemonic discourses contribute to naturalising domination relationships, presenting them as inevitable or even fair. Their analysis reveals that modern media perpetuates class dynamics by presenting power structures as natural and immutable. This can be observed in how the dominant narrative in the 'Harry Potter' franchise tends to glorify high-class characters like James while marginalising figures like Severus, whose resistance to the system is viewed with suspicion or disapproval. Contemporary studies, such as Mark Fisher's "Capitalist Realism" (2009), also highlight how media reinforces the current economic and social status quo, making it difficult to imagine alternatives to the existing system.

By justifying James's bullying as mere youthful pranks, the fandom perpetuates a narrative that excuses the abuse of power and classism, ignoring the impact these actions have on individuals like Severus, who are already in a structurally disadvantaged position. This reinforces social hierarchies and strips victims of their agency and dignity.

Severus's portrayal as a bullying victim is intrinsically linked to his social class. His marginalisation is not just a product of his actions or personal choices but a consequence of social structures that privilege figures like James Potter. Antonio Gramsci's theories on cultural hegemony are useful here to understand how the dominant class's ideas are imposed as normative, silencing the oppressed voices and legitimising the violence they suffer. In the 'Harry Potter' narrative, this hegemony manifests through the glorification of the values and behaviours of pure-blood characters like James, while the perspectives of the marginalised, like Severus, are dismissed or vilified. For example, the Marauders, led by James and Sirius, both rich pure-bloods, are portrayed as mischievous heroes despite their aggressive behaviour towards Snape, who is depicted much more negatively even when acting in self-defence. This reflects how cultural hegemony shapes public perception, perpetuating a value system that favours the privileged and marginalises the oppressed. Authors like Stuart Hall have explored how media and popular culture reinforce these hegemonic structures, underscoring the need for critical analysis to dismantle these dominant narratives.

Severus, in this sense, represents those who are constantly repressed by power structures and whose narrative is distorted to fit a worldview that favours the privileged. His resistance and eventual adoption of extreme ideologies can be understood as a response to this marginalisation, a desperate attempt to reclaim agency systematically denied to him.

To fully understand the relationship between James Potter and Severus Snape, it is essential to acknowledge the influence of class structures on their interactions. The narrative that minimises James's bullying and blames Severus perpetuates a simplistic and biased view that ignores the complexities of social inequality and power. By applying a critical analysis based on Marxist theories, we can unravel how classism permeates these relationships. Studies on young adult literature, such as those by Maria Nikolajeva, and the analysis of victimisation frameworks in popular culture by Henry Jenkins provide a theoretical framework that reinforces the need to re-examine fandom's conceptions to avoid perpetuating these structural injustices. These investigations highlight how narratives of power and oppression are often shaped by dominant interests and how this affects the public's perception of marginalised characters like Severus.

Hinny wasn’t an epic romance. It wasn’t meant to be at the time. It fits Harry perfectly not to fall in love and develop a close romantic bond with someone during a time when he was grieving Sirius and had tons of responsibilities on his shoulders. After reading the books again, I have realized that Harry didn’t actually like Ginny for who she was but merely for what she represented. She provided comfort and a hopeful future. She was a distraction, just like stalking Draco was a distraction. That doesn’t mean Ginny and Harry didn’t mature and develop genuine love as adults, but it was not like that during the war. It was a teenage, shallow, physical distraction based on hormones and the need for comfort/sense of normalcy. At least for Harry. I’m not sure about Ginny.

It's not just Remus who's tired after a full moon.

Professor McGonagall pretends she doesn't see them holding hands under the table.

@drawprongsfootbadly

(permission for @resident-gay-bitch)

Their relationship deteriorated because it was full of miscommunication. They just had these expectations and views of each other that were never fulfilled, I suppose. They couldn’t understand each other, and that was the main problem. Snape probably idealized Lily, while Lily didn’t understand Snape, so she couldn’t see why he kept hurting her in her eyes. They loved the idea of having a best friend, but I don’t think they ever truly knew each other. What kept Lily coming back was nostalgia, safety, and probably shared interests.

I absolutely hate the whole 'snape loved lily' plot twist. People often equate it to the way Sirius still loved and missed james years after his death and went to insane lengths to protect his son, but tht was so not the case with snily.

Coz snape and lily had such a toxic, imperfect relationship in canon, but instead of treating it tht way it was never addressed. It wud hv been so interesting to explore this, but the series just doesn't.

Both of them r awful friends to each other. Snape's faults r obviously pretty clear (aiming to join a terrorist group tht believes ppl lyk his friend shouldn't be alive...yea tht doesn't need to be mentioned twice lol). Don't get me wrong, lily was completely right to cut Snape off, but it wasn't lyk she was a good friend even before tht. Can u ever imagine Ron or Hermione almost smiling if Draco was exposing Harry's underpants to a crowd of jeering students? Nope. They wud throw hands, period. Can u imagine any of the marauders doing tht to each other? (their internal dynamics might not be the healthiest but they wudnt stand for it if an outsider bullied their friends). Absolutely not. Coz it's not about these characters, it's just... not how u react when ur 'friend' is getting tormented (or anyone else for tht matter, but friend in this context specifically). Also can u imagine Ron or Hermione relying on school rumours saying tht Draco saved Harry's life without asking Harry about his version of the event first? Nope. Can u see what I'm getting at here?

Lily wasn't even a good friend to Snape to begin with, but he loved her until the end (irrespective of whether u want to see it as romantic or platonic). Now, I cud buy the narrative tht lily was the only person who was ever kind to him and thts y he clung on to her, but thts not how canon sees it. The source material doesn't address the nuances of this relationship in any meaningful way other than 'snape loved lily and tht is y he switched sides'.

Which is y the reason he switches sides, and his continued love for lily until he dies at 38 seems sort of shallow to me. Coz it wud be different if he'd hurt someone who truly loved him, but thts clearly not the case (u cud say tht lily loved him and did wrong by him too but tht isn't canon, given tht canon doesn't think she ever wronged him to begin with). Just feels lyk he was gaslit by the author tbh

Writing me a poem 🤭

Study featuring Snape, or: Snape Studying, a study by me.

Also featuring this beautiful young woman from Pinterest.

fanfic authors b like ‘haha this chapter got a little out of hand it’s a little longer like 60k words’

babes that’s a novel. you wrote a novel.