Strangers, In The Window

rose of versailles (1972) illustrated by riyoko ikeda

“Ah, to be young and feel love’s keen sting”

Another one for Sparknotes

Sound of the Sea (Karl Gussow, 1843 - 1907)

VIKTOR SCENES IN ARCANE (2/?): 1.03. The Base Violence Necessary for Change

Seek Truth in Darkness

This is an expansion and continuation of many of the ideas expressed in my previous meta ‘Chasing the Ghosts of Season 8.’ You may wish to read that first if you haven’t already, though it is not necessary to understand this meta.

Herein is contained all the actual textual evidence  I’ve gathered of Voltron Legendary Defender, Season 8 having been edited post-production, as well as a handful of circumstantial conclusions I feel have strong enough textual evidence supporting them to stand up to scrutiny. This is as ship-neutral as I can make it, given a number of the most highly edited scenes are ones that in the edited version of s8 are played as distinctly romantic in nature.

Continua a leggere

i think it’s really amazing how total strangers who have nothing in common but their shared love of a work of fiction will come together across distances and dedicate their time and energy working collaboratively to build an extensive, richly detailed fanon that completely fucking sucks

The Subtle Horror of Evangelion

What keeps us all hooked to Eva time and time again? You get through your initial, confused watch of either Evangelion endgame, probably sometime in your adolescence wondering what the hell it is you just watched. The original source material is suffused with unsettling imagery, and sometimes too-close-for-comfort shorts. It’s so much to process that one watch is never enough. The imagery isn’t enough, however, because the mid-to-late-90s series comes with things you’ll pick up the more you focus on certain characters’ struggles or the interesting world-building. They arise little by little with every re-watch, adding onto what interested you in Eva to begin with.

There’s always that little voice asking you “What it is that really draws me here?”

Oh. The horrors.

The tragedy of it all.  

These things never leave you the second you bear witness to them, whether you become aware of them or not. You’re disturbed over it, a tad worried, no doubt, but you’re strangely hooked.

Horror works better on limitation, it’s why found footage capturing pale, ghastly, monstrosities of the deep wood will always stand as exponentially terrifying. While most all of us have taken cracks at Eva’s budget at some point, that’s what really drives these terrors home. Its low budget nature made it work.

Evangelion has commentary which forces a viewer to reflect. Most no one enjoys that. It’s the fear, however, that has its audience come back. Evangelion’s reflection alone isn’t what gives Eva it’s charm decades after its run. It’s the little things, most everyone misses, the anxieties, the terrors, all of it. Most of those things, fly over a lot of fans’ heads.

Buckle up, there’s a lot to go through…. (warning for mentions of abuse, body horror, means of suicide, nudity, blood, and gore)

Continua a leggere

I had all and then most of you Some and now none of you Take me back to the night we met