I Wouldn't Call Pratchett's Writing Unhorny. He's Just A Tease. He Absolutely Loves To Imply That Horny

On w*ndigoag:

W*ndigoag/w*ndigo are sacred Algonquian spirits that have spread to other Anishinaabe cultures. They aren’t worshiped or whatever, they are feared.

They’re the physical embodiments of evil, the result of a person falling into the trap of greed and cruelty, usually in the form of cannibalism. Our fear not only stems from the spirits and the danger they pose to others, but also their implications and the constant reminder that anyone can become a monster if they allow themselves to.

They are not bipedal deer and I have no idea where that concept came from. Most traditional depictions show them as humanoid giants made of ice, usually with the body of the person they came from encased inside.

In some stories, they’re killed by people, usually via fire. In others, they can only be killed by luring them to a body of water and getting the attention of a water spirit to fight it.

There’s very, very few stories where the person can be saved. The transformation into a w*ndigo is not a reversible one, and the only real way to save someone from that existence is to free them with death.

We censor their names because, traditionally, we’re taught not to say them out loud in case we get the attention of one or summon one. This is especially important during winter or at night.

They are not benign spirits. They are not kind. They are not rational. They are evil and cruel, and their only desires center around killing and eating. They’re as rational and logical as a wild raccoon in the late stages of rabies.

You cannot work with them. They can’t be bound, and they definitely can’t be bought or sold. Do not trust any spirit who claims to be a w*ndigo and do not trust any spirit worker who tries to sell you one.

W*ndigoag are Algonquian and Anishinaabe spirits. Algonquian people are the authorities on them, other Anishinaabe people less so. Non-Anishinaabe Natives cannot say that appropriation of w*ndigoag is okay because that isn’t their culture and it’s definitely not their decision to make. You cannot give someone permission to use something that isn’t yours.

The use of w*ndigoag in non-Native media is appropriation. The only exception to this is in when the creators work with Algonquian people to make respectful and accurate depictions. You’ll be very hard pressed to find cases of this.

W*ndigoag are not cryptids because they are sacred spirits. Abrahamic angels are not cryptids. Japanese yokai are not cryptids. Vodou loa are not cryptids. Respect indigenous beliefs as legitimate spirituality instead of reducing our cultures down to bastardized stories.

If you aren’t Anishinaabe, you cannot be “wendigokin”. Appropriation of indigenous spirituality isn’t suddenly okay because your ~soul~ is an indigenous spirit. You are not entitled to our cultures or spiritual beliefs. Jfc.

“Wendigocore” is also bullshit, what the fuck is wrong with you all? Our sacred spirituality is not your ugly ass aesthetic.

(Left those uncensored because it’s a summer afternoon and I want people in those tags to see this. Fuck off.)

Anishinaabe people are not obligated to share our SACRED STORIES with outsiders in order for them to be respected. We don’t want you to make your depictions of w*ndigoag in your stories more accurate. We just want you to leave our cultures alone for once.

Now please stop sending me messages about w*ndigoag. I understand you all just want to learn but I am so fucking tired. I’ve answered these questions dozens of times and I need a break.

Don’t start discourse on this post. I am not in the mood for it.

If any Algonquian or other Anishinaabe people have corrections, hmu. 

There’s also a large grey area between an Offensive Stereotype and “thing that can be misconstrued as a stereotype if one uses a particularly reductive lens of interpretation that the text itself is not endorsing”, and while I believe that creators should hold some level of responsibility to look out for potential unfortunate optics on their work, intentional or not, I also do think that placing the entire onus of trying to anticipate every single bad angle someone somewhere might take when reading the text upon the shoulders of the writers – instead of giving in that there should be also a level of responsibility on the part of the audience not to project whatever biases they might carry onto the text – is the kind of thing that will only end up reducing the range of stories that can be told about marginalized people. 

A japanese-american Beth Harmon would be pidgeonholed as another nerdy asian stock character. Baby Driver with a black lead would be accused of perpetuating stereotypes about black youth and crime. Phantom Of The Opera with a female Phantom would be accused of playing into the predatory lesbian stereotype. Romeo & Juliet with a gay couple would be accused of pulling the bury your gays trope – and no, you can’t just rewrite it into having a happy ending, the final tragedy of the tale is the rock onto which the entire central thesis statement of the play stands on. Remove that one element and you change the whole point of the story from a “look at what senseless hatred does to our youth” cautionary tale to a “love conquers all” inspiration piece, and it may not be the story the author wants to tell.

Sometimes, in order for a given story to function (and keep in mind, by function I don’t mean just logistically, but also thematically) it is necessary that your protagonist has specific personality traits that will play out in significant ways in the story. Or that they come from a specific background that will be an important element to the narrative. Or that they go through a particular experience that will consist on crucial plot point. All those narrative tools and building blocks are considered to be completely harmless and neutral when telling stories about straight/white people but, when applied to marginalized characters, it can be difficult to navigate them as, depending on the type of story you might want to tell, you may be steering dangerously close to falling into Unfortunate Implications™. And trying to find alternatives as to avoid falling into potentially iffy subtext is not always easy, as, depending on how central the “problematic” element to your plot, it could alter the very foundation of the story you’re trying to tell beyond recognition. See the point above about Romeo & Juliet.    

Like, I once saw a woman a gringa obviously accuse the movie Knives Out of racism because the one latina character in the otherwise consistently white and wealthy cast is the nurse, when everyone who watched the movie with their eyes and not their ass can see that the entire tension of the plot hinges upon not only the power imbalance between Martha and the Thrombeys, but also on her isolation as the one latina immigrant navigating a world of white rich people. I’ve seen people paint Rosa Diaz as an example of the Hothead Latina stereotype, when Rosa was originally written as a white woman (named Megan) and only turned latina later when Stephanie Beatriz was cast  – and it’s not like they could write out Rosa’s anger issues to avoid bad optics when it is such a defining trait of her character. I’ve seen people say Mulholland Drive is a lesbophobic movie when its story couldn’t even exist in first place if the fatally toxic lesbian relationship that moves the plot was healthy, or if it was straight.                          

That’s not to say we can’t ever question the larger patterns in stories about certain demographics, or not draw lines between artistic liberty and social responsibility, and much less that I know where such lines should be drawn. I made this post precisely to raise a discussion, not to silence people. But one thing I think it’s important to keep in mind in such discussions is that stereotypes, after all, are all about oversimplification. It is more productive, I believe, to evaluate the quality of the representation in any given piece of fiction by looking first into how much its minority characters are a) deep, complex, well-rounded, b) treated with care by the narrative, with plenty of focus and insight into their inner life, and c) a character in their own right that can carry their own storyline and doesn’t just exist to prop up other character’s stories. And only then, yes, look into their particular characterization, but without ever overlooking aspects such as the context and how nuanced such characterization is handled. Much like we’ve moved on from the simplistic mindset that a good female character is necessarily one that punches good otherwise she’s useless, I really do believe that it is time for us to move on from the the idea that there’s a one-size-fits-all model of good representation and start looking into the core of representation issues (meaning: how painfully flat it is, not to mention scarce) rather than the window dressing.

I know I am starting to sound like a broken record here, but it feels that being a latina author writing about latine characters is a losing game, when there’s extra pressure on minority authors to avoid ~problematic~ optics in their work on the basis of the “you should know better” argument. And this “lower common denominator” approach to representation, that bars people from exploring otherwise interesting and meaningful concepts in stories because the most narrow minded people in the audience will get their biases confirmed, in many ways, sounds like a new form of respectability politics. Why, if it was gringos that created and imposed those stereotypes onto my ethnicity, why it should be my responsibility as a latina creator to dispel such stereotypes by curbing my artistic expression? Instead of asking of them to take responsibility for the lenses and biases they bring onto the text? Why is it too much to ask from people to wrap their minds about the ridiculously basic concept that no story they consume about a marginalized person should be taken as a blanket representation of their entire community?

It’s ridiculous. Gringos at some point came up with the idea that latinos are all naturally inclined to crime, so now I, a latina who loves heist movies, can’t write a latino character who’s a cool car thief. Gentiles created antisemitic propaganda claiming that the jews are all blood drinking monsters, so now jewish authors who love vampires can’t write jewish vampires. Straights made up the idea that lesbian relationships tend to be unhealthy, so now sapphics who are into Brontë-ish gothic romance don’t get to read this type of story with lesbian protagonists. I want to scream.      

And at the end of the day it all boils down to how people see marginalized characters as Representation™ first and narrative tools created to tell good stories later, if at all. White/straight characters get to be evaluated on how entertaining and tridimensional they are, whereas minority characters get to be evaluated on how well they’d fit into an after school special. Fuck this shit.                            

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I'm volunteering for a literary journal right now and there's two things I think you all should know.

1. Most people that submit to literary journals are cis white men. We know this because our journal has an anonymous survey about demographics for people that submit.

2. Most things that get submitted to the creative non fiction section are on the level of middle school "What I did over the summer" essays.

I cannot see the demographics of the people whose essays I'm reading, but guys, if you are wondering if you should submit your work to a literary journal or not, I promise you that just in terms of statistics there are a lot of mediocre cis white men and people in general confidently submitting weird crap that isn't literature to literature magazines. Do it. Submit your work. Please. If you want there to be more diversity in literature, be the diversity. Do it. Do it do it do it.

since i have not seen anybody share information on this here, please pay attention to the philippines right now and provide any support you can. if this bill passes, people's basic rights to free speech will be taken from them.

anyone seeing this from the ph, please stay safe and stay strong. these are scary times.

Hello.

I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?

Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.

This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action sale—s1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.

(Adding a cut here, because this goes on a bit...)

In 2007, social media as we now understand it was still in its cradle. Now, though, those of us who're striking can make our voices much more widely heard. And so can those of us who're not, but just want to show solidarity. Last time, the AMPTP was able to do pretty much what it wanted without the public noticing or having even a medium-profile way to make their feelings known. But this time? Not so much.

So as an otherwise uninvolved person who wants to show solidarity, I'd start with something seemingly low-value. If I was on Twitter, I'd start routinely tweeting about the strike and my support for it—not obsessively, just persistently, a couple/few times a week—using the Twitter hashtags that are gaining ground even now, such as #DoTheWriteThing (and of course #WGAStrike). I would make sure I was following @WGAEast and @WGAWest, to keep an eye on what's going on.

Additionally: I would start politely, but repeatedly—again, maybe once or twice a week at least, and not stopping—tweeting the various major players in the AMPTP, especially the streamers: Amazon, Netflix, Hulu et al. I would start suggesting that their current attitude toward the WGA's contract negotiations is not only unrealistic but potentially (for the AMPTP) bad for business. (And self-destructive, too, as if this goes on much longer in this vein, they'll be seemingly eagerly casting themselves as The Baddies.) I would suggest that their bad behavior, if not amended by them coming to the table to bargain in good faith, might start affecting both my interest in their shows and my willingness to keep paying unreasonable people for access to them.

I should emphasize here that so far there've been no formal calls from anyone for boycotts or subscription cancellations. For the moment, this strikes me as wise. The point for WGA-friendly observers, right now, would be to keep what's happening to the writers visible: to keep bringing it up: to refuse to allow it to be swept under the rug. The "They only want two cents on the dollar!" angle seems potentially useful the more it's repeated. The point is to keep the repetition going: to make it plain, day after day, that the other side's being not just unreasonable, but greedy. Day after day, and week after week, and (if necessary: please Thoth may it not be...) month after month.

And tweeting is hardly all that can be done. Email is cheap and easy. But actual letters, written on actual paper and mailed, can still create a surprising amount of attention in a corporate office. (The saying in TV used to be that for every person who actually writes in about an issue, there are ten, or a hundred, who feel the same way but never got around to it.) Write letters to all the AMPTP members' CEOs, and make your feelings on the WGA's core demands politely plain. ...Especially when those CEOs collectively made almost three-quarters of a billion-with-a-B dollars in salaries last year, when many of the writers working on their shows can't afford rent.

After that: here's another thought, a little more physical. If by chance you're in an area where one or the other of the Guilds are picketing: turn out and support them! Honk when you pass: and if you're interested, show up and offer to walk the picket lines with them. These things get noticed. (In 2007 a bunch of us, both Guild members and non-, caused significant astonishment by turning out to picket AMPTP members' offices in Dublin.)

...Obviously not all that many people are going to be positioned, in terms of location or their own work and time commitments, to show up physically. But online? Find ways to keep this issue visible. The AMPTP wants this to go quiet, wants people to get bored with it, wants people to find reasons to blame the writers. They've tried spinning the story that way before. Don't let them pull that shit. Find ways to back those who're calling them on that, publicly. They do respond to this kind of thing (though they may strenuously deny it). If enough attention continues to be paid by the general public, they will blink—if sometimes excruciatingly slowly, as Disney began to blink over the dispute tagged #DisneyMustPay.

As viewers, and as viewers who pay for subscriptions to things, we far outnumber them. Help be a part of making the AMPTP understand that this quest for a truly fair deal is not going to go away. And the longer they try to act like the Guild's negotiation positions are beneath their notice, the more it's going to hurt them, and the stupider and greedier it's going to make them look.

...That's all I've got for the moment, as I need some lunch. :) ...But I hope this has helped. And thanks for your concern, and your desire to stand in solidarity with us! It's so welcome. :)

ETA: here's a link to the Guild's social media toolkit, for those who'd like to change PFPs or icons, etc., to show their support.

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jesus fucking christ

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Bro I fucking love the DB Cooper case nothing about this whole situation sounds real. None of the passengers on the plane realized they were being hijacked until the plane landed two hours after it was supposed to and the fbi showed up with suitcases full of money. The note about the bomb almost went unnoticed because the flight attendant thought she was being sexually harassed so she didn't read it. One of the main suspects was the first trans woman in Washington to have a sex change operation. A reporter who was so dead set on his suspect that he brought him to court was so upset about being wrong that he went catatonic and was treated with electroshock therapy and it WORKED. There's been multiple "I'm DB Cooper" death confessions. He never even SAID his name was DB Cooper. Either he got away with a million bucks in today's money and the most iconic and harmless crime American history or he impaled himself on a pine tree while falling a zillion miles an hour in the dark while clutching duffel bags full of cash and either option is equally hilarious. He wore a clip on tie. He committed an act of sky piracy. What in the fucking looney toons

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Tobey Maguire Spider-Man "it's a hard knock life" fancam hours

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thinking abt this tweet again

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I want to live by myself when I move out of my parent's place but I'm really afraid of money problems? I'm afraid that the only place I can afford will be in the ghetto and it'll all be torn apart and I'll only be allowed to eat one granola bar a week. I'm really stressing out about this. I don't know anything about after school life. I don't know anything about paying bills or how to buy an apartment and it's really scaring me. is there anything you know that can help me?

HI darling,

I’ve actually got a super wonderful masterpost for you to check out:

Home

what the hell is a mortgage?

first apartment essentials checklist

how to care for cacti and succulents

the care and keeping of plants

Getting an apartment

Money

earn rewards by taking polls

how to coupon

what to do when you can’t pay your bills

see if you’re paying too much for your cell phone bill

how to save money

How to Balance a Check Book

How to do Your Own Taxes

Health

how to take care of yourself when you’re sick

things to bring to a doctor’s appointment

how to get free therapy

what to expect from your first gynecologist appointment

how to make a doctor’s appointment

how to pick a health insurance plan

how to avoid a hangover

a list of stress relievers

how to remove a splinter

Emergency

what to do if you get pulled over by a cop

a list of hotlines in a crisis

things to keep in your car in case of an emergency

how to do the heimlich maneuver

Job

time management

create a resume

find the right career

how to pick a major

how to avoid a hangover

how to interview for a job

how to stop procrastinating

How to write cover letters

Travel

ULTIMATE PACKING LIST

Traveling for Cheap

Travel Accessories

The Best Way to Pack a Suitcase

How To Read A Map

How to Apply For A Passport

How to Make A Travel Budget

Better You

read the news

leave your childhood traumas behind

how to quit smoking

how to knit

how to stop biting your nails

how to stop procrastinating

how to stop skipping breakfast

how to stop micromanaging

how to stop avoiding asking for help

how to stop swearing constantly

how to stop being a pushover

learn another language

how to improve your self-esteem

how to sew

learn how to embroider

how to love yourself

100 tips for life

Apartments/Houses/Moving

Moving Out and Getting an Apartment, Part 1: Are You Sure? (The Responsible One)

Moving Out and Getting an Apartment, Part 2: Finding the Damn Apartment (The Responsible One)

Moving Out and Getting an Apartment, Part 3: Questions to Ask about the Damn Apartment (The Responsible One)

Moving Out and Getting an Apartment, Part 4: Packing and Moving All of Your Shit (The Responsible One)

How to Protect Your Home Against Break-Ins (The Responsible One)

Education

How to Find a Fucking College (The Sudden Adult)

How to Find Some Fucking Money for College (The Sudden Adult)

What to Do When You Can’t Afford Your #1 Post-Secondary School (The Sudden Adult)

Stop Shitting on Community College Kids (Why Community College is Fucking Awesome) (The Responsible One)

How to Ask for a Recommendation Letter (The Responsible One)

How to Choose a College Major (The Sudden Adult)

Finances

How to Write a Goddamn Check (The Responsible One)

How to Convince Credit Companies You’re Not a Worthless Bag of Shit (The Responsible One)

Debit vs Credit (The Responsible One)

What to Do if Your Wallet is Stolen/Lost (The Sudden Adult)

Budgeting 101 (The Responsible One)

Important Tax Links to Know (The Responsible One)

How to Choose a Bank Without Screwing Yourself (The Responsible One)

Job Hunting

How to Write a Resume Like a Boss (The Responsible One)

How to Write a Cover Letter Someone Will Actually Read (The Responsible One)

How to Handle a Phone Interview without Fucking Up (The Responsible One)

10 Sites to Start Your Job Search (The Responsible One)

Life Skills

Staying in Touch with Friends/Family (The Sudden Adult)

Bar Etiquette (The Sudden Adult)

What to Do After a Car Accident (The Sudden Adult)

Grow Up and Buy Your Own Groceries (The Responsible One)

How to Survive Plane Trips (The Sudden Adult)

How to Make a List of Goals (The Responsible One)

How to Stop Whining and Make a Damn Appointment (The Responsible One)

Miscellaneous

What to Expect from the Hell that is Jury Duty (The Responsible One)

Relationships

Marriage: What the Fuck Does It Mean and How the Hell Do I Know When I’m Ready? (Guest post - The Northwest Adult)

How Fucked Are You for Moving In with Your Significant Other: An Interview with an Actual Real-Life Couple Living Together™ (mintypineapple  and catastrofries)

Travel & Vehicles

How to Winterize Your Piece of Shit Vehicle (The Responsible One)

How to Make Public Transportation Your Bitch (The Responsible One)

Other Blog Features

Apps for Asshats

Harsh Truths & Bitter Reminders

Asks I’ll Probably Need to Refer People to Later

Apartments (or Life Skills) - How Not to Live in Filth (The Sudden Adult)

Finances - Tax Basics (The Responsible One)

Important Documents - How to Get a Copy of Your Birth Certificate (The Responsible One)

Important Documents - How to Get a Replacement ID (The Responsible One)

Health - How to Deal with a Chemical Burn (The Responsible One)

Job Hunting - List of Jobs Based on Social Interaction Levels (The Sudden Adult)

Job Hunting - How to Avoid Falling into a Pit of Despair While Job Hunting (The Responsible One)

Job Hunting - Questions to Ask in an Interview (The Responsible One)

Life Skills - First-Time Flying Tips (The Sudden Adult)

Life Skills - How to Ask a Good Question (The Responsible One)

Life Skills - Reasons to Take a Foreign Language (The Responsible One)

Life Skills - Opening a Bar Tab (The Sudden Adult)

Relationships - Long Distance Relationships: How to Stay in Contact (The Responsible One)

Adult Cheat Sheet:

what to do if your pet gets lost

removing stains from your carpet

how to know if you’re eligible for food stamps

throwing a dinner party

i’m pregnant, now what?

first aid tools to keep in your house

how to keep a clean kitchen

learning how to become independent from your parents

job interview tips

opening your first bank account

what to do if you lose your wallet

tips for cheap furniture

easy ways to cut your spending

selecting the right tires for your car

taking out your first loan

picking out the right credit card

how to get out of parking tickets

how to fix a leaky faucet

get all of your news in one place

getting rid of mice & rats in your house

when to go to the e.r.

buying your first home

how to buy your first stocks

guide to brewing coffee

first apartment essentials checklist

coping with a job you hate

30 books to read before you’re 30

what’s the deal with retirement?

difference between insurances

Once you’ve looked over all those cool links, I have some general advice for you on how you can have some sort of support system going for you:

Reasons to move out of home

You may decide to leave home for many different reasons, including:

wishing to live independently

location difficulties – for example, the need to move closer to university

conflict with your parents

being asked to leave by your parents.

Issues to consider when moving out of home

It’s common to be a little unsure when you make a decision like leaving home. You may choose to move, but find that you face problems you didn’t anticipate, such as:

Unreadiness – you may find you are not quite ready to handle all the responsibilities.

Money worries – bills including rent, utilities like gas and electricity and the cost of groceries may catch you by surprise, especially if you are used to your parents providing for everything. Debt may become an issue.

Flatmate problems – issues such as paying bills on time, sharing housework equally, friends who never pay board, but stay anyway, and lifestyle incompatibilities (such as a non-drug-user flatting with a drug user) may result in hostilities and arguments.

Your parents may be worried

Think about how your parents may be feeling and talk with them if they are worried about you. Most parents want their children to be happy and independent, but they might be concerned about a lot of different things. For example:

They may worry that you are not ready.

They may be sad because they will miss you.

They may think you shouldn’t leave home until you are married or have bought a house.

They may be concerned about the people you have chosen to live with.

Reassure your parents that you will keep in touch and visit regularly. Try to leave on a positive note. Hopefully, they are happy about your plans and support your decision.

Tips for a successful move

Tips include:

Don’t make a rash decision – consider the situation carefully. Are you ready to live independently? Do you make enough money to support yourself? Are you moving out for the right reasons?

Draw up a realistic budget – don’t forget to include ‘hidden’ expenses such as the property’s security deposit or bond (usually four weeks’ rent), connection fees for utilities, and home and contents insurance.

Communicate – avoid misunderstandings, hostilities and arguments by talking openly and respectfully about your concerns with flatmates and parents. Make sure you’re open to their point of view too – getting along is a two-way street.

Keep in touch – talk to your parents about regular home visits: for example, having Sunday night dinner together every week.

Work out acceptable behaviour – if your parents don’t like your flatmate(s), find out why. It is usually the behaviour rather than the person that causes offence (for example, swearing or smoking). Out of respect for your parents, ask your flatmate(s) to be on their best behaviour when your parents visit and do the same for them.

Ask for help – if things are becoming difficult, don’t be too proud to ask your parents for help. They have a lot of life experience.

If your family home does not provide support

Not everyone who leaves home can return home or ask their parents for help in times of trouble. If you have been thrown out of home or left home to escape abuse or conflict, you may be too young or unprepared to cope.

If you are a fostered child, you will have to leave the state-care system when you turn 18, but you may not be ready to make the sudden transition to independence.

If you need support, help is available from a range of community and government organisations. Assistance includes emergency accommodation and food vouchers. If you can’t call your parents or foster parents, call one of the associations below for information, advice and assistance.

Where to get help

Your doctor

Kids Helpline Tel. 1800 55 1800

Lifeline Tel. 13 11 44

Home Ground Services Tel. 1800 048 325

Relationships Australia Tel. 1300 364 277

Centrelink Crisis or Special Help Tel. 13 28 50

Tenants Union of Victoria Tel. (03) 9416 2577

Things to remember

Try to solve any problems before you leave home. Don’t leave because of a fight or other family difficulty if you can possibly avoid it.

Draw up a realistic budget that includes ‘hidden’ expenses, such as bond, connection fees for utilities, and home and contents insurance.

Remember that you can get help from a range of community and government organizations. 

(source)

Keep me updated? xx