The Most Beautiful Art I Have Ever Seen! ❤️❤️❤️

Need help finding a fic.

The issue is I don’t remember the name or the plot, just one specific scene. Which doesn’t help as I can’t remember if it was a part of the actual plot or if it was some sort of flashback type of deal.

Anyway so the thing I remember is:

Chuuya and Dazai get into a fight after completing a job. Chuuya chooses to go back to HQ in a huff first, leaving Dazai there.

Oda (who was assisting or part of the clean-up?) was there so Dazai wasn’t too bummed out even as if he felt a bit bad about the fight and somewhat unsettled. Oda offers to make sure he gets back to HQ with Dazai being his annoying self to brush it all off.

His misgivings are not misplaced as Chuuya encounters Q when he gets back to HQ who wants to play with him as Dazai refuses to play with him. Q curses Chuuya and that inadvertently triggers Corruption (though they don’t call it that as this is the first time Chuuya shows that side of his power so this part at least is before DHC since I don’t remember if SB is mentioned later).

When Dazai arrives in a hurry, haven given into worry, Chuuya is wrecking everything and clearly not his usual self. Q is crying and hiding beneath a bench. Dazai at first orders him to stop using his ability as he doesn’t see the doll, but Q reveals he did stop using it but Chuuya didn’t stop being weird and destroying stuff.

So Dazai does end up nullifying Chuuya and they’re both left wondering what the hell all that was about (and there’s casualties as well - I think the fic implied that this was the incident that lead to the decision to lock Q up though that also caused more carnage).

Unfortunately, that’s all I remember so if you recognize it and know what this might be from I would be extremely grateful. I’ve been looking for it for days now but not knowing the title, tags, or summary makes it hard to find.

De Aged Fic Part 8

Part 7

About two months ago, Deckard had gotten a call from Madam M, telling him Owen had been up to something. He had finally succeeded in getting one of M's girls to join his crew and M wasn't happy about it at all

She had already hated Owen's guts before this, so it didn't shock Deckard that the only reason Owen was even alive at the moment was because M didn't want Deckard killing her

However, he took her warning and was trying to keep at least close to where Owen was. Just in case the little bastard's plan did go tits up

Now, lounging in one of his mother's luxury suites, Deckard received another phone call. He had been expecting it to be someone telling him Owen was either hurt, or Owen himself crowing about a job well done

But, instead, it was a voice he hadn't heard in years

"Deck?"

He had gone stiff as a board, fingers almost losing the grip on his phone. It had taken him only a moment to recover, but to him it felt like an eternity

"Hatts?" Deckard choked out. But before she could respond, new panic swept through him. "What's wrong? Are you hurt? Are you in trouble?"

He knew he shouldn't be asking her, especially after how clear she had made it that she didn't want any contact from him

"I'm fine." She said softly. "But it's Owen..."

His worse fears seemed to be coming true as Hattie sighed deeply

"He's... well, he's not like he is normally."

"What do you mean?" Deckard was perplexed

"I'm not sure how to describe it. I think it'd be better if you talked to him."

"All right."

After a few moments, Deckard could hear two voices faintly before:

"Deck!"

Flinching away from his phone, Deckard hadn't been expecting a young child's voice to practically scream in his ear

"Deck, are you big too? Hatts is really, really tall! Am I going to be tall? That's what she said, but I don't believe her, she lied about my toy yesterday, after all. Where are you? Can you come make me something to eat?"

Blinking rapidly, Deckard didn't know how to respond. If he wasn't mistaken, that sounded just like Owen when he was little. But that couldn't be possible

"Oh, give me the phone." Hattie's voice was faint

"No! I wanna talk to Deck! You got your turn!"

"Owen! Give me the bloody phone!"

"No!"

"Oh," Deckard called out softly. "Let me talk to Hatts, ok? We need to talk so I can come see you?"

"Fine." Owen mumbled, and Deckard could only imagine the pout on the boy's face

"Little brat!" Hattie hissed into the phone. "I don't remember him being this horrible!"

"Mostly because you weren't the one dealing with it." Deckard said lightly

"I wasn't that bad, was I?"

"No," Deckard smiled. "You were worse sometimes."

"I was not!"

"If you say so." He chuckled, but quickly sobered. "So, this is really happening?"

"Yeah," she sighed. "I don't know how, but it is. He called me earlier and I found him at home. Says he was picked up by some people, most likely cops, but got away."

Deckard nodded and thought for a second

"Why did you call me?" He asked gently

"Because I've already had to deal with him for a few hours, and I'm sick of him." She huffed

"And I dealt with him for all of his life. Your point?" He drawled

"I can't take care of a kid, Deck. Let alone Owen."

"Are you sure you want me there?"

The question hung between them for a minute, and Deckard could feel the tension building inside him. He desperately wanted to see him little brother and sister

"If you can help me figure out how to change him back."

Ignoring the relief flooding through him, Deckard started to plan

"I can be there in about an hour. Does he need anything? Clothes, food, entertainment?"

"Sleeping pills."

"We're not drugging our brother, Hatts."

"Fine. You get him to sleep then."

With that, Hattie hung up. Good thing Deckard knew where she lived

“At some point, we all have to choose between what the world wants you to be and who you are.”

Watch the new trailer for Marvel Studios’ “Black Widow,” in theaters May 1.

Actually im not done thinking about codotverse Riddler's Super 50. Do you know how interesting I think it is that he has and drives around a 1949 Super 50? I think it's so fascinating and intriguing and I'm going to try to put it into words

1949 Buick Super 50s are collectors items right? Buick and other car enthusiasts jump at the bit to get their hands on one, because it was the first time in years that buick had produced a brand new design for their cars, and they only sold it for a year. I consider this design to be very classy, sleek, and very dramatic. All things I would also consider mr riddler.

Now what I find most interesting is that he actually drives it around. I dont know how common it is for collectors to drive their cars about town, I assume common enough because you cant really just let it sit there otherwise it can become damaged, but also you cant really drive them around too much bc theres a higher risk of external damage as well. So probably they just drive it around the block once a month. But I dont think collectors will drive their 1949 super 50 across country. That's FAR too much of a risk to damage. But Riddler did! He drove it all the way to georgia and Minesota! He actually uses it like a car and not like a glass figure. (I assume. granted i dont think there was any reference to him driving the 50 specifically but that is the only car that has ever been mentioned and when he's scolding Query and Echo he refers to them taking care of his car in the singular so I'm assuming thats his only car)

It's like he wants to be seen as classy, and I would say even gentlemanly as shown by him having said car and his 1866 Derringer (things I personally think are classy and gentlemanly), but then breaks and distorts that image by using these items with their original intended use instead of preserving them. It feels like hes intentionally breaking the 'rules'. Probably mostly to show off, but also it makes a statement about his whole mindset of refusing to be controlled and not wanting to be forced into place. So he acts out even in the smallest and most insignificant ways. idk. I lost my train of thought.

Anyway i just think its interesting that he went through all the trouble to get this cool car then kind of break the 'rules' with it.

Honestly, I don’t think we appreciate the Arkham Games’ writing enough. Like. Okay. Jason’s backstory here really does have him sort of at fault for getting caught; it says outright that he turned off his trackers with the intent of hunting down and murdering the Joker. Regardless of his motivation, that…is not smart. I mean. You know I love him to bits, which is why I say, earnestly, honey, no.

BUT. Not one time do the general narrative OR the other characters pull the ‘don’t be like poor, reckless Jason’ card. (Granted, he’s not brought up, really, but Dick does allude to him a time or two.) Neither the flashbacks nor Hallucination!Joker’s comments regarding him cast him as anything other than someone who did not deserve what happened. Even when he’s actively attempting to kill Batman (and if he does take you out, he’s not sorry.), Bruce’s response is to double down on trying to convince him to come home; he disarms him, which is reasonable (two hits! that’s all it takes, what the hell!), but despite having a ridiculous amount of ranged weaponry, the only thing the game will let you do to him is pop up and essentially try to hug him. It won’t even let you try the disruptor on his rifle, even though it will let you jam (but not rig to blow, due to fatality likelihood) the mini-guns.

…

…

Gee. It’s almost like Joker is responsible for his own actions, and that those actions include the torture and (faked) murder of a teenager. 

Unique job and power combinations

A search and rescuer with the power of flight who can fly to reach stranded victims or get an aerial view of a scene.

A civillain who can regenerate limbs and certain organs like kidneys regularily donates them for transplants.

Reporter who can hear and eavesdrop through walls and great distances.

A Baker who never burns their goods because they can control heat.

A sewer worker who can purify water or control toxic fumes.

A builder with the power of telekenisis. Who needs a crane?

A vet who can talk to animals.

A doctor who can see broken bones with x-ray vision.

A welder who welds not with a torch but their own laser vision.

A detective with empath-like powers to feel others emotions, like guilt.

A spy who can mentally tap in to as well as scramble radio frequencies.

Someone who is renowned for cleaning up accidents like car crashes or explosions that involve toxic materials because of their immunity to it.

A villain who can't lie.

A DJ who can control sound waves, and dosent even require equipment.

A lifeguard who can breath under water.

A plumber who can control water can minimize water damage, stop leaking, easily detect where in a pipe a blockage is and more.

A pilot who can control wind can fly in almost any weather, prevent planes from crashing, and can do aerial maneuvers other pilots can only dream of.

A lawyer or news reporter who cannot lie. They struggle to get a job.

A miner or cave explorer/rescuer with echo location. They can easily traverse twisting caves, never getting lost, even without a light source.

An international spy who can shapeshift into different animals like a stray cat, a pidgeon or rat to eavesdrop.

A scientist with iron skin, who can't suffer chemical or heat burns should experiments go wrong.

A programmer who can run code through their own mind and manipulate it.

A first responder who can control electricity requires no defibrillator, and has a much higher sucsess rate then one anyway.

A gardener who can control plants can easily farm otherwise hard to farm plants like truffle.

A jeweler who can control metal that can easily fix broken jewelry, instantly detect fakes, and can alter ring sizes without machinery.

Songs I associate with Hobbs and Shaw + others

1. Shobbs– West Coast by Imagine Dragons

2. Shobbs– All of Me by John Legend

3. Shobbs– Born to be yours by Kygo and Imagine Dragons

4. Shobbs– Someone to You by Banners

5. Shaw siblings– You’re Gonna Go Far Kid by The Offspring

6. Shaw siblings– Play Dirty by Kevin McAllister

7. Shaw Siblings– Hey Brother by Avicii

8. Deckard Shaw– Anti Hero by Sekai no Owari

9. Deckard Shaw– I’m a Wanted Man by Royal Deluxe

10. Owen Shaw– Hey Look Ma, I made it by Panic! at the disco

11. Owen Shaw– Cuckoo by Adam Lambert

12. Hattie Shaw– Alpha by Little Destroyer

13. Hattie Shaw– Natural by Imagine Dragons

14. Luke Hobbs– Dog Days are Over by Florence + The Machine

15. Luke Hobbs– Angel with a Shotgun by The Cab

16. Brixton Lore– My Evil Plan to Save the World by Five Iron Frenzy 

17. The whole FF Series– Can’t Hold Us by Macklemore

18. The whole FF Series– Go!! by Flow

19. The whole FF Series– New Kings by Sleeping Wolf

20. The whole FF Series– Home by Machine Gun Kelly

If anyone has any songs they associate with these characters/ships from the FF series/HaS, then feel free to add on! I’d love to see what everyone else thinks 

this feels really odd to ask but but what do you think the hunting dogs' thoughts are about death? specifically if they die and how? cause I feel like all of them share a variation of "I will go down guns blazing and with glory"

fukuchi definitely feels it and I feel like jouno as well. they've both had rough and violent lives so I feel like they've always thought death was just right around the corner.

I don't know about the rest of them though. teruko I feel shares the thought but not as intense as the other two, and I dont know about tecchou and tachihara.

anyway. it's a neat thought to me :3

ohhh i’ve been thinking of the best way to answer this for DAYS. this analysis will be long so ill put it under a readmore.

the hunting dogs and death - analysis

overall, it is shown that they can die. i assume due to their abilities and bodily enhancements that they do not die of injuries very easily. it makes me wonder how disease hits them? partially mechanical bodies may not respond to illness as well as natural bodies would? or maybe the opposite and they can heal more so internally? anyways here's my thoughts on how each hunting dog perceives dying!!

fukuchi

i see fukuchi as fairly self-preserving up until the end. he can't die in battle because he needs to make sure the decay of angels plot carries out.

remember that he was warned of this at nine years old. he had to spend his life preparing for this. he likely grew very wary of living recklessly and became great at fighting very fast and young; i assume that's why he went through dojos to fight as a child.

under no circumstances could he die until the world was safe.

i imagine he put on a selfless face and was willing to take serious harm in order to protect the peace, but i highly doubt he was ever willing to sacrifice his life until his plan worked out.

here we see his thought process and how things need to fall into place. his participation was essential because in no other situation would fukuzawa be the one able to get access to the one order. if fukuchi had died beforehand, the war would play out as the amenogozen warning claimed.

he had to leave the world to fukuzawa, the man he could trust most before facing his own demise.

of course, at this point in the series he has been killed since that was the final goal of his plan. a noble death for a fantastic hero.

jouno

im actually a little conflicted on his perception of death. i believe jouno is willing to sacrifice his life if absolutely necessary but is probably more self-preserving than the others. i believe he likely uses his confident and slightly arrogant attitude to hide this self-preserving mindset. someone who comes off as intimidating or nonchalant during battle is more likely to throw off the enemy whereas appearing nervous or angry will make them seem vulnerable. i believe jouno also sees himself as very strategic and able to get out of situations easily if needed. he's a quick thinker from what we've seen thus far.

lets look at when he confronted fukuchi.

he starts off very confidently accepting the offer. we know this is a facade but him immediately trying to throw fukuchi off guard seems so show he's pretty confident in his next move.

but when this doesn't work, he immediately tries to flee. this is fairly unique for a fight in bsd, many characters will often fight until they either get what they wish or they're too injured to move. despite jouno having an ability that could dodge fukuchi's, he still chose to try and escape instead of continuing to fight. this is a very normal human reaction to have but not one you see as often.

and at a disturbance, he begins to panic and needs to ground himself by reassuring himself instead of fighting back. he's not willing to put his life on the line to stop a global terrorism and his own escape is seen as a victory, which i see as him being more self-preserving. this all took place before the sword was set on fire, so it wasn't as if he had that threat to escape yet.

however, there's a chance he just didn't know how to fight the amenogozen; but his ability was definitely one of the best to fight against fukuchi with.

still, he's smart and made sure to plan adequately in case he was injured in the battle against fukuchi. he wants to keep himself safe, but he's still smart enough to take precaution.

i think jouno has probably been through a lot in his life and wants to spend a while living happily, making him more afraid to die than the others. this is even shown when he took teruko being angry as a threat while fukuchi laughed over it.

(as a small note, fukuchi's line in the anime was "haha. it seems our gremlin is angry today" which makes more sense in this context).

so tldr i think jouno would only go down if absolutely necessary and otherwise is fairly self-prioritizing.

tecchou

i believe tecchou would sacrifice himself if it brings justice.

however, he seems to see himself as one responsible for judgement, so i imagine he gives every single fight his all.

regardless of him acting as judgement, it's been shown that tecchou is willing to die if he fails at his work.

here he promises that if he were to fail he would commit seppuku (killing oneself via slicing through your stomach--an honourable death for a samurai fighter (which lines up with irl tetchou coming from samurai lineage)), which is an incredibly agonizing way to die. regardless, he is fully willing to do it if it is for peace. this shows a confidence in death and commitment to his sense of justice to an extreme manner.

and when he found himself in a situation where he was in the wrong, he immediately admitted defeat and asked his opponent to kill him.

he admits defeat, says his wrongs and is willing to accept the consequences.

he even jumps to the harsh conclusion that he isn't worthy of his title as a hunting dog. the stark white in his eyes show that his mind isn't corrupted and that he is doing what he believes is proper justice. incredibly noble.

luckily he was spared-and likely learned a lot about justice not always being as black and white as things appear.

overall, tecchou is a very noble fighter and is willing to put his life on the line for justice. he doesn't seem to fear death and will embrace it if he feels it is earned or deserved.

tachihara

i have less to say about tachihara than the others. i see him as the type that will go down over what's right and that's shown during his fight with fukuchi.

he isn't willing to fear death or beg for forgiveness. he will go down if it is worthy.

we also see that he keeps a argumentative spirit towards the enemy despite the circumstances. he will put down his opponent even in the moment of death, he just has the confidence to.

this panel also shows that he's more willing to die than to be defeated. he doesn't want to harm anyone and be controlled so he tries to kill himself first.

overall, he's a strong fighter who isn't afraid to sacrifice his life for what he believes in. his orders make him who he is, and if the orders are to win he either will or he will die trying.

(of course that last part doesn't really count when he was posing as a mafioso because he couldn't blow his cover by easily surviving everything).

teruko

much like tachihara, teruko seems to be very willing to put herself on the line to keep people safe. this is shown almost immediately in her introduction.

if ordered, she is willing to die. she's incredibly dedicated to her job and would go down if it saves people.

she's willing to go to drastic measures to keep herself alive as well, destroying her eardrum and continuing to try and fight sigma despite being under the directed resonance guns (which were made to destroy people like her). she didn't run, and she did absolutely everything she could have done in order to win.

she seems to also pride herself in fighting and being hurt in battle, likely to show her resilience and ability to do whatever it takes if it saves people.

she even goes on to call the hunting dogs "society's servants" and refers to the enhancement surgeries as "searing order into their own bodies."

this immense dedication makes me strongly believe that she would have no problem sacrificing herself if it is for the best. she killed fukuchi despite really caring for him, so i can see her being willing to put herself into that situation as well.

tysm for the question!!!!! this was super fun to read through the scenes again and try to piece together a logical guess on them all.

Complete Dead Apple Explanation

Or: “The Ultimate Guide to Dead Apple”.

Warning: this is a long post! I’m not kidding, I worked on this for three months. There is a TL;DR at the end but it will only briefly cover the most important points.

I see posts about Dead Apple not being understood far too often and so I’m introducing: this explanation! I do want to preface this by saying that I can completely understand that this movie can be confusing. Or, as Fyodor said it:

But, as someone who has seen it many times, I’m here to shed some light on it! Hopefully after this post it’ll all make a bit more sense, and you’ll at least have different questions.

If you haven’t watched the movie yet and are wondering when to watch it, the story officially takes place between season two and three, though you’ll be able to watch season three with no issues if you haven’t watched the movie. Please do note that this post will contain light spoilers for the plot after season two, so don’t read it if you haven’t at least finished catching up to the anime.

I’ll try not to summarize the movie, but instead explain it. That means that this post does not replace the movie, but instead tries to elaborate upon it and tries to place it in the larger plot. Most of the early movie is therefore ignored, but please do not hesitate to ask if you have extra questions, comments, different interpretations or you want me to go into more detail about something. I may not know everything, but I’m always down to talk about this movie!

Alright, with all of that out of the way…

The Dragon Head Conflict

We’ll start at the beginning, which is to say, we’ll start at the prologue, which can be found as a permanent event in Mayoi (and also as a part of the Dead Apple manga). This is not technically needed to understand most of the movie, but it does give some context that will make it a little easier, since this is where it all starts. 

The Dragon Head Conflict, sometimes also translated as the Ryuuzu Conflict, is (as the movie states) the largest conflict in the history of Yokohama’s underworld. It took place six years ago, and originally was about five hundred billion yen an ability user left behind after they died, which various organizations were very interested in. It lasted for a total of 88 days, and involved conflict between eight different underworld organizations, including among others the Port Mafia, Gelhart Security Service/GSS (from Fifteen) and Takasekai (also from Fifteen).

Now as you can imagine, the government isn’t super stoked that gangs are shooting each other up all night and leaving corpses everywhere, to the point where the sidewalk is torn up from the bullet holes. To try to combat this, they thought that they could best fight fire with fire, and let a strong ability user from outside Yokohama settle this conflict all at once.

This new ability user, known as the “White Qilin”, unfortunately doesn’t really care about ending the conflict and kills other strong ability users left and right just for the fun of it, contrary to what the government had hoped he would do. Whether they are uninvolved parties or Port Mafia executives, it doesn’t matter to this guy. The White Qilin also ends up taking the money the conflict was originally about, but that doesn’t stop his murder spree. In this way, the White Qilin gains control over the entire conflict pretty fast, making him the main target to eliminate in order to put a stop to the killings.

Dazai approaches this problem similarly as to how he did during the conflict of Stormbringer, with a group of ability users to overpower the lone individual, but gets his plan twisted on him and gets kidnapped instead. Naturally, he predicted this outcome, leaving a hint for Chuuya where he left a transmitter for a tracking device so that Chuuya could come rescue him. 

This is then the first scene of the movie, where Dazai and Chuuya confront and defeat the White Qilin using Corruption, and the whole Dragon Head Conflict ends since the White Qilin is finally gone and all the money burned. This battle is so iconic in the underground circles that it gains them the name “Double Black”, or “Soukoku”.

A few small notes on the Dragon Head Conflict before we move on.

As can also be seen in the first scene of the movie, this is where Oda adopts all five of those kids you see during the Dark Age, which was also already stated in the Dark Age itself. 

“I heard all about it, Odasaku. You’re raising five kids, huh? And not only that, they’re orphans from the Dragon’s Head Conflict.” ―Dazai, Dark Age

Also, ever wondered why the Port Mafia is the only major criminal organization in Yokohama? There actually used to be five in total but four of them completely perished during the Dragon Head Conflict. Another reason why Dazai & Chuuya ending the conflict is so impressive, since because of that the Port Mafia is the only one to even survive it at all.

Shibusawho?

As you’ve probably guessed by now, the “White Qilin”, also named “the Collector” in Dead Apple itself, are both different names for our main antagonist: Shibusawa Tatsuhiko. The government had good reason to believe Shibusawa would be able to stand against the entire Yokohama underground and come out on top: his ability.

Shibusawa’s ability, Draconia, creates a fog around him, which separates other ability users from their own ability and makes non-ability users disappear as long as the fog persists. When surrounded by this fog, ability users are confronted with this version of their ability that is split from themselves. If an ability user is to die within this fog, their ability will be added to Draconia’s collection room.

There is decent evidence that it takes a while before the fog activates, so the effect isn’t immediate. This can be seen with Chuuya, who makes very short contact with the fog before he lifts up the building that he shoves in the Dragon’s mouth, but it’s seen even more clearly with Atsushi and Kyouka at the start of the movie. They spend a small while running around Yokohama wondering why everyone is gone before they’re finally confronted with their abilities.

To some extent the separated abilities represent the inner conflict in an ability user. This can of course be clearly found in Atsushi and his shaky connection to the tiger, or in Kyouka who has Demon Snow which is the last remnant of her parents but also murdered them in front of her. But the clearest example of this in the movie is actually Kunikida, since there is a visible change between him and his ability.

The notebook of Kunikida’s ability does not read its usual “理想” (ideals), but instead now says “妥協” (compromise). For Kunikida, a person so tied to his ideals, this version of his ability is an “abomination” (his words, not mine), and thus a source of inner conflict, since it represents a side of Kunikida that he carries within him.

“A copy of himself that didn’t follow ideals but made compromises was an abomination to Kunikida.”―Dead Apple (light novel)

If ability users manage to defeat their abilities in a physical fight, and then also accept these parts of themselves for what they represent, they will regain their ability. For example, Atsushi does not immediately regain his ability after defeating the tiger because he does not completely accept that the tiger represents that he has killed a person. For Atsushi, a person who connects his entire reason of living to saving other people, this is nearly irreconcilable. The only reason he probably is able to get over it in the end is that the person he killed was actively torturing and trying to kill him, so Atsushi had to kill to survive.

Shibusawa, then, is dead. Chronologically, his murder is the earliest you see of him. Fyodor has told Shibusawa that Atsushi contains something that “guides the envy of all ability users”, so Shibusawa, who feels like he is missing something, seeks to take this by any means. This doesn’t work out too hot for him, and Atsushi kills him.

Now a fun thing happens. Since Shibusawa is the center of the fog at all times, so to speak, and he’s the keeper of the abilities that die in his fog, his ability is separated from himself and lives on, nearly indistinguishable from his original body. Only one downside to this: he completely loses his memories.

I can only assume the government steps in at this point to take this strong ability user in his vulnerable state, and then have him solve the Dragon Head Conflict not long after. He most likely also survived Chuuya’s Corruption by being an ability, and having ability crystals in his collection to fall back on and recover, as he also does in Dead Apple. However, all of that is just pure speculation.

After the Dragon Head Conflict, Shibusawa spends some years abroad, casually killing thousands of ability users for the same reason as during the Dragon Head Conflict: just playing around and trying to fill that hole of something that is missing inside of him. The Japanese government mostly does a spectacular and spectacularly unethical job of cleaning up after him, since they learned nothing from the Dragon Head Conflict and still think that they can control him to protect Japan should it ever be invaded by foreign ability users.

Eventually, when the timing is right, Shibusawa gets invited back to Japan by Dazai. At the same time he is told by Fyodor (can you see the manipulation happening on both sides?) that Dazai’s ability is the ultimate ability that will finally complete him, and so Shibusawa eagerly comes to Yokohama. 

From here on out, as far as Shibusawa is concerned, it’s just a matter of covering the entire city in fog, killing Dazai and then taking his ability. Since Dazai cancels the fog itself with his ability, Shibusawa does need to kill him first, since the fog will work just fine on a corpse. Unfortunately, Shibusawa, however smart he is, is not in control of the plot in this movie. That control is left entirely to the combination of Dazai and Fyodor.

Intermezzo: Singularity Crash Course

Let’s do a lightning quick crash course on singularities before continuing, because you’re going to need that to understand what is happening in the next part. While Stormbringer was released after Dead Apple, I’m still going to be leaning heavily on and paraphrasing the information provided in that novel since it gives a really nice overview.

Abilities are bound to rules, just like everything else. No organisms other than humans, such as plants or monkeys, can possess an ability. Each human can only have a single ability, and when they die the ability disappears with them. Finally, there is a limit to the strength of any such ability.

But what if you wanted to go beyond that limit? What if you wanted to play with the natural laws of this world? What if you wanted to get really silly with it? Well, in that case, you can try your best at creating a singularity.

Singularities are defined as “the interaction of multiple abilities that develops into a higher-level phenomenon different from the original abilities”. This mostly exhibits itself in a massive release of energy, but rarely there are semi-stable versions of them. Singularities aren’t bound to conventional rules, and can be much more powerful for that exact reason.

As for creating singularities, there are two defined ways. The most reliable method is to have two contradicting abilities clash with each other. This leads to fun mental exercises, think “unstoppable force meets immovable object”, or, two ability users who can both see a few seconds into the future fighting to the death (sound familiar?). As a second method, an ability can also contradict itself, essentially causing the same result, but it’s a lot more finicky.

“Dead Apple”

The latter part of the movie revolves around exactly the creation of such a singularity, as all planned out by Fyodor, and accurately anticipated by Dazai. Let’s lay out all the layers of this.

Shibusawa is after Dazai’s ability. Meanwhile, Dazai is trying to stop the fog to save Yokohama. As for Fyodor, we’ll get to him in a second.

Dazai “teams up” with Fyodor and betrays Shibusawa to put a stop to the fog. The idea of this is that Fyodor combines two abilities from Shibusawa’s collection, which Dazai can’t do himself without canceling them: the ability to pull abilities in a surrounding area close, and the ability to merge abilities together. When these two are merged, together they create an ability that will absorb Shibusawa’s entire collection, and then Dazai only has to touch this ability to effectively get rid of Shibusawa’s power source.

There is a specific reason why it has to happen like this, and Dazai just touching Shibusawa isn’t quite enough. Let’s mentally walk through the process if Dazai were to touch Shibusawa. The fog disappears for a bit (and Shibusawa with it, most likely), but Shibusawa now knows Dazai’s intentions. Fyodor will take Shibusawa’s side and now Dazai is at a large disadvantage. Ultimately, it doesn’t even solve the problem. We know from the Dragon Head Conflict that just destroying Shibusawa’s body is most likely not enough, and he will be able to resummon the fog (and his body) with time and energy. The problem needs to be cut off at the root, the ability crystals.

Unfortunately, Fyodor didn’t really team up with Dazai, instead choosing to team up with Shibusawa in order to get rid of Dazai. This is then where Shibusawa gets to kill Dazai, and discovers that wait, Dazai’s ability may not be what he’s seeking after all. However, the abilities are already merged, and Dazai’s ability joins them. This combines “the ability to merge” with “the ability to nullify”, which don’t exactly mix well. Does Dazai’s ability become part of the other ability? Does his ability nullify the merging ability before that can happen? It’s already part of it, but at the same time the merging can never happen. It’s contradictory, and thus a singularity is born.

Fyodor, meanwhile, hasn’t quite had his fill of betrayal yet, and decides to remind Shibusawa of what he is by killing him, reminding Shibusawa of his earlier death by Atsushi’s paw. All of this, killing Dazai and using his ability to create a singularity, having that power from the singularity then go into Shibusawa to create the Dragon, all of that was part of Fyodor’s plan. Shibusawa is only able to cover an entire city with fog because of the large amount of ability crystals he has collected, and so with enough power (like from a singularity) he can cover the entire world in this fog. Up until this point, neither Fyodor nor Shibusawa have seen a single ability user survive the fog, and thus it is the perfect method for getting rid of all ability users in the world, which does seem to be Fyodor’s end goal.

However, Chuuya swoops in and defeats the Dragon. Dazai was well prepared and had the antidote to the poison he was killed with hidden in his mouth, so he is alive and well again. That means that Dazai has his ability back and it cancels out the singularity space they both are in. It doesn’t completely get rid of the Dragon however, as some energy still lingers around the tower. 

Fyodor is still on the scene, and uses a part of the merging crystal that he saved which was used earlier to create the singularity to merge Shibusawa with the singularity, giving Shibusawa a very anime transformation into his final form.

At this point, as a result of Shibusawa’s transformation, the fog turns red. If this red fog then covers the entire planet as Fyodor is hoping, and you were to watch it from space, it would look just like a poisonous red apple. The name of the movie therefore refers to this plan of using Shibusawa to rid the world of ability users.

This idea of poisonous apples in this movie comes from two different sources. From Fyodor’s side, it is referring to the apple Eve ate in the Bible, the original sin. For Fyodor, there is poetic irony in this: the world will end with the same sin as it began with. The crime is the punishment. On Dazai’s side, it refers to Snow White, who bit the poison apple and died (temporarily). He already talks about this to Oda when he is sixteen, vaguely implying he knew all of this was coming as soon as he met Shibusawa during the Dragon Head Conflict. Since Fyodor was already around at that time and also had a hand in enabling Shibusawa originally, this may indeed be planned out this far in advance, but it’s always hard to tell with these guys.

Then the kids take over the fight for the rest of the movie, and Atsushi, Akutagawa and Kyouka work together to defeat Shibusawa’s final form in the form of a long, epic final fight. Shibusawa is finally defeated and it all ends happily ever after. 

The End.

Byakko VS The Dragon

…Or is it? You thought we covered the entire basic layer of the movie, so we’re done now, right? Think again! This is only where things start to become really interesting. Please note that this section will take some ideas that were already pointed out by other people, and build on those.

When looking at lore relevance of characters, Atsushi may not immediately spring to mind as one of the most important ones. Sure, he’s the protagonist of the main manga, but in comparison to the mystery surrounding Dazai or Fyodor he fades a little into the background.

Even in this post, an explanation about a movie that’s basically about Atsushi, I’m able to explain the basics of the movie without mentioning him much at all. And yet, the movie’s core conflict is not between Shibusawa, Dazai and Fyodor, but between Shibusawa and Atsushi.

While there isn’t a lot of information given about Shibusawa’s and Atsushi’s connection, what we do get is very interesting. Shibusawa is consistently referred to as a Dragon during Dead Apple, and while subtitles usually translate everything as “tiger”, Atsushi’s tiger is actually referred to as “Byakko” half of the time. 

Now what is the difference between any good ol’ normal tiger and the Byakko, I hear you ask. The Byakko is much more than an ordinary tiger, since it is part of the 四神 (shijin/ shishin), the Four Guardians of the Four Compass Directions, which the Dragon is also a part of. What you essentially need to know from this is that the Byakko belongs to the same group of creatures as the Dragon, and that this solidifies Shibusawa’s status as Atsushi’s foil in this movie.

It also allows us to make a direct comparison between Shibusawa and Atsushi. The thing is, I have been lying to you a little bit. So far, I’ve been calling the Dragon a singularity. The truth is, it may not be. I know, I know, if it’s not a singularity, then what was that whole Dragon thing about?

Fyodor actually specifically tells us that the Dragon isn’t a singularity, but instead it’s “the true form of the chaos born from abilities”. (Note here that the Dead Apple light novel talks about Fyodor as if he is “reciting some Oracle”. Did Fyodor get this information from someone else?) Is this related to why Fyodor wants abilities gone from this world? Is there another layer to abilities and other creatures that BSD hasn’t even touched upon (think Lovecraft)? It’s hard to say at this point. All we can say is that the Dragon gets referred to as something else, and… that the Dragon is similar to the Byakko.

The tiger ability we see that got separated from Atsushi in the movie actually doesn’t follow the rules the other abilities do. It has a clearly defined face, and the red gem is not on its forehead. The gem found on the ability tiger is also red, which is in line with the other extracted abilities we see, but what gets extracted from Atsushi by Shibusawa is this blue cube. The weirdness continues in the flashback we see of Atsushi being tortured by Shibusawa. 

We see Atsushi’s ability leave him, but then in a flash of self protection instinct, he partially transforms into the tiger, claws and all, while the blue gem is outside of his body. Earlier in the movie it is shown that if an ability is extracted from an ability user, they no longer have access to the powers of that ability. Then how is Atsushi able to use his tiger abilities here? 

Granted, there is a bit of conflicting information within the movie about this, since during the final fight with Shibusawa this blue cube is once again extracted from Atsushi, but now he does lose his tiger powers. Could he resummon the tiger while not in possession of the cube if the situation is dire enough? Is this just a psychological thing because Atsushi is aware of it this time? Who can say. At any rate, this blue cube is connected deeply with Atsushi, but the clues given imply that it may not be the Byakko itself.

“That’s not an ability! That is me!”―Atsushi, reaching out to the blue cube in Dead Apple

To be honest, the movie does very little in explaining anything around Atsushi, instead raising more questions than answers. For that exact reason, the rest of this section will mostly be speculation about one possible angle on Atsushi’s ability that personally makes sense to me, but of course this is only one potential theory.

I do also want to add here that Atsushi personally goes through an arc in this movie from seeing the tiger as something separate to something that is intrinsically part of him. This can also be a reason for this final exclamation of “that’s me!” when he reaches out to the blue cube, but it doesn’t explain everything, which is why we explore an alternate possibility here.

My take on it is that the Byakko and this blue gem that get extracted from Atsushi are not the same thing. With the side note here being that they are probably deeply connected, but not the same regardless. 

My reasoning for this is that everything Atsushi-related you see in Dead Apple makes a little more sense when you consider the Byakko and the blue cube as two separate entities. The Byakko’s gem is red, the cube is blue. The Byakko is framed as something separate from Atsushi, while he claims the cube is not an ability but he himself. Atsushi had access to the Byakko while the blue cube was outside of him. Shibusawa even makes a point of mentioning that the orphanage director, who correctly thought Atsushi was the tiger, had the wrong idea about Atsushi’s ability. The Byakko is definitely Atsushi’s ability, but this blue cube is… something else. 

And yet, the tiger is also deeply connected to whatever this blue gem is. Currently, one theory that makes sense to me is that the tiger is an ability that can be passed on, just like Demon Snow, that has the specific task of protecting the power of this blue gem. So, a two in one deal. Atsushi also gets referred to as “the one holding the Byakko ability” by Ivan, which would be in line with the Byakko being an ability that can be passed on as needed. Shibusawa makes a similar statement, calling Atsushi “the one clad in the Byakko”. Atsushi also has issues controlling his ability before joining the ADA, just like Kyouka and Tsujimura, who both also inherited their abilities. I would love to further speculate on this, but there is so little information on anything relating to this, so anything further would be completely baseless.

However, there is one more different clue given to us by the movie. Namely, what this comparison to the Dragon means for Atsushi as the one holding the Byakko.

Almost in the same breath as Shibusawa is recounting Fyodor’s words about the Dragon being the chaos of all abilities, the holder of the Byakko also gets its own description about its true form: the one opposing all abilities.

This relates to what the blue cube may really be. What Atsushi does to Shibusawa in his final moments is what I essentially believe to be this blue cube’s true power: it completely unravels an ability. The blue power eats up everything supernatural about Shibusawa until only his natural skull is left.

If you think this sounds familiar, it kind of does! I cannot ignore the similarity to Dazai here, though I do have to point out that Dazai can only cancel out an ability, and this blue cube power seems to… completely erase the ability itself, leaving no trace of it. The similarity to Dazai is further found the moment Dazai dies and his ability leaves his body. At first, his ability is white and vaguely similar to the blue cube before deciding that nope, this is just barely not it.

I have a hard time connecting this to anything larger simply because the series does not give a lot of clues on this subject. How did abilities come to be? How is the Book related to that, since it is not an ability or borne from an ability? And how does Atsushi factor into this? 

Shibusawa has been led to Atsushi since he believed Atsushi would grant him something special, something he had been looking for all this time. “That which every ability user desires.” 

This is actually a familiar story! This is not the first time Fyodor has led someone to Atsushi with the premise that he would be able to lead them to what they were seeking. The first two seasons of the anime follow that specific idea, of Fitzgerald wanting Atsushi so he can lead him to the Book.

The tiger as the guide to the Book is something emphasized again and again. While in English it gets translated as “guide”, the original manga panel said “道標（タイガービートル）”, or, “guidepost (pronounced: tiger beetle, in English)”. While this is partially just a funny pun, it also once again points to the tiger specifically as a guide.

It did leave me to wonder about the absence of a certain scene in the series. Fyodor has been sending other people to Atsushi for the entire length of the series, but has never interacted with Atsushi himself. For someone who claims to be looking for the Book, and knows that Atsushi is somehow the guide to the Book, isn’t that a bit weird? Is there a reason Fyodor won’t interact with Atsushi himself? Fyodor knew about Atsushi way before he joined the ADA, so it’s not like Dazai is particularly standing in the way here.

Regardless, this factor that makes Atsushi so special may very well be this blue cube. How does the power to completely undo abilities lead to the Book? Who knows. We simply do not know enough about the Book or the origin of abilities to say more about this. Maybe the true power of the blue cube is something else entirely.

What does all of this mean? Where will it all lead? Only the future (Asagiri) can tell.

The Unexplained and Weird

Welcome to the section I’d fondly refer to as “a collection of things I have no explanation for”. There is plenty of that in this movie, but I do want to touch upon them since not being explainable as of currently does not necessarily mean that they aren’t important in the future. Also, not having an explanation for these things is driving me insane and I need to share in my suffering. Let’s go! :)

Let’s get the big thing out of the way first.

Mukurotoride, my friend, my enemy. For those unaware, Mukurotoride is the name of the large black tower that Shibusawa, Dazai and Fyodor were chilling in for most of the movie. The name gets translated as “Skull Fortress”, but the kanji used gives the name more of a “Dead Man’s Castle” feeling, since it refers to a person long since dead more than a skull. My problem with this tower is as follows: it doesn’t make any sense. Whatsoever.

Why is it there? Fifteen establishes it’s there seven years before the current timeline, so a year before Shibusawa dies. I would’ve accepted it if the tower was a weird side effect of Shibusawa dying or something, but the current facts point towards this tower not having anything to do with Shibusawa at all. It’s also very decayed. How long has it been there? Who put it there? Is it relevant that it’s right next to Suribachi? Or in the Yokohama foreign settlement? (Side note: foreign settlements have not been a thing since 1899. What’s up with Yokohama having a foreign settlement?) No one seems to know anything about this tower, not even in the Japanese community. And then in-universe, everyone also seems okay with this wildly out-of-place tower that looks like it’s made out of human bones being there in the middle of the city? It’s giving me Sky Casino vibes.

Okay, now that I’ve gotten that out of my system, we can talk about Fyodor’s ability.

I want to start this part by explaining my personal stance on the current Fyodor theories, since it influences how I talk about what is shown of his ability in Dead Apple. There are a bunch of theories about Fyodor having an insta-kill ability that only works on non-ability users. Personally, I don’t subscribe to this theory, and I have multiple reasons for this.

First, I don’t think we’ve ever seen Fyodor’s ability being used. At the end of Cannibalism a cop dies as soon as he touches Fyodor. In the manga abilities don’t have a special shine effect, but in the anime they do. However, in the anime there was no ability-shine here.

A stronger argument, perhaps, is that this happens right in front of Dazai, and Dazai immediately afterwards says he has no clue what Fyodor’s ability could be. He could be lying, of course, but since this is a common enemy he shares with Fitzgerald, who is the one asking him about Fyodor’s ability, I don’t see any reason for him to do so here. The whole murder reads a little bit like Fyodor just putting on a show for Dazai.

Finally, from a narrative viewpoint, killing with a touch is a little… useless? Don’t get me wrong, I’m sure it’s convenient, I guess, when you’re a terrorist who seeks to exterminate part of the global population. But there are many ways to kill a person, and Fyodor has shown time after time that he doesn’t need to rely on an ability to murder people.

The strongest argument for the insta-kill ability in my opinion is Fyodor himself saying “this is my true ability” before killing that kid who was enslaved by Ace. However, this may also be part of something else that is going on with Fyodor, in a way that is perhaps very similar to Atsushi.

Alright. Whether you agree with that or not is up to you. To get back to the movie, there are a few interesting clues provided about Fyodor’s ability.

The first is of course Fyodor’s iconic line when his ability shows up on screen: “Crime and Punishment are close friends.” Everything he says after that point is already referring to Shibusawa again, so this is the only clue he himself is willing to offer up. If we consider that the abilities that get split from their users represent inner conflict, all he is saying here is that he apparently has no inner conflict. Does he know something else about the world? Does he just know who he is? Honestly, I don’t think we’ll get anywhere talking about Fyodor’s mental state.

Then there is the “I am Crime”, spoken by Fyodor holding the skull, and “I am Punishment”, spoken by his ability holding the apple. This one is slightly more straightforward. The ability user being the crime, and the ability the punishment. I’m not 100% sure if this is actually referring to Fyodor himself, or if it’s just about Shibusawa again. The skull (Shibusawa, an ability user) being the crime, and then the apple (covering the world with fog through Shibusawa’s ability, thus punishing ability users) being the punishment makes sense when viewed like this, but it could be that Fyodor is somehow also referring to himself during these lines.

Okay, if Fyodor is apparently not willing to open up, we can gather some more info just from what we can see instead of what we’re told. Most of what this part covers is taken from these excellent posts, but I’ll summarize it here for the sake of completion. Fyodor’s ability looks different compared to most other abilities. Most of the abilities shown in the movie have a blank face without any features, and have their gem on their forehead. The exception to that first part, interestingly enough, is Elise, Mori’s ability. This is most likely because she has physical form as an ability to begin with. Which then raises the question: does Fyodor’s ability also have a physical form outside of the fog? His ability looks identical, so that would imply some sort of clone ability. Next to this, Fyodor’s epithet is “The Conjurer”, which would be in line with him being able to create another copy of himself. (Though I should add here that the Japanese seems to just refer to him as “魔神”, which can be any type of evil spirit. However, if I’m not mistaken, the “Conjurer” should be from the official translation, but let me know if I’m mistaken on that.)

Finally, there is the position of the gem on Fyodor’s ability. Nearly all other abilities have their gem on their forehead, but for some reason Fyodor’s ability has his on his hand. The only other ability that has its gem not on its forehead is… the Byakko. I don’t have an explanation for this one, but the weirdness should be pointed out, since it’s another way in which Fyodor’s ability deviates from the others.

Next to the above, there are two other weird details I want to quickly touch upon.

First, the knives in the apples in the dish in Mukuroride, as well as the apples with a knife in them in general, as they are the theme of this movie. I believe this to be of a more metaphorical touch, so we won’t read too much into it, but it does have physical consequences that tie back to the title as well.

This exact shot is used four times throughout the movie, but with a varying amount of knives stuck in the apples. It starts with one, then two, then three. The room starts with just Dazai, then Shibusawa enters, then Fyodor. With each of them showing up, another knife appears in an apple. This is then a metaphor for these three being the instigators behind the Dead Apple incident. These knives in the apples can also be seen as their calling cards, as they were left both at the bar and at the scene of the crime where that agent was killed who was supposed to meet with Kunikida and Tanizaki. 

In a later scene, it cuts again to this frame, but a knife and the skull has disappeared. These both get taken by Fyodor. The knife is used eventually to kill Shibusawa, but Shibusawa also took one of these knives to kill Dazai with. Either way, these knives that have been in these apples are used to murder, once again corroborating the connection between death and apples.

And finally, the relevance of the moon. 

There are a few impressive shots of the moon in Dead Apple, where the moon is shown to be enormous, to the point where even the light novel points out how extraordinarily large it is. The novel also points out that the blue cube crystal holds a similarity to the moonlight. Just symbolism to show that it’s connected to Atsushi, or something more? The other side of the page in the main series will also only be written on the night… of the next full moon.

The Point of It All

I hear a lot of “Dead Apple doesn’t matter to the plot, just watch it for the Soukoku scenes and move on”. And while I do agree that it’s not mandatory viewing to understand the storyline that corresponds with season three onwards, I do think there is more to Dead Apple than most people give it credit for.

I always like to ask myself after reading a book or watching a movie: “Okay, so what was the point of that? What was I meant to take away from this?”

For example, in essence Stormbringer is a case study on singularities. Likewise, BEAST is a study into the limits of the Book, and all other side stories similarly have a message, however big or small.

So what does Dead Apple establish? Why bother?

I hope by now you agree that Dead Apple seems to be the introduction to explaining more as to what is so special about Atsushi. This seems to go deeper into chapter 28/29 of the manga, or season 2 episode 8 of the anime, where Atsushi also has some weird things going on with the tiger. What this exactly is, or where this seems to be going is unclear for now, but the Dead Apple definitely emphasizes Atsushi’s importance as well as the concept that there can be something more than just abilities.

In-universe, there are also reasons for this conflict to happen.

Most likely both Dazai and Fyodor knew the end result long before the conflict ever started. It’s their reunion in a way, so I suppose they are both seeing how the other’s condition is at the moment. They may even have gathered some intel somehow? It’s almost like collecting metadata, they won’t have a direct conversation about important things, but they try to collect information just by seeing how the other acts, to see if the other lies within prediction.

Aside from that, on Dazai’s side, except for foiling Fyodor’s plan and keeping Yokohama safe, the Shin Soukoku dynamic also gets strengthened, something Dazai is actively working on. On Fyodor’s side, next to giving the whole “eliminating all ability users” a good honest shot, he also gets to collect a lot of intel on the opposing side. For example, Fyodor in Dead Apple gets to see Corruption up close, which may potentially be relevant.

Finally, from a storytelling perspective, it sets up a lot for the third season, especially in character interactions and relationships, e.g. Atsushi & Akutagawa, Dazai & Chuuya, Kyouka, Fukuzawa & Mori. It should be noted that some characters literally have been intentionally regressed to make the ending make more impact. Whether that was a good decision or not is not why I’m here. You should just know that it’s intentional. You could chalk it up to Atsushi losing his ability impacting him and his behavior a lot, if you wanted to justify it somehow. The Order of the Clock Tower also gets its first anime appearance, showing Agatha Christie on screen, who will most likely play a more important role later on. Likewise, Dead Apple is the introduction to Fyodor as a villain, where you get to see him for more than just a few flashes.

Trivia and Fun Details

I suppose this section is skippable. But who doesn’t love trivia? This is by no means an exhaustive list of everything included in this movie, but rather an overview of what I personally caught, understood and thought relevant to include.

The “Dragon Head” in the Dragon Head Conflict refers to a Qilin, which are said to have similar heads to dragons. Since the conflict centered around the White Qilin, this is where that name comes from.

At some point Akutagawa and Kyouka use a mafia code to refer to a passageway. The code “0505” refers back to Atsushi’s birthday.

The symbol ᛟ found on the outfits of the Mukurotoride squad refers to inheritage, since Shibusawa inherited his own ability. More information about that here.

Dazai at some point meows at Fyodor. This is a very sassy way of telling Fyodor that he will personally eradicate all of Fyodor’s rats in Yokohama, including Fyodor himself. (The light novel calls it a “tedious” meow. Lmao.)

The music from Dead Apple seems to be recycled in season three of the anime. I’m guessing to save on budget?

Atsushi’s door that he eventually opens to unlock his hidden memories has its own music motif that shows up every time he thinks about Shibusawa, the fog or his memories associated with killing him. Try to pay attention to this, it’s really cool.

The motif of the door is also a tune that sounds a lot like the track named Dead Apple, further showing Atsushi’s relevance in his movie.

The lyrics of the soundtrack tell their own story. When the Dead Apple plot first takes off and Dazai is at bar Lupin, a song called My Prince plays telling of Snow White who is sleeping and waiting for her prince. However, it seems to be a spin on the classic, where indeed Snow White chose to knowingly bite the apple knowing it was poisoned, in much the same way as Dazai knew he was going to be poisoned in Dead Apple. Le Cheval Noir tells of how bored the singer is, and how nothing is special to them anymore. This plays during the scene where Dazai talks to Shibusawa, showing Shibusawa’s apathy towards everything. Mein Prinz, the song that plays as Dazai gets backstabbed, is nearly exactly the same song as My Prince, but now more dramatic and in German. This is a clue that Dazai saw this coming from before the Dead Apple conflict even started, and it’s now up to Chuuya again to save him. Overall, Dazai is leaning into the Snow White aesthetic hard in Dead Apple.

And finally, a list of everything the light novel insists refers to the theme of poisonous red apples: the red apples with the knives in them, apple suicide, the merged abilities producing a red sphere, the singularity that results from that in all its forms and the planet covered in red fog. If it’s red and spherical, you can just assume it should represent a deathly apple.

TD;DR

Recapped extremely briefly:

The Dragon Head Conflict introduces Shibusawa as a villain who was kept by the government but went off the rails. Shibusawa’s ability is a fog that splits ability users from their abilities. If ability users die, Shibusawa obtains their ability. Shibusawa died and inherited his own ability, also causing him to lose his memory. Therefore he wants to obtain Dazai's ability in order to gain what he feels he lacks. Dazai betrays Shibusawa together with Fyodor by combining abilities. However, Shibusawa kills Dazai first, adding Dazai's ability to the merged abilities creating a singularity. Fyodor kills Shibusawa, causing him to regain his memory of being previously killed by Atsushi. A dragon is created and defeated, and Fyodor's plan is revealed to be the covering of the entire planet in Shibusawa's fog, killing all ability users. This plan is foiled, but Atsushi is shown to have potentially another power next to his ability (the tiger). This power is possibly the ability to completely unravel abilities, and may be what makes Atsushi the guide to the Book. Mukurotoride is completely left unexplained in the movie, but there are clues given about Fyodor's ability that point away from an insta-kill ability, and more towards a clone type ability.

Omg this is so effin' cuteeee!