Red Dead Redemption 2: A Summary

We Love One (1) Royal Family

+ All Hail The Queen:

i just realized… 

why cant we get another “film by peter parker” in quarantine. 

SPIDER-MAN: STAYING HOME 

thank you. goodbye

So many beautiful colours, identities, and sexualities!🌈🌈🏳️‍🌈🏳️‍🌈

Hex Codes for LGBTQ+ Flags

for all my artists, content creators, and anyone else out there who use specific color palettes for references/designs, here are the hex codes for each of the lgbtq flags for your queer creative purposes. i hope you find these useful. enjoy!

Okay maybe I'm grasping at nothing, but hear me out:

We all know Peter has spidey senses. He used them to defeat Mysterio in Far From Home.

But we see Peter struggling with them all throughout the movie:

(Peter not sensing the banana)

(Peter not sensing Nick Fury in the room)

(Peter not sensing everything around him in the pub was an illusion)

(Finally, Peter not being able to decide whether Happy is real or fake)

Now here we wonder, why is that happening?

Take into account the events of Infinity War. When Thanos snapped his fingers, unlike others, Peter could sense his death coming, that's why he fell into Tony's arms saying, “Mr Stark I don't feel so good”. Imagine such a terrible thing happening to you, feeling the pain everywhere yet not being able to fix it. This could and HAS led to post traumatic stress in Peter. PTSD leads to changes in the body and impotence is one of them. Also the added trauma of his mentor dying? Anyone's mind could've become fucked up after that.

“Okay, so where are you going with this?” you must be thinking.

Well, what if Peter sensed something was unnatural about the water monster (other than the fact it was a monster made up of water, of course) so he shot something at it, just because? But he turned out to be “wrong” because it went right through the drones. He was right about it, but he didn't know then.

Wrongly sensing something so big like that would have created some serious self doubt in Peter.

That's why he must have discarded every tingle in his skin that sensed the illusions around Mysterio in the pub. That's why he must have ignored the possibility of someone being in his and Ned's room. That's why he asked Happy if he was real when he got off the plane.

It's because he was doubting himself and the very abilities that made him Spiderman.

Peter wasn't dumb. He was right about shooting a web at the water monster.

dark academia literary works: a masterlist

Hello! I replied to this post on Reddit today, trying to compile all the dark academia books I could think of, and then thought that maybe all of you here might find it useful too, so here you go. It is a very, very broad list, a mix of classic and contemporary literature, and there is no set criteria besides having a dark vibe (this includes murder and crime but could just be the way it’s written as well) and portraying an academic setting, most of the time from the student’s point of view. I haven’t read all of these myself and so I can’t judge on quality, but hopefully this will inspire people to add on to it in the comments.

Here you go!

The Lessons by Naomi Alderman Truly, Devious by Maureen Johnson The Secret History, Donna Tartt If We Were Villains by M. L. Rio Maurice by E. M. Forster The Picture of Dorian Gray by Oscar Wilde Possession by A.S. Byatt The Truants by Kate Weinberg The Prime of Miss Jean Brodie by Muriel Spark Vicious by V. E. Schwab The Raven Cycle by Maggie Stiefvater (tangentially related) A Little Life, Hanya Yanagihara Brideshead Revisited by Evelyn Waugh Never Let Me Go by Kazuo Ishiguro The Likeness by Tana French The Rachel Papers by Martin Amis Ninth House by Leigh Bardugo (coming out tomorrow!) Jane Eyre by Charlotte Brontë The Lake of Dead Languages by Carol Goodman Oleanna by David Mamet Special Topics in Calamity Physics by Marisha Pessl The Marriage Plot by Jeffrey Eugenides

Other classics that are not Dark Academia in content, but which I would include in a list of the DA canon: The Iliad and The Odyssey by Homer Shakespeare’s plays (Macbeth, Hamlet are good ones to start with) A Separate Peace, John Knowles The Bacchae, Euripides Greek tragedies (a good one to start with is Antigone, very popular and staged many a time) Leaves of Grass by Walt Whitman Beat generation literature Jane Austen’s books (light academia, anyone?)

I'm not crazy, Pepper. I just finally know what I have to do. And I know in my heart that it's right.

Hobbs and Shaw: The Tigress

This was a request by @ihavesthings

Summary: When Sam wakes up in an unknown place, surrounded by unknown people, she expects either her Dad or Deckard to rescue her. But it’s someone else who comes to her rescue.

Warnings: kidnapping of a child, child in danger

Keep reading

Doylist analysis: Both JK Rowling and SE Hinton have the same issue with their writing, where they fail to fully separate THEIR heterosexual woman perspective from the perspective of their teenage boy protagonists, which is why both Harry Potter and Ponyboy Curtis spend an absurd amount of time commenting on how attractive all of the teenage boys around them are. 

Watsonian analysis: Harry Potter and Ponyboy Curtis are both exceptionally bisexual and just havent realized it yet. 

Tony: Why do I have this feeling you’re about to mess up my entire life?

Bucky: A littlke mess never hurt anybody, Doll.