the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible
because theyd rather someone stay terrible or just straight up die than become a better person
from a compassionate point of view it’s deeply distressing and from a pragmatic point of view it’s outright frustrating
it’s fucked up.
This tweet lives rent-free in my head now. Hands-down the best comment about the relationship between art and artist.
I don't feel like Orion trying to stop D-16 from killing Sentinel was because Orion felt like Sentinel deserved to live. I mean, he crashed an entire train into the guy just minutes before.
Imagine you have a chill best friend who is the voice of reason between the two of you, but he goes through a trauma that turns him into a roiling pit of rage. You keep reaching out to him and he keeps shoving you away. He is suddenly getting fusion cannon boners from beating the shit out of potential allies, and you have to beg him not to blow said ally's head off. Your friend frames this restraint as "the last time I will show mercy."
When Orion says "Don't be like Sentinel", I don't think he means "Um, have you considered that ACTUALLY this is not The Proper Way to change the government?", I think he means "You are losing yourself and it's scaring me and it's hurting you."
He was not trying to save Sentinel, he was trying to save D-16.
dam…….. that website “you feel like shit” (it’s like a questionnaire / troubleshooting guide for when you feel like shit) really works………………….. im not even all the way thru it and i even half-assed a lot of the suggestions and i already feel loads better
THIS IS SO MUCH FUN!
Gripping a sword overview
I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”
Is that like the “pillow words” that separate phrases in Japanese poetry?
“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”
Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.
“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.
But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.
— Roger Ebert in conversation with Hiyao Miyazaki
good things will happen 🧿
things that are meant to be will fall into place 🧿
the edit itself
this edit is getting taken down from tiktok every time someone reuploads it, its straight up censorship at this point
Im not even american but im having a great time with this
DONT LET THIS DIE
credit to miraculousgastropod for the original