In Leverage, In The Background Of Some Scenes You Can See Ads For Or Clips Of Another Dean Devlin Production,

Today in Leverage headcanons no one asked for: do they have tattoos and if so, of what

Nate: has Sam's name tattooed over his heart in an awful cursive font. Definitely got it when he was drunk.

Sophie: no tattoos for obvious reasons (she changes identities too often to have anything permanent on her body)

Parker and Hardison: matching lock and key tattoos <3

Eliot: got an American flag on his shoulder when he was eighteen, right out of boot camp. He covered it up on a whim with a wolf or a skull or something suitably fierce when he started to grow disillusioned. Didn't get another tattoo for years, until he went with Parker and Hardison to get a little matching pick.

Harry: too uptight for tattoos

Breanna: has been slowly amassing a collection of cute small tattoos. They're all in places she can hide them easily, because she's not about to jeopardize her chances of being involved in cons, but she also couldn't resist the urge when all her friends were getting cute tattoos. They're not, like, overtly gay tattoos, but they also kind of are.

Leverage: Redemption (2021-present) The One Man’s Trash Job (S02E02)

how did we go from "we agreed we all change. for better or worse, we change together" to "everybody changed. i thought we were done changing."

24 page comic adaptation final: COMPLETE! Now I just have to print it tomorrow and everything will be peachyy

Edit: forgot to say this but this is an adaptation of a few chapters of the book Seasparrow by Kristin Cashore.

Second edit: I’m not actually going to continue drawing this… it’s a whole ass novel 😭

okay pro tip: leverage is a really great show for when you're dealing with stress about the world, capitalism, politics, corruption in general... it's the ultimate comfort show to me, and I know I'm going to be watching a lot of it today as we wait for things to happen.

however.

today is a really bad day to watch the episode where they steal an election.

can't believe the plot of leverage is literally 'man gets hired to be a project manager for Crime and then is forcefully adopted by the employees he doesn't want'

Thinking again about the discussion around "The Fractured Job" rewriting Eliot's backstory and undoing the original series' implication that he was abused by his father. It's a 100% valid read that's supported by the text, but it's also worth noting that it wasn't intended by the creators (at least John Rogers, who's been pretty vocal about it).

From "The Tap-Out Job" commentary:

John Rogers: “And there is—you know, a lot of people look at this one, and ‘Order 23,’ to think that maybe Eliot had been abused or something as a child, and it’s—that’s facile. This is just a guy with a relationship with violence. He’s beaten up, he’s been tortured, he’s a guy who has learned bad things can happen to you and this is how he internalizes it.”

From "The Order 23 Job" commentary:

John Rogers: “And it's also interesting to see how fans react to any sort of storyline like this, where they just assume you're trying to reveal something about the character’s past or some sort of subtle hints that we’re laying in. It’s like no, Eliot doesn't like guys who beat up kids. It's not—I mean there's plainly other stuff going on that Christian chose in order to base his acting around…”

(Thanks to @leverage-commentary for the transcripts)

I find it interesting that in 2009/2010, he devoted commentary time to debunking this. What that tells me this interpretation was prevalent enough to seem worth addressing (probably because they didn't do themselves any favors with how they told their story, leading a huge chunk of the audience to the same conclusion...)

guess who ended up drawing a comic of an entire scene from Artificial Condition

Sophie loves to go dancing, but she rarely goes with Nate. He takes it too seriously, and he always get involved in the dance hall politics. Plus, as technical and detail oriented as he is, he isn't really good at dancing. He can do the steps, but he doesn't understand how to let himself get swept away by the music.

The first time she asked Eliot, he laughed at her. Said there was no way he was going to spend his night off in some dusty ballroom when he could be at home relaxing. She'd shrugged it off, having anticipated his refusal, and had gone by herself, intending to find a partner when she got there.

Except when she showed up, she found Eliot dressed in jeans and a button-down shirt, his hair pulled back in a pony tail, mumbling something about not wanting her to have to go without a partner.

The next time she asked, he complained about how slippery his shoes were and how handsy Mrs. Gunderson had been during the open dance, but he picked Sophie up at 6 and dropped her off at 10 and smiled most of the time between.

A week after that, she found a flyer for a foxtrot competition slipped under her door, with the note "I'm free on Saturday" scrawled across the bottom.

(They won.)

They go several times a month now. Hardison laughs when he finds out, but Eliot says it's good exercise. Parker is very excited about their trophy but loses interest when she finds out it's plastic. Nate comes to watch sometimes, because as much as he dislikes dancing himself, he appreciates the skill involved.

(Maybe he's picking up pointers. He'll never tell.)

What's in a name:

The team leveraging Hardison's first name to get him to take them seriously.

It started with the Grave Danger Job. With Parker's panicked "I need you. Do you hear me, Alec? I need you!" It isn't something that's conscious or anything, but all of them lean into it occasionally.

"Alec, just drop it," Nate stares at Hardison, watching the young man realize maybe he'd been pushing Nate too hard on a topic that was a sore subject. Alec nods grimly and backs down.

"Hardison, how long have you been up?" Sophie asks gently, watching the genius wipe the grit from his eyes, his latest forging project laid out around him. When he mumbles something about not remembering, needing to finish, Sophie catches his chin in a manicured hand and holds his attention. "Alec, go to bed." He goes.

"Come on, man, get off the screen for a little while, let's go get some sun," Eliot pokes him after a long job on top of a new World of Warcraft update. Hardison can't even remember what he said back, something glib he's sure, but he remembers the hesitation in Eliot's voice. "Alec, please. You're gonna fuck up your eyesight before you're thirty, staring at blue light a foot away from your face. Please?" Hardison goes with him. They go to an outdoor gun range. Hardison rags Eliot about them both not liking guns, but listens as his best friend talks him through focusing on targets of different distances. He'll never have Eliot's skill, but it's a quick way to help his eyesight and he turns out to be half decent with practice.

"Alec, I'm serious!" Parker pleads with him, a picture of some conspiracy theory held up in her hands. "I need to know if this is real or not, please. Because it doesn't seem real and then it does seem real and Eliot won't give me a straight answer and Nate won't give me any answer at all, and I need to know if-" if I'm going crazy, she doesn't say, but he hears it now. He lays a hand over hers and explains that it's not real, explains the joke patiently until she understands and can laugh at it and "yes, and" Eliot when that particular theory comes up again.

"Hey y'all, it's Alec," he says, a gun to his head and a phone in his hand, one chance to get it right, to make them understand that this is serious. He can practically hear them all sitting up in the tones of their voices, in the grimness of the rapid fire questions, and he breathes a sigh of relief. They'll come get him. They know it's serious.