Still Reminiscing Over The One Boy In English 1 Who Whispered 'is Mercutio Gay?' To Me While Watching

got a hand cramp while drawing this he will pay for it

first time drawing resj mercutio third time drawing resj benvolio hehe

can somebody please talk to me about the parallels between bencutio and wolfstar

like not only is it a similar dynamic but THEY ALSO LOOK THE SAME i swear

"social anxiety fears YOU bro!" -my friend a few months back

thats it.

benvolio montague is Francis Forever coded. send post

Video captions: And stop trying to show your ex what they missed out on! Stop trying to teach your family a lesson for not believing in you! Stop trying to shit on your haters! Do it for you! Do it because you deserve it! Do it for YOU! Water your dreams with love! Don’t put no hate and resentment, and try to — “oh Imma fucking show them, Imma show” — FUCK THEM! Fuck them, do it for you! They don’t matter! They NEVER mattered.

save me bencutio form my art style crisis save me 🙏🙏

hi i wrote a thing

romeo and juliet scenelet comp because ive written a good few of these

https://archiveofourown.org/works/64180060/chapters/164700700

lots of bencutio crack because thats the way i like it :)

adding onto the fact that i am insane

Elisabeth from Elisabeth das Musical is La Mort from Romeo et Juliette

reasoning?

In Wie Du, Elisabeth is talking to her father about how she wants to go and explore the world and have all sorta of adventures, and going to Verona seems like enough of an adventure to me.

in Elisabeth's sort of postmortem scene, we see her in a white dress, thin and long. La Mort's dress almost looks like it if it was that dress, torn into pieces.

And if Elisabeth is Death's lover/wife/SO post musical, that probably means she absorbs some of his power to be able to kiss people into death, hand them weapons, reveal herself at will.

Specifically, la Mort's muteness and only being a dancer- she will only dance in death's sight (wenn ich tanzen will), so whenever any Veronese peeps see their deaths coming, she reveals herself (or in moments of intense suffering for Comment Lui Dire). Specific to Comment though, Mort is taking Benvolio's suffering and physically moving and stringing him up by it, which totally recalls die Schatten Werden Langer blocking with Rudolf and Tod to me.

Elisabeth's hair is also totally long and fabulous enough for all those hairdos. Her choreo also often obscures her and her face, which is a bit of a callback to Elisabeth always hiding her face with a fan, but that might be a stretch.