They Have AO3?!?

Penelope’s anger at her imbecile of a husband.

“Of course I love you. Would you be able to tear up that Olive Tree? Would you be able to tear up the roots of my love? Why would you ask me to forsake you?”

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post game smooch ♥️

Hey, I have DpxDc God Au prompt for you: Dani is the goddess of untraditional families, traveling, clones, and lost (emotionally and locationwise, not deathwise) children. She becomes a patron to many people (mostly kids and teenagers) struggling in the hero community and otherwise and comes to help them in times of emotional turmoil. Kon is one of her followers/friends, the speedsters pray to her for multiple reasons, and Billy and her sometimes hang out. Danny is the god of protection, space, revival, and neglected and lost children (emotionally and those who died before they reached adulthood). He also ends up becoming a patron for many heroes and abused kids. He helps Jason out when he dies young and gets revived. (Bruce prays to Danny for Jason when he dies to beg Danny to help Jason find peace in the afterlife if there is one). Danny also befriends Tim when he’s all alone in Drake Manor and keeps him company when he can and helps him survive. Dan on the other hand is the god of apocalyptic futures (and alternate and future evil selves), repentance and redemption, aggression, and devastation (emotional and deathwise). He doesn’t want most of his domains to be so dark, but it’s weird how much overlap there is between the same people praying to him along with Danny and Danielle. (SO many heroes have apocalyptic future/evil selves and have done terrible things. Example: Tim: Evil future gun batman and Jason: Aggression and Repentance/Redemption. They would definitely pray to Dan just in case). They’re all pretty respected gods who have been known for ages, worshiped, who actually help not just their followers but those who need their help that fall in their domains. The mythology got a bit weird throughout history, but the Dan(y/i)s were generally thought to be benevolent sibling/triplet gods. Jazz didn’t have enough power to ascend to goddesshood, but she was a patron spirit of psychology and mental health, and low-key a patron of people with eldest daughter syndrome (Looking at you, Dick). Then of course there’s Vlad. Mostly creeps want to pray to Vlad. He’s thought of as more of a predatory demon than a god, he has never been known as benevolent. He embodies most if not all of the seven deadly sins and his domains and immorality reflect that. He is the god of theft, power, greed, lust, cheating, obsession, ego, twisted family, immorality, corruption, envy, and vengeance. He has more domains than the Dan(i/y)s either because he was depicted so negatively from all of his schemes that people just gave him all the dark domains, or because he stole several artifacts and found some loopholes to get more power for himself. The Dan(ny/i)s stand together as one to protect the world from Vlad’s immorality, however there are some moments where Vlad helps starving children steal food or things they need to live, helps people to steal medicine they can’t afford to bring to a sick loved one. He gives self esteem and confidence to those who pray for it that struggle with self worth or mental illness. So yes, he is a more morally bankrupt god, but he has his good moments. Anyways, please write more of this prompt in whatever way you see fit. It could be stuff from the batfamily’s and/or halfas perspective as the years go by and they interact with the gods or something like that as vigilantes and as civilians, or you can write scenes out with the hero community or batfam discussing the little pantheon or whatever, or go into further detail with my examples, have conflict between the Dan(i/y)s and Vlad, change things up, or anything you want. Thank you!

Wonder Woman watches as Nightwing very claps his hands, bows his head, and mutters under his breath. The language is one she is not fluent with but has started to learn over the years in her time of man.

Esperanto.

She can pick out a few words. Enough to know that Nightwing is sending a prayer and hopes of a "Older Sibling" patron saint. He wants her to keep a eye over his younger siblings and to offer him "inner- peace".

Diana is aware that all of Bruce's children, minus Dick, are out on extremely dangerous missions. Dick had been benched due to an injury he sustained in the last confrontation. He was sent to the watch tower were a team of trusted surgeons had operated on his leg.

He would be fine in time but it would be a long wait before he would be ready to go out to the feild.

Understanding that he needed guidance from his gods, she waited paintently for him to finish, taking a few steps away from the doorway of his recovery room so as not to overhear any further prayers. A conversation between gods and man should remain private.

As she leaned on the wall outside, she wondered—not for the first time—who the Bats prayed to. Athena and Aphrodite would always have her loyalty, but she acknowledged that there were gods outside of her own.

She met some of them.

And while she had never seen the Bats or anyone else from Gotham's gods, she knew they were worshiped and believed as much as her sisters loved on Themyscira. It would be rude to ask about them, when she would never offer the gods of Gotham any offerings, so she refraimed but she wondered.

Oh she wondered.

She had witnessed Bruce pray to one of them, usually after a complex case involving children. He never mentions the god by name, but much like Nightwing, he clasps his hands, bows his head, and mutters that rhythmic language. Once, he even saw him place a star carved from one of the stones of his historical home by the window of the watch tower.

He had engraved all his children's hero names into it and allowed the moon to power it with protection.

Jason prayed as well, but not as profoundly as his family. He was Catholic growing up, and his mother often refused to have him pray to another god despite everyone else in Gotham doing so. He only did so as Red Hood because, according to Jason, that was the only time he needed Dan or Vlad.

Diana wondered if those were gods or people in his gang. Jason did not say their names with the same reverence as she did her gods.

Tim, on the other hand, took his Gotham-based region very seriously and had an entire timesheet of proper prayers. He did not pray every day nor did he stop what he was doing in order to do so, but he made it very clear that he would not be availbe three times a week for religious purposes.

Short of an emergency, those three hours every week were dedicated to his rituals for all of Gotham's gods. Diana knows that Steph, Barbara, Cass and Bruce would join only one of those three hours for their own god prefernce.

Despite that however, they were not very religious and often she wondered if the Bats were more atheists. Maybe meeting the gods and fighting some of them had the people of Gotham numb to the faith.

Or Gotham had the practices for such a long time that it became a background, much like tax season. Diana had noticed that despite the prayers and the dedication, the Bats treated their gods much like suppursitations to do before a big game.

It was a odd system to her, but once again, the "Gotham's Stars and Shadows" were not her gods. She did not have enough information to make any sort of statement about them.

Maybe they preferred to be treated as superstitions? Or maybe they liked to be close to their followers to the point they saw them the same way they did decorating their bedrooms? - A form of self-expression but not true faith.

A cold breeze blew by her, shocking Diana into a combat formation. There shouldn't be any wind up here. They are in space.

A whispered laugh echos down the hall, and for a brief moment she senses a god. Falling to her knee just in case, she stares towards the laughter watching a quick outling of a woman with flaming hair and a young girl in a black pony tale laugh and skip.

In their hands are carved stares, glowing green.

They vanish just as quickly as they appeared, but she knows who they were without having to call out to them.

"Diana?" Dick says from the doorway, pushing his wheelchair. "Are you alright?"

"Yes. I am." She smoothly slide up to her feet smiling at him in what she hopes is comforting. "Have you finished speaking to yoyr gods."

"Yeah I hope they protect my siblings and help find Kon."

She thinks of the laughing ladies "I assume they will."

An hour later, Kon is recovered, and Tim miraculously escapes death due to strong wind and a conveniently thrown traveling map into his attacker's face. Diana witness the superman clone add a stone form Kent Farm to the one by Batman's in the watchtower.

It has the words Red Robin carved within a heart. She smiles.

how to get a job. please. glue no borax.

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I miss nino sooooo much when will my boy return

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Dani is hunted by the JL

So dani was traveling around the infinite realms and came across a universe that she and danny would LOVE

Their are super heros, and clones and wizards, and alians

Dani send danny hlthe location of the universe with the caption:THE WORLD OF HEROS AND ALIANS WHICH WILL YOU MEET FIRST

Danny texted her back a voice massage of his screaming thw word alians

.

.

.

Do dani was exploring this new universe wjen she saw asshole.1 berating a teenager about how he's not fit for this life

The asshole.2 chimes in and AGREES with asshole.1, at this point the kid looks upset

and dani could understand teenagers in the superhero business is not the best(she asked) and sometimes tough love is what it takes so she was going to leave

Then she heard asshole.1 say" clones should just be terminated to save everyone problems like this"...

No...dani didnt hold back in teaching asshole.1 a lesson in clone rights via: trial by fist

.

.

.

But now 3 months later she decided to ask the assholes what they want and why they keep harassing her

She didnt expect a rant about how an unsupervised meta(and a clone asshole.1(whos name is superman WTF is super about him))

Then they all had a meeting about her IN front of her

The options ranger from finding her original to termination to imprisonment to forcing her to be a superhero

They eventually decided to make her a superhero in training...

These people are IDIOTS, if you dont trush her why put her WITH A TEAM, why not just let her leave, the most she did was get payback for the insensitive shit superman was saying but the sheer notion she was a clone was enough to FOECE her into a life she dosent want...

Oh hell no

So when the JL and clones in the background came up to tell her that they decided to give her a chance at "redemption"

She looked then in the eyes, sniled a too sharp smile said:no

Then she screamed

PAPA

.

.

.

The next thing anyone knowes is the watchtower is in an unknown location with a person that looked scarily similar to the unknown clone

And then he said

WHY DO YOU HAVE MY DAUGHTER

How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.

Writing Notes: Magic Systems

Magic - change wrought through unnatural means

Most fantasy can be placed along a spectrum where there are 3 main points: soft magic at one end, hard magic at the other, and a middle ground between the two.

Soft Magic

Magic that is not well-defined for the reader.

Generally, we don’t understand where the magic comes from, who can use it, or what its limitations are.

Readers can see this type of magic being used.

But they can never anticipate when magic will be used in the plot because they can’t begin to guess how it works.

You can’t break a rule if the rules don’t exist!

Most stories that feature this system will have the magic users be secondary characters, allowing them to avoid explaining exactly how the magic works.

It’s also argued that without knowing everything about the magic, it tends to hold more wonder and excitement for readers.

Hard Magic

Has very rigid boundaries.

Readers know where the magic comes from, how it’s used, who uses it, and what its boundaries and limitations are.

We know the limitations of the characters and can understand why they can’t simply magic themselves out of any particular challenge.

Stories with hard magic systems do not need to avoid the main character being a magic-wielder, as they have the capacity to explain to the reader what is going on.

A lot of writers this system because it gives them very explicit guidelines to follow in their plot and creates some more satisfying pay-offs for readers.

The Middle Ground

The meeting point between the soft and hard systems.

We might understand a bit about the way the magic works, but not all our questions are answered.

While most of the content adheres to rules, these rules aren’t fully explored.

This system relies on the reader’s suspension of disbelief.

The main character can be a magic-wielder or not, and it’s up to the writer to determine when magic will be used in terms of plot.

How to Choose a System

You can and should use these guiding principles to build your magic system. Remember that you don’t have to choose one or the other. Your system can draw from aspects of both. Just stay aware of the weaknesses of the path you choose, and ensure you utilize its strengths.

Use a hard magic system if:

You are going to use magic to solve problems

Your audience is accustomed to the tropes of hard magic

You are okay with jumping through hoops to expand your system

Your magic doesn’t convey a theme

Use a soft magic system if:

You want to convey a theme through magic

You want to create a sense of wonder

You want the ability to expand easily

You want to be accessible to a broader audience

Your magic won’t regularly be used to solve problems

Branches of Magic

Like most writing processes, there isn’t really a correct place to begin designing a magic system. A common, and efficient, place to start, however, is by choosing what type of magic system(s) you wish to employ, such as:

Nature-based magic: water, earth, fire, air, and everything in between

Divination magic: see beyond sight and peer through time and space

Conjuring magic: move objects through space over any distance

Psychic magic: master the world of the mind

Life and death magic: tap into the very forces of life, death, and un-death with this surprisingly versatile collection

Animal- or creature-exclusive magic: some creatures just do it better

Magitech systems: the blurring lines of sorcery and science give magic a next-gen, high-tech flair

Eclectic magic: it doesn’t have to be “real” magic to have a real effect

Uncommon magic systems: the unsung heroes of fantasy magic

AALC Method

How to create your own magic system using the AALC (Appearance, Abilities, Limits & Cost) Method

Appearance

What the magic looks like

Makes the world feel more exotic

Can cause problems for characters but cannot solve them

Usually tied to a character arc

Abilities

What the magic does

Points calculated based on magical effect, range, number of people affected, and duration

Characters have a finite amount of fuel (mana) to use abilities

More powerful abilities require more fuel

The fuel does not have to be overt for the audience to understand

If points not overt, cannot solve conflicts unless a cost system is added

Limits

Unlimited uses of magical abilities

Abilities stratified in codified levels defined by their limits

The more the levels' abilities and limits are known by the audience, the more they can be used to solve conflicts

Focused on clever uses of abilities against stronger foes

Cost system can be added to enhance dramatic moments

Cost

Costs must be greater than or equal to abilities to make them dramatically satisfying

Costs can include time, exhaustion, materials, sanity, morality, etc.

Adds dilemma to magic by forcing characters to make choices

The greater the character's sacrifice, the more audience satisfaction at conflict resolution

Each system builds on the previous ones, so that Cost Systems use all four, while Point Systems only care about Abilities and Appearance.

Multiple systems can exist within the same story, and systems can harden over the course of the story.

The Force, for instance, has been a Soft, Point, Level, and Cost System depending on who wrote it at the time.

SOFT SYSTEMS (Appearance Only)

Window Dressing - magic for secondary characters; can instigate conflict but cannot solve it; e.g., Gandalf

Soft Villain - No explanation or upper limits needed; makes villains more powerful to make heroes greater underdogs; e.g., The Emperor

Chosen One - Unknown power keeps hero safe throughout story; can be considered plot armor unless earned through character arc

Sort Hero Incomplete - Curse or positive ability the character cannot control; hero still learning limits of ability at story's end; powers and arc continued in next adventure

Soft Hero Complete - Hero embraces ability to complete arc and solve main conflict; magic must become harder in subsequent adventures

POINT SYSTEMS (Appearance + Abilities)

Points Opaque - Non-explicit reservoir of energy fuels powers; cannot solve main problems without cost option because characters finding hidden energy reserve feels like deus ex machina

Points Hard - Both abiliites and points system must be explicit like in video games; becomes about resource management; easy to understand but takes sense of wonder out of magic

LEVEL SYSTEMS (Appearance + Abilities + Limits)

Soft Level Static - Unchanging power without upper limits; cannot solve conflicts because feels repetitive; power must be used cleverly; e.g., Wolverine's healing factor

Soft Level Advancing - Increased powers or new powers with unknown limits; cannot solve conflicts unless tied to a character arc like Soft Hero Complete, at which point "unlocks" new abilities

Hard Level Static - Unchanging abilities with clear-cut limits; can solve conflicts so long as setup is properly seeded, usually resulting in sacrifice; e.g., Genie

Hard Level Advancing - Well-established abilities with limits; can solve conflicts based upon clever uses of abilities, usually against stronger foes; e.g., Airbender

COST SYSTEMS (Appearance + Abilities + Limits + Cost)

Static Cost - Well-established cost remains consistent for each use of ability; can solve conflicts since based on personal sacrifice

Cost Fluctuating - Costs change based upon dramatic need; costs must be greater than or equal to ability; possible costs include lost time, money, sanity, health, memory, life, morality, etc.

Sources: 1 2 3 4 5 6 Writing Notes: Magic System ⚜ Fictional Items; Poisons ⚜ Fantasy

Masterpost

Miraculous Ladybug

Queen of Mean AU

Queen of Mean - Part 1 

Worse than the Devil

Made me Do (Queen of Mean)

Sorry (Not Sorry) Queen Mari AU Continuation

I Forgot (Queen Of Mean Au)

CROSSOVER AUs

Marinette: A legacy (Legacies/Vampire DIaries/ Originals)

The Fast and Furious Times Of Marinette (Ladybug/Fast and Furious AU)

The Fast and Furious Times Of Marinette – Headcannons

Marinette: Iron Man’s Minion (Marvel)

Marinette: Iron Man’s Minion: Rising  (Part 2)

Ladybug in Smallville (DCg)

Ladybug in Gotham (and Space) (Part 2)

Ladybug (Not) In Paris (Part 3)

Demon princess (Inuyasha Crossover)

Five boys the Batfamily scared off (And the one boy who helped Marinette get revenge on them all)

Journal entries from a (Fashion) Princess (Princess Diaries)

Cry Little Sister (Come to Your brother) (Lost Boys)

Marinette: Blood Of Steel (Young Justice)

Marinette: Mother of Superboy (Young Justice)

Lady Noire In Gotham (Batman)

Kid Cold (The Flash Au)

DAY AND NIGHT (DC Crossover)

Marinette: Adventures at Camp-Halfblood (PJO crossover)

No, Bruce! You can’t Adopt her

Ladybug: A young Avenger

Marinette VS Santa 

Marinette Vs Santa (Part 1)

Marinette Vs Santa: The Rematch

Marinette Vs Santa: The Final Round

Fan Art

I Knew You Were Trouble (Halloween Town)

Sorry, it’s reserved (Young Justice)

Spider Vs Bird (DC/MARVEL/Ladybug)

Marinette: A merry Little Nightmare (Nightmare before Christmas)

Agent Marinette (Agents of Shield/Marvel/Ladybug)

Irredeemable my foot (Chloe AND Sabrina Sugar) (Batman)

Marinette the Vampire Slayer (Buffy the Vampire Slayer crossover)

Marinette: Adventure on the Tardis 1.0

Marinette on the Tardis Au 2.0

Daddy’s Little Villain (Young Justice)

To all Guys a Chat Loved Before (Adrien Sugar. Batman, Avengers, PJO crossover)

Remember You Young  (Kids Next Door Crossover)

One SHOTS

Rather be Me (than with You)

Mean Queens (Alya Sugar)

Tattered Remains of Broken Dreams (Yours, not Mine)

White Horse (This Ain’t a Fairytale)

Over This (Over you)

Best Birthday Wishes

Bridges Burned (Mama always told me that I should play nice. But she never met you)

Truth is Subjective

Archenemies to Superfriends (Lila-sugar)

Of Promises and Sands of Time (Warning Gabriel-Centric)

Rock Star

Marinette: Crazy Rich

Marinette’s Week Off

Marinette’s Life (after the Week Off)

Rate This (Trust is Hard to Come By)

Raise Yourselves up (We’re Done)

How about… No!

Yeah, I’m done

You had a Friend in Me

Wolves don’t Party with Sheep

Happy Birthday, Miss Bustier

Oh Lady Luck (How I miss you so!)

Gabriel Agreste Must Die

Marinette: Stone Cold

A wolf’s job

Marinette’s Haunted doll AU

And We’ll Always Be Royal

Not Waiting forever 

Marinette’s Special guest

Adrien Centric One-Shots

Chaotic Chat

Teenage Rebellion

DRABBLE

Gabriel’s Regret 

Soul Chaser Drabbles