Isn't there something morbid in burying one's heart with the dead?That's a strange thing for you to say. Your capacity for loving, your joy in living, is buried in a little space of time you've forgotten. In some vague way, I still have......hope? Yes, I suppose that's it. Have you, Charles? Do you feel that there... really is someone? That someday you may find her? You may have... come so near her, may even have brushed her on the street... You might even have met her, Charles. Met her and not known her. It might be someone you know, Charles. It might... it might even be me.
RANDOM HARVEST (1942) | dir. Mervyn LeRoy
same energy
Undoubtedly the best performance came from Anton Walbrook. Emeric had written the part of Lermontov, the autocratic impresario, with him in mind. He had a repressed, pent-up energy about him that was perfect for the part. Emeric thought that Lermontov was one of the best characters he ever created, but he was too readily accused of basing him on the tyrannical impresario par excellence, Sergei Diaghilev. Emeric denied the charge: ‘There is something of Diaghilev, something of Alex Korda, something of Michael and quite a bit of me’.
Kevin MacDonald: Emeric Pressburger - the Life and Death Of A Screenwriter
#me GONE WITH THE WIND 1939 — dir. Victor Fleming
IS THIS REAL ?!?!?!?!
Miss Scarlet 5.04
eliza scarlet and patrick nash
George Knightley & Emma Woodhouse EMMA (1996) dir. Douglas McGrath
Extremely funny dynamics in All Creatures Great and Small:
Put James and Siegfried in a room, you have two self-confident medical professionals.
Put James and Tristan in a room, you have two guys ready to go and do Secret SurgeryTM on a cow (secret surgery is a secret level you obtain by going out at night to operate a cow without telling anyone)
Put Tristan and Siegfried in a room, you have two brothers and a shouting match.
Put all three and you have one of these situations + a very awkward James OR an apathetic Tristan OR a very angry Siegfried.
Alan Rickman as Colonel Brandon in SENSE AND SENSIBILITY (1995) dir. Ang Lee