Cool, I LOVE How The Idea Is The Mario Bros Being In The 1930s

🥹..I like this

What I’d give for one of the Cinderella remakes to go into how when you’re in an isolated and abusive situation, sometimes you need to be saved and you’re not weak if you can’t escape by yourself

I’ve never been a fan of bad faith reinterpretations of fairy tales, especially ones which flatten the originals into “princesses is saved by a prince and nothing else”, to then go #girlboss. The princess can save herself because she’s a strong female character! (Implying if you’re in a bad situation, it’s because you’re not strong enough to get out)

Agreed

So the only reason Gabriel made Marinette break up with Adrien is bc he knew he’d get good akuma bait. Ok fuck you. Thanks for the Marichat but still.

Fuck.

You.

The amount of ass Gabriel was to Adrien in this episode is just-

-Beating the ever loving shit out of him without an ounce of remorse

-No sympathy whatsoever after finding out he’s CN

-Uses his loving relationship to target his girlfriend (the amount of awful in this action specifically is just-I can’t even begin to-)

THEY WERE HAPPY GODDAMNIT

AND GORILLA NEEDS TO CALL CPS BC I KNOW NATALIE SURE AS HELL WON’T

Everyone should have a chance at love Doey including you

They’re watching Grease 💔

Key details

How do you draw colors-of-the-rainbow characters? (I mean like characters with blue or purple or pink skin, and so on)

Do you draw them with the color of their skin and then clean it up? Or do you draw them with black, color it in, and then get rid of the outline? I'm really curious!

I use base colors and 'sculpt' the shapes out that I need, then I go over them with lineart where necessary! Usually all my base colors are on one layer unless I need to make a separate one (sometimes for hair or props I'll do it to ensure I can mess with them as much as I like without affecting the base colors but they'll usually be merged by the end). Sometimes I'll have to tweak things during the lineart stage that don't work as well as I thought they would while flatting but I've gotten pretty good at blocking out poses and proportions with flat colors, it works really well for my brain :' ) After that I shade on a clipped layer (meaning the shading won't travel outside of the base color) by using the magic wand selection tool to select what parts I want to shade at a time (again the skin and hair and clothing are all usually on one layer). I have specific colors saved in my CSP palettes for base colors, shading tones, highlight tones, etc. so it all stays pretty consistent unless we need to specifically change the coloring to match mood lighting or whatnot (and even then we won't change the coloring itself, we'll just use post-editing tricks like color balancing and effects layers!)

Here's Persephone's as an example:

And even then I actually only really use the last 6 colors (so not the first 4 from the left moving right) because some of those colors were picked from the pilot episodes that I wound up not using but kept anyways for stuff like glow effects (you should see the amount of colors I have for Hades that I don't use regularly LMAO he's gone through sooo many palette shifts through the course of LO). The three shades of pink at the far right end (going from right to left) are for her skin > skin shading and hair > hair shading, the off white color is for the whites of her eyes (and I use this color for basically every other character as well), and the dark color is for the lineart (it's not black, just a very very dark magenta). Every character has a unique color for their lineart, usually just a very dark color of their base skin tone !

😁, I Really love things like this. I think I might do the same for my Farmer

Random headcanon for my farmer:

She has two very different styles,

A soil soaked, workin’ 9 till 5 (more like 7 till 12), been in the mines all day, happy I’m still breathing farming style

And her usual wear which is more lady like, all sundresses and hair loose, wearing her glasses instead of contacts.

Thing is, because of the glassen and the overal difference in styles, the people don’t realise it’s the same woman, creating a superman & Clark Kent situation

I think it’s especially funny in a romantic scenario, just imagine one of the bachelors being curious who this mystery woman is that’s seated at the bar, they have definitely never seen her before

😊

[Image Description: A Tweet that reads: Hey, you. You're valid for writing fanfiction. Someone has stayed up late reading your words on their phone with auto-rotate off. Someone has dropped everything when they got that update email. Your work has made someone happy and you do it *in your spare time*. You're awesome. End ID.]

I really love it when They do Art sketches of Lore Rekindle

i absolutely loathe that the only thing truly standing between me and replicating S1/pilot era LO art perfectly is fucking phOTOSHOP

do i have access to photoshop??? yes.

do the kyle webster brushes look 10x better in photoshop than they do in clip studio??? yes.

am i willing to switch from clip studio to photoshop for all my character flatting??? idk if that's a sacrifice i'm willing to make- 😭

I REALLY love the Persephone's Butterflies in this preview. Amazing really

there's no wrong answer here, i really just wanna gauge what y'all would rather get! <3

if we post the first half today it'll be up this evening, only caveat is that obv it means a shorter release (but we do get a couple fun character introductions within that time!) and that dillyhub won't get updated until the episode is fully completed after the second half (so if you're exclusively a dillyhub reader uhhh sorryyyyyy.... 😔😅)

whereas if we put off the update another week, it'll be more waiting, but you'll get the full 45+ panel episode from start to finish the way it was intrinsically designed !

obv perfect world would be the episode getting posted in full when it was due but 2025 is apparently dead set on throwing roadblocks at me so this is what we have 🥴 (i figure the least i can do is give y'all some choice in the matter of how we deliver the next episode, if anything at least to soften the blow LOL thanks y'all for putting up with meee)

A sneak peak..

Interesting, I really like this post

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.