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I always find it crazy how we can basically see everything on the internet including people's lives but feel so powerless when it comes to social injustices and war crimes like what's happening in Gaza right now, a genocide.

It genuinely sucks because I have access to the internet and technology but I do not have enough power nor resources to actually help those in needs.

I am nothing but a high-school student and I'm devastatingly watching people die simply for existing just like the Holocaust in the past.

I have enough resources and power to know and see what's currently happening but it's not enough where I can help them and it's truly sickening.

All I can do is help spread awareness and boycott ;(

My Journey to Escape the War in Gaza

My name is Abdelmajed. I never imagined I’d be sharing my story like this, but life in Gaza has become unbearable. I am a survivor of the war here, and in the blink of an eye, everything I once knew—my home, my safety, my community—was ripped away from me.

The war has transformed Gaza into a graveyard of broken dreams. The buildings that once stood as symbols of life and resilience are now piles of rubble. Every corner is filled with the echoes of explosions. Every moment is shrouded in uncertainty. There is no security. There is no stability. There is no light at the end of the tunnel.

Basic needs have become luxuries. Food is scarce. Clean water is even scarcer. Hospitals are overwhelmed and under-resourced, and there is almost no medical care to be found. Every night, families go to bed hungry, praying they’ll wake up to see another day. The cost of basic necessities has skyrocketed, and it’s become a daily battle just to survive.

I’ve seen things I never thought possible—standing in long lines for a piece of bread, rationing every drop of water, and watching my people suffer in silence. I have lost everything—my home, my safety, my dignity.

Escape from Gaza is my only hope, but it’s almost impossible without financial help. The cost of evacuation is far beyond my means, and without support, I’m trapped in a warzone with no way out.

I’m reaching out to you now, in the hopes that someone, anyone, can help. I am not asking for luxury. I am asking for a chance—just a chance—to live. A chance to escape this never-ending cycle of fear, destruction, and loss. A chance to rebuild my life somewhere safe, where I can begin again, where I can find hope once more.

Chuffed

Help Abdelmajed Escape Gaza and Rebuild His Life

My name is Abdelmajed, and I am a survivor of the war in Gaza. Everything I once knew has been taken away—my home, my safety, and the people

Any amount you can give will help me get closer to safety. Even the smallest donation will make a difference—it could be the lifeline I need to survive. If you are unable to donate, please share my story. The more people who hear it, the better the chance that I can find the support I desperately need.

Your kindness and support mean the world to me. You’re not just helping me escape a war; you’re giving me a chance to live, to rebuild, to breathe again.

Thank you for listening. Thank you for caring.

Vetted by @gazavetters

No because- it’s them.

In time travel movies, when the time traveler asks 'What year is this?!?' they're always treated like they're being weird for asking.

When in reality, if you go 'What year is this?!?' people will just say '2024. Crazy huh.' and you go 'Wtf where has my youth gone.'

And if you ask 'And what month??' people won't judge you, they'll just go like 'SEPTEMBER!!! Can you believe it?!?!' and you go 'WHAT?!? Last time I checked we were in May?!?'

Tips on Pacing

We, as creators, seek that hook that gets the readers invested and keeps them that way. Nothing does that better than tension. There are all kinds, but it often occurs between characters. The "do they like me" of romance, the interruptions of erotica, the intense adversary from an unknown opponent, or the whodunits of mystery; Tension comes in all shapes and sizes, but it boils down to one thing, leaving the readers holding their breath in anticipation of the next page.

A large part of the creative process is figuring out how to create that tension without leaving the readers wanting to quit out of frustration or confusion. I would like to say there is a correct way to pace things, but it depends entirely on the story and situation.

Action scenes, for example, move very quickly, whereas a scene with a lot of dialogue will move at a snail’s pace. A spicy scene will emulate real life, moving slowly at first and increase its pace. A dramatic scene can be either fast or slow, depending on what it contains.

There are the peaceful scenes that do not move the same as any other kind of scene, showing the contentment of characters, the sun setting, or moving from one place to another. In writing or showing these scenes in a comic, it will go very quickly but the reader will perceive them as slow.

Showing a car ride, or a cooking scene allows characters to reflect on what has been happening and offers character development, but it does not have that tension at all. Still, adding those scenes is like adding bread to your butter. Now, everyone has their own tastes, but I would find it very odd to find someone who would consume just butter, especially if it was unsalted. Adding those peaceful scenes makes the ones that aren’t, all the more impactful, to both your readers and your characters.

The calm before the storm does wonders in storytelling, but the one thing you want to avoid is spending too much time in that calm. An example of this would be The Hobbit. Now, I love The Hobbit. It’s a classic hero’s journey, with a deep world build and rich characters, but parts of it are unnecessarily wordy. There is a page that describes the moss on the trees in such detail that you can taste it, which shows Tolkien’s skills as a wordsmith, but it was ultimately padding.

waits for the rage. Padding; words that don’t move your plot forward and only add to your word/panel count. Padding or filler should not be confused with peaceful scenes. Peaceful scenes will add to your story, padding will not. The literary world has changed a lot since Tolkien wrote The Hobbit, and we can see that evident in modern literature by the fact that there would hardly be a mention of trees at all, let alone the moss that grows upon them.

The next subject of pacing is sentence variation and flow. Now, flow is a tricky subject, and is not often resolved during the initial draft. When I am editing, things will sometimes be in the wrong order and disrupt flow. When flow is off, tension wanes, and when tension wanes, readers will lose interest. There may be entire scenes that I think don’t work where they are, but rather than delete those scenes, I find a place where they fit better. Perhaps that place is earlier, perhaps it is later. If you thought that scene was necessary when you wrote it, perhaps there is a proper place for it.

In A Galactic Star, the episode titled Repercussions, was supposed to happen right before the climax. I moved it up to allow the reader to understand Chrome’s hesitations between him and Neon.

Even in comics, you aren’t going to necessarily catch things after you just completed them. Many indie creators will recommend a space between writing the initial draft and editing it. The amount of time varies per person, but it is suggested to at least give it a day. The reason is because of the completion high; You just created this thing and in your mind it is amazing and awesome, not seeing the mistakes that are there. I feel as though editing is like polishing a stone; Every stone, no matter how grey or plain in appearance, can be polished into a stunning masterpiece if given enough time.

The editing process has multiple phases, the first is checking for spelling and grammar mistakes, and the second is checking the sentence structure for flow. Example: The loud dog barked. Vs. The dog barked loudly. The first is grammatically correct but makes you pause to process, whereas the second will allow you to move on to the next sentence without that stop.

Flow is a key component in pacing, which is a key component in tension, which keeps your readers engaged. As a potential reader of your story, I hope this will help you to bring it to life.

AU- Callisto follows Siyeon to Korea

throwing ideas back and forth with @sakihime02 helps get brain juice flowing for ditoeftv/vadd

Through the bullshit that is the game system, when Callisto follows Siyeon back, he has identification and other basic necessary stuff(I'm lazy k)

Anyways, Siyeon tracks Callisto down after she recovers in the hospital and they move in together

Sidenote, he looked at her original run-down apartment and had to be held back from going over and killing her first brother

Sadly, no murders happened, and out of guilt Siyeon's dad provides her with a bank account with monthly deposits of money and a luxurious penthouse apartment

Siyeon shows everyone just how driven she can be when she tears through the coursework that she missed when she was in a coma due to her stomach cancer and being thrown into the game, graduating early with flying colors

At the same time, she teaches Callisto about the modern world

Like Siyeon, Callisto has a natural drive to be good at everything, which stems from his time as Crown Prince

So he gets adjusted to modern life pretty quick, but ngl he misses Eorka sometimes because then he could kill whoever looked at Siyeon with lustful eyes

Anyways, Siyeon travels around doing archaeology, Callisto basically hitching a ride and getting to travel with his beautiful girlfriend around the world

Years later, they come back to Korea and settle down, Siyeon becoming an archaeology professor

Callisto's a househusband and a damn good one at that

Let's be honest. If he wanted to, he could've been a supermodel, he had enough scouts approaching him

But he didn't want to leave Siyeon, so he stuck onto her like a tick LMAO

When the two go shopping, heads turn at their collective beauty

They usually get stopped for streetwear photography accounts

Callisto runs a popular Instagram account filled with pictures of their trips, Siyeon being focused on her work, couple outfits and pictures, Siyeon waving back at the camera-

Later on, there are a lot of pictures of Judith

On a side note, when he played "The Lady's Love Project" he was super frustrated and basically spent nights hugging and kissing Siyeon after he chose his own route in hard mode, or when the player succeeded Callisto's route and Penelope died

Ok so when Judith is born, Siyeon begrudgingly lets her family come see Judith

Her dad cried, and her brothers are awkward but trying to do their best(better than Derrick)

Anyways, Callisto is super smitten with their little bundle of joy

He's the one who usually wakes up in the middle of the night to soothe Judith back to sleep, patting her back and telling her stories

As she babbles back at him

Because Siyeon usually has long hours working and lecturing, she comes back exhausted most of the time

So she's tired, but plays with Judith and basically has mother-daughter bonding time in the evenings and early mornings

Callisto is the gold-standard papa y'all

He tries to hold onto some reminder of Eorka in his modern life

Like, for example, he commissioned a jeweler to recreate his mother's keepsake, the pendant Penelope gave him, and has a replica of the cufflinks she gave him

He also incorporates some of Eorkan fashion into Judith's clothing, because "our princess should look like a princess"

Callisto: Looks at Korean children's fashion "psh I can do much better"

He learns how to sew and basically makes/modifies most if not all of Judith's clothing

He made a bunch of clothes for Siyeon, too

The tiny family matches

They rescued a dog a little before Judith was born when they first settled back down in Korea

Big floofy dog, very gentle :D head empty no thoughts

Callisto definitely learned how to do Judith's hair

Ok so- once Siyeon was in a rush to get to a lecture and forgot the lunch that he made for her

So Callisto bundles up Judith, gets the lunchbox, and drives all the way to her university

*He's a car person but goes for safety when driving with Siyeon and Judith

Callisto arrives looking like a goddamn SNACK with his white trenchcoat, black slacks, burgundy sweater, and swept-up blond hair- MMPH

He has Judith balanced on one hip with a bag slung over another, holding Siyeon's lunch

"Hi I'm looking for Cha Siyeon?"

"She's in a class right now, can I get a name and reason for visiting?"

"Callisto(or whatever Korean name he gets), her husband. She forgot something at home"

The receptionist sends a message to Siyeon and cooes over a sleepy Judith, who's still incoherently whining quietly and burying her head into Callisto's chest

Siyeon's like "let them in" and so they get in

He gets to her classroom and opens the door, it's a period for their class to go over their research projects and discuss with partners, so that's why she lets them into the classroom, otherwise she'd just have him drop off the lunch with the front desk

"You forgot your lunch, love," as he plonks down the lunchbox and kisses her cheek

The students are squealing, even more as Judith yawns and rubs her eyes sleepily

"Mama!" Judith stretches her arms out as Siyeon scoops up her daughter, kissing her forehead. "Look, look! Daddy helped do my hair today!" Even more awws from the crowd of students

"This is a new dress, did daddy make it for you?" Her voice is soft but still could be heard by all of the students

"mhm!! look, look, we match now! Daddy let me choose the lace!" Pastel purple outfits, because Siyeon's outfit in the manhwa was basically a pastel purple shirt and white pants

Instant KO for the students

The female students are all crowding around like "PROFESSOR WHERE DID YOU GET A GUY LIKE HIM"

the guys are like "goddamnit why's he so perfect"

Soon enough the two became known as the "perfect couple", cemented by the fact that someone caught Callisto calling Siyeon "my darling empress" tenderly

Siyeon has him come in for a demonstration when she's doing a unit on weaponry found in archaeology, and how to look for specific wear and tear on weapons

Callisto is just happy he gets to use a sword and other weapons again

Judith is like giggling and clapping her hands in Siyeon's lap "again! again, servant emperor!"

instagram list of ulzzang boys -  like or reblog if you use ♡

zin_uk

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“Dear Yildiz, Your words,your feelings are very familiar to me. The future is uncertain for all of us and I am in deep worry for you too. With feelings difficult to explain I’m trying to find my way out of a storm.I don’t even know where I’ll end up yet I hold some hope inside me. I’m doing everything in my power not to lose that hope. I imagine those eyes that help me find my way,those eyes that every time they look at me, they drag me to “heaven”. I find in myself the strength so that I can live one more day in that dream. You can’t imagine how much hurts my soul the possibility that those eyes may look at somebody else. My biggest wish is through this storm together with the owner of those eyes to make it to the same shore. However neither the owner of those eyes nor the person I want to reach the same shore is you. There’s no future between you and me. I’m writing this letter so that you won’t be left with any doubt in your mind. All your feelings regarding me are inane and unrequited. I ask you to accept this and find your own way.”

— Leon

The public demo has been updated with almost 40k words.

In this update, you'll finally confront the thing in the shadows. 👀

I hope you enjoy. For now, this will be the last public update (I'll come back to edit the earlier chapters with new content, though). The rest of the chapters will be published for patrons and betatesters (closed alpha). Thank you for understanding.

Here is the link to the demo!