【未定事件簿】 Tears Of Themis: Secrets Of the Tomb SSR Translations

Mohammed is dying... and I'm living his death every moment 💔

This isn't a plea... it's a scream buried deep in my chest for days, burning inside me like embers.

No one hears, no one feels, and my child is being slowly slaughtered in front of me. All I have are my eyes to cry with and my empty hands.

My child, Mohammed... a piece of my soul, is fighting death alone, his air gradually narrowing.Severe lung infections are tearing at his tiny chest, and looking at his face has become torture... because he asks me with his eyes: "Father, mother... why don't you save me?" And I have no answer... except crying.

They told me: There's an operation.

They said: There's hope.

But they didn't ask: How can I buy hope when I can't afford it?!

I don't even have enough money to buy my son a breath...

Will I sit by his side and watch him suffocate until he dies? Is this my fate? To be buried alive while I watch him being ripped from my arms without even screaming?

What kind of life is this that makes a father or mother beg to prevent their child's death? What kind of world is this that makes us count our children's breaths as money?

Mohammed is dying in front of me... and I'm dying a thousand times with him

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Donate to Help Ahmed Hammad Provide For His Family, organized by Casimir Reynolds

My name is Casimir, and I am organizing this fundraiser on behalf of Ahmed H… Casimir Reynolds needs your support for Help Ahmed Hammad Prov

Please... don't let me embrace his cold body and apologize to him for not being able to save him.Don't let this day come... don't let his soul fly away because we are poor.Help me... before the light in my eyes is extinguished forever.

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#Mohammed_is_dying

#A_call_from_the_grave_of_pain

#Don't_extinguish_his_breaths

#I_am_burying_him_alive

#Help_me_save_my_soul

accepting that i want a comfortable life rather than a successful one.

— How they kiss you [ Part 1 ]

Character(s): KRS Cale Henituse, Choi Han, Callisto Regulus

TW: None

Notes: Gender neutral MC || It's way too early for me to be thinking about this it's 1pm but I woke up like 2 hours ago so it's fine for me to say it's early but here we are

KRS Cale

Honestly, 99% of the time, his kisses are quite soft and lazy but not really short. He likes to take his time kissing you and doesn't really like feeling like he needs to rush with you so he's not too forceful

It's not a brush of the lips but you're not going to be kissed breathless unless you're the one that decides to go that far but that's up to you

When he kisses you, he prefers it to last and will want to hold you to keep you in place so he can kiss you but probably won't unless he's feeling really clingy or has really missed your affection

He's not the one to initiate kisses because he knows just how vulnerable he feels when he kisses you because he has never felt so warm and comfortable before and is still unused to it and maybe never will be 100% used to it but he's going to be the one to keep kissing you

Sometimes there are paused between when you kiss each other again where the two of you kind of both have your eyes closed and he'll kiss your forehead and mumble something that you never quite catch before he kisses you again, soft and slow like always

His kisses are warm and familiar, like a hot drink on a cold day while you're bundled up in blankets because he's so gentle and slow with you and it really does make you feel like you're on a cloud

Choi Han

He's a little confused but he's got the spirit

His kisses start off quite clumsy but really soft, just pecks at the beginning. He's never really kissed anyone before so you have to cut him some slack but he's trying

He spends a lot of the time kissing you trying to find out what you like and don't like but his kisses come to be quite quick and playful most of the time

Lips quickly pressed together with the ghosting of his tongue over your lips before he's pulling away again and then coming in to kiss you once more

He's a little shy with that kind of affection so you'll have to be the one taking the lead most of the time

He's so gentle when he kisses you whether it be when he quickly pressed his lips to yours of his own initiation or when you have to bring him in for a slower kiss and his breath kind of catches in his throat before he hesitantly puts his hands on your waist

Even when you initiate the kisses, they still end up kind of short to start with. It's like there's a build up where he becomes a little more confident

His lips are still so sweetly soft against yours but he's holding you a little closer and his hands are caressing your cheeks, mindlessly tracing your features as he kind of gets lost in the feeling of your lips on his

Callisto

Aha, gentle who? Oh no, honey, not him

Callisto tries to be gentle and manages for a couple seconds, lips soft and barely there against yours at times when he just needs your warmth for a moment, before he completely loses himself in his feelings for you

His kisses are passionate and sensual because he feels so deeply for you and his words often aren't enough to portray it because he still sometimes struggles with voicing his love for you so he does what he does best and talks through his actions

There's a a sureness in his actions that reflects his strategic planning for dire situations and he knows exactly what he's doing, exactly what to do to have you coming back to him and leave you breathless because he wants to know that you won't leave

He's teasing with nips at your bottom lip and the brush of his tongue and it has you letting out a little huff as he pulls away and you just know that once you open your eyes he's going to have that same smug smirk that he always does as he looks over your face, eyes trained on your lips

It's almost desperate at times when he kisses you, the feeling of your lips on his and the sight of then slightly swollen because of him reassuring him as much as the hand that he always uses to keep a hold on your hips that you're his

Do not repost or claim. Only reblog 💗

Iconic Manhwa Meet-Cutes!! (Part 1?)

Chose them specifically because they make me giggle

We have

-Who Made Me A Princess

Athy: cursing Lucas as she falls down

Kiel: Angel??

-The Remarried Empress

a fucking bird with a hangover

-Omniscient Reader’s Viewpoint

-Villains Are Destined To Die

Yoo Joonghyuk and Callisto going for the neck

Doodle If Callisto follows Siyeon to the modern world AU

Scene & Summary: Mastering When to Use Which

Writers regularly need both scene and summary to tell a great story, but sometimes it can be difficult to discern when to use which, for best effect. Occasionally when editing another’s work, I find the writer made what really should have been summaries into scenes, and what really should have been scenes, into summaries.

This can weaken any story. Just imagine what The Hunger Games would have been like if Suzanne Collins summarized the high points of the Games—the cornucopia battle, the tracker jackers, or the mutts at the end. Then consider how slow and boring the story would be if she wrote a scene for every time Katniss went to bed or woke up and ate breakfast while in the Capitol. A high-stakes, fast-paced story would have turned into a drag—and would have been rejected before Effie could say “Primrose Everdeen.”

Writers run into this problem for several reasons:

They can’t yet tell the difference between scene and summary

They can’t yet discern what the story’s major turning points are

They feel too intimidated to write what needs to happen in a scene

They don’t know how to write a strong scene

They don’t know how to write a strong summary

Hi all, September C. Fawkes ( @septembercfawkes​ ) here for this week’s article. And I will be addressing each of these.

What’s the Difference Between Scene and Summary?

How can you know when to use which when you don’t really know what each is?

Here are the key features of scenes and summaries to help you develop a better eye for them.

Scene:

A scene will happen in real time. The audience will “watch” the characters move across the setting, interact, and speak, as if it is all taking place in the real world.

The characters will be acting within a specific location. They may be sitting at a kitchen table, or on an airplane, or venturing into a forest. Often (though not always) when a scene ends and a new scene begins, the location will have changed. (Alternatively, the story may have jumped forward or backward in time.)

Scenes are “shown” more than “told” to the audience. This means what happens is dramatized. We don’t tell the audience “Matt was angry for the whole dinner.” We show he’s angry through his behavior. He may make a passive-aggressive comment, complain his meat is undercooked, or, if he’s really angry, throw his drink at his girlfriend.

Scenes will be mostly concrete. Because a scene is dramatized, it will more likely appeal to our senses and the physical world and experience.

Summary:

A summary happens over condensed time, not real time. A sentence may span a day, a week, a month, a year. Summaries may talk about recurring events over a period of time, within one paragraph. They may relay past—or even future—events within a brief moment.

The characters or locations may change swiftly, or in some cases, may not even be present. The text may guide the reader through different places, people, or time frames with ease.

Summaries use more “telling” than “showing.” This is because what is happening isn’t in real time. This gives summary a stronger, guiding, narrative hand. Rather than experiencing the passage like the character, it’s more like the audience is being guided by a storyteller.

Because summaries use more telling and can move swiftly from one thing to another, they will be more abstract. They will convey ideas and concepts, rather than recreate specific experiences.

To illustrate the differences, check out these two examples from Ender’s Game.

Scene Example:

(Note: Because scenes often take place over pages, this is just part of a scene.)

Anderson palmed the locks that kept students out of the officers’ quarters; finally they came to where Graff had taken root on a swivel chair bolted to the steel floor. His belly spilled over both armrests now, even when he sat upright… . Time and tension were not being kind to the administrator of the Battle School.

“Seven days since your first battle, Ender,” said Graff.

Ender did not reply.

“And you’ve won seven battles, once a day.”

Ender nodded.

“Your scores are unusually high, too.”

Ender blinked.

“To what, commander, do you attribute your remarkable success?”

“You gave me an army that does whatever I can think for it to do.”

Summary Example:

Ender put them through the obstacle course twice, then split them into rotations on the tramp, the mat, and the bench… . He didn’t need to worry about exhaustion. They were in good shape, light and agile, and above all excited about the battle to come. A few of them spontaneously began to wrestle—the gym, instead of being tedious, was suddenly fun… . At 0640 he had them dress out. He talked to the toon leaders and their seconds while they dressed. At 0650 he made them all lie down on the mats and relax. Then, at 0656, he ordered them up and they jogged along the corridor to the battleroom.

Worth noting is that it is possible to mix scene and summary. For example, you may have a bit of summary within a scene that briefly provides background information. Or, you may write a long passage of summary that has short moments of dramatization. No need to get too strict on keeping summary out of scene or vice versa—but it is important to know the difference between them.

What Should be Scene and What Should be Summary?

A good rule of thumb is, the more important the moment, the more likely it needs to be rendered as a scene.

What Should be Scene

Scenes take place in real time, concretely, which means they are almost always more impactful than summary. Scenes immerse the audience powerfully into the story. We want to dramatize the most important parts for best effect.

If you are familiar with story structure, you can use it as a guide. Major turning points should almost unequivocally be scenes:

The inciting incident should be a scene.

The climax should be a scene.

The midpoint should be a scene.

And the high points in each act should be a scene.

And the pinch points should be scenes.

Anything the story has been building and building and building up to, should probably be a scene.

If you are working with multiple plotlines, all of the major events of the primary plotline should probably be a scene. The less important the plotline, the more you can get away with summarizing important events or even having those events happen “off page.”

Another rule of thumb is that if the moment significantly progresses the character arc, plot, or theme, it needs to be a scene.

Finally, most genres will have what professional editor Shawn Coyne (creator of The Story Grid) calls “obligatory scenes.” These are scenes that the audience expects to see in the story when they pick up the book. For example, in a murder mystery, we expect to have a scene where the body is discovered. In a romance, we expect to have a first kiss scene.

What Should be Summary

On the other side of the spectrum, we have summary. Not everything that happens in a story needs to be dramatized in a full-blown scene. The narrative would become long, flat, and boring.

Use summary when the audience needs to know the fact that something happened, but it’s not important for them to experience it.

For example, we may need to know the fact that Henry slept terribly last night because it will affect his test-taking skills in the next scene, but we don’t really need to share his experience of that. It may not be interesting enough to make into a scene, and if we try, it’d likely be dull. How much conflict can you really get out of that scenario?

Summary is also useful when you need to cover a broad length of time in a short amount of space, or when you need to talk about recurring events. If your characters have to go by sea to a new land, and the plot isn’t really about the boat ride, then you’ll be better off summarizing the voyage. And similarly—rather than rendering the fact that Macy is late to work every day, scene after scene, it will probably be more efficient to summarize that, since it’s a recurring issue.

Additionally, summary can work well to transition from one scene to another—particularly when something noteworthy happened between those scenes, but isn’t worth dramatizing.

Finally, summary can be important in providing the reader with context. It may be used to set up a situation or provide background information so the audience can follow what is happening in a plot accurately. For example, summary may be used to briefly explain an ongoing feud between two families, so that the reader will understand why Yolanda and her siblings are sabotaging the Greens’ block party.

Keep reading

Prompt #178

Write the story of a young child being named the next ruler of their Kingdom, despite not having any royal blood or being raised in a royal household.

WANG XINGYUE as XIAO HENG The Double 墨雨云间 (2024) – Ep. 37

In time travel movies, when the time traveler asks 'What year is this?!?' they're always treated like they're being weird for asking.

When in reality, if you go 'What year is this?!?' people will just say '2024. Crazy huh.' and you go 'Wtf where has my youth gone.'

And if you ask 'And what month??' people won't judge you, they'll just go like 'SEPTEMBER!!! Can you believe it?!?!' and you go 'WHAT?!? Last time I checked we were in May?!?'

I'd do the same lmaoo

ALCHEMY OF SOULS: LIGHT AND SHADOW 환혼 : 빛과 그림자 — 2022, dir. Park Joon Hwa