{Alice Oseman, Radio Silence/ Emily Palermo, from Untitled/ Franz Kafka, from Diaries/ Sylvia Plath, The Bell Jar/ Marya Hornbacher, Waiting/ Nikos Kazantzakis, from a letter to Galatea Kazantzaki wr. c. May 1922/ Mahmoud Darwish/ Anna Akhmatova, from The Complete Poems of Anna Akhmatova; "The Old Portrait"/ Lyric Hunter, from "A Garden," Swallower/ Albert Camus/ Varsha/ Fyodor Dostoevsky, The Meek One}
Glimmering, Zhu Hong
continuing to push my black people in rock agenda … <3
black people created rock btw (original post): a playlist of black rock artists from various alternative subgenres including: pop punk, metal / hard rock, psychedelic rock, post hardcore, and more. (listen)
black g!rl pvnk!: a playlist similar to the one above but it’s just black women. this playlist includes rock and rock subgenres, as well as rock influenced rap. (listen)
I'm like if a chill girl had the need to control everything around her
(As requested by both an anon and @my-words-are-light)
One of the hardest parts of writing speculative fiction is presenting readers with a world that’s interesting and different from our own in a way that’s both immersive and understandable at the same time.
Thankfully, there are a few techniques that can help you present worldbuilding information to your readers in a natural way, as well as many tricks to tweaking the presentation until it’s just right.
1. The ignorant character.
By introducing a character who doesn’t know about the aspects of the world building you’re trying to convey, you can let the ignorant character voice the questions the reader naturally wants to ask. Traditionally, this is seen when the protagonist or (another character) is brought into a new world, society, organization. In cases where that’s the natural outcome of the plot, and the character has a purpose in the story outside of simply asking questions, it can be pulled off just fine. But there’s another aspect to this which writers don’t often consider:
Every character is your ignorant character.
In a realistic world, no person knows everything. Someone will be behind on the news. Someone won’t know all the facts. Many, many someones won’t have studied a common part of their society simply because they aren’t large part of that fraction or don’t have the time for it.
Instead of inserting an ignorant character and creating a stiff and annoying piece of expository dialogue, find the character already existing in the story who doesn’t know about the thing being learned.
2. Conflicting opinions.
A fantastic way to convey detailed world building concepts is to have characters with conflicting viewpoints discuss or argue about them. Unless you’re working with a brainwashed society, every character should hold their own set of religious, political, and social beliefs.
Examples of this kind of dialogue:
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the dream thieves is the most perfect book ever because adam and gansey are going through a divorce, blue is breaking up with adam, ronan lets go of his crush on gansey in favor of perusing his para-religious devotion to adam full time, kavinsky is obsessed with having a threesome with gansey and ronan and sends gansey a dick pic from ronan’s phone, gansey starts dating blue behind adam's back the second they're freshly divorced and adam and blue have broken up, ronan turns kavinsky down and as a reaction to that kavinsky kidnaps ronans brother and then kills himself in front of their whole group. everyone is completely unfazed by this except for gansey who seems to care a little bit which adam thinks is cute. it's also in this book that the hitman who killed ronan’s dad starts hitting on blue’s mom. sound off in the comments if you know of any other ya books similar to this
on the currency they should replace the queen with james from derry girls
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Full Moons 2023