the eighth sense (2023)
Cultural Dark Academia
After my last post about the lack of representation in academia, I felt it neccessary to provide some examples of what I’m talking about. Obviously there are more countries in the world than I can list and provide books for, so for a quick list this is what I got. !! Keep researching !! If you have any more books by POC please reply them !! If a country isn’t listed, that doesn’t mean it’s not important, this is just what I could get together real quick. If I made any mistakes, please let me know, we’re all learning. We need to help each other end eurocentrism in academia, so value representation and educate yourselves 💓💓💓
Chinese:
The Art of War by Sun Tzu
The Dream of the Red Chamber
The Water Margin
Romance of the Three Kingdoms
The Journey to the West
The Scholars
The Peony Pavilion
Border Town by Congwen Shen
Half of Man is Woman by Zhang Xianliang
To Live by Yu Hua
Ten Years of Madness by agent Jicai
The Field of Life and Death & Tales of Hulan River by Xiao Hong
Japanese:
A Personal Matter by Kenzaburo Oë
Pakistani:
Moth Smoke by Mohsin Hamid
How to Get Filthy Rich in Rising Asia by Mohsin Hamid
Ghulam Bagh by Mirza Athar Baig
Masterpieces of Urdu Nazm by K. C. Kanda
Irani/Persian:
Rooftops of Tehran by Mahbod Seraji
Savushun by Simin Daneshvar
Anything by Rumi
The Book of Kings by Ferdowsi
The Rubiyat by Omar Khayyam
Shahnameh (translation by Dick Davis)
Afghan:
Earth and Ashes by Atiq Rahimi
A Thousand Splendid Suns by Khaled Hosseini
Indian:
The God of Small Things by Arundhati Roy
Aithihyamala, Garland of Legends by Kottarathil Sankunni
The Gameworld Trilogy by Samir Basu
Filipino:
Twice Blessed by Ninotchka Rosca
The Last Time I Saw Mother by Arlene J. Chai
Brazilian:
Night at the Tavern by Álvares de Azevedo
The Seven by André Vianco
Don Casmurro by Machado de Assis
Colombian:
Chronicle of a Death Foretold by Gabriel Garcia Marquez
Delirio by Laura Restrepo
¡Que viva la música! by Andrés Caicedo
The Sound of Things Falling by Jim Gabriel Vásquez
Mexican:
Bless Me, Ultima by Rudolf Anaya
Adonis Garcia/El Vampiro de la Colonia Roma by Luis Zapata
El Complot Mongol by Rafael Bernal
Egyptian:
The Cairo Trilogy by Nahuib Mahfouz
The Book of the Dead
Nigerian:
Rosewater by Tade Thompson
Things Fall Apart by Chinua Achebe
Malian:
The Epic of Sundiata
Senegalese:
Poetry of Senghor
Native American:
The Inconvenient Indian by Thomas King
Starlight by Richard Wagamese
Almanac of the Dead by L. Silko
Fools Crow by James Welch
Australian Aborigine:
Dark Emu by Bruce Pascoe
First Footprints by Scott Cane
My Place by Sally Morgan
American//Modern:
Real Life by Brandon Taylor
Namesake by Jhumpa Lahiri
The Hate U Give by Angie Thomas
The Poet X by Elizabeth Acevedo
Internment by Samir’s Ahmed
Their Eyes Were Watching God by Zora Neale Hurtson
Rivers of London Series by Ben Aaronovitch
Hi folks, today we're announcing the Rally for Palestine Raffle, a cross-fandom charity raffle to raise funds for Palestinians in the Gaza strip. (Reblogs appreciated to spread the word!)
How to enter and donate:
You can win a fanwork from an amazing crew of cross-fandom creators, and one bid is only $10! Rules for how to enter AND the bidding site are here: https://rallyforpalestineraffle.site/
Please donate directly to the org FIRST, then send your donation receipt to rfpraffle@gmail.com to verify your number of bids before checking out on the site!
Why donate?
Some background on what’s going on in Palestine and how you can help:
Palestinian civilians are in desperate need of funds for food, water, and medical aid, and we’re trying for the fastest, most effective way to leverage impact in fandom space.
More info here.
Links to Donate:
PCRF: https://pcrf1.app.neoncrm.com/forms/gaza-relief
Anera: https://support.anera.org/a/donate
Doctors Without Borders: https://www.doctorswithoutborders.org/
Save the Children: https://www.savethechildren.org/us/where-we-work/west-bank-gaza
If you are a US citizen, sign the ceasefire petition HERE: https://actionnetwork.org/letters/tell-congress-ceasefire-now
Creators:
Here is our incredible first lineup (with several amazing creators waiting to be unlocked in stretch goals!). Bid on them right now!!!!!
The more we raise, the more mystery creators will be unlocked!
You have until Friday, October 27 to bid. Matches are highly welcomed; see the site for more details.
Let's get raffling!!!
Japanese chopstick etiquette.
Fun fact! : Chopsticks (hashi 箸) have been around for over 6,000 years, first coming from China. I was looking up do’s and don'ts… and there are so many don'ts!! (T▽T) I listed the most common ones. I’ll just try to remember what I can and I don’t think my local Japanese restaurant will mind my ignorance. Chopsticks are used in some funeral rites, which is why some of these actions are taboo. And some actions are just considered improper etiquette. Here we go!
Don’t eat directly from common dishes, you should pick up food and put it on your own plate.
Don’t hover over food with them, you should be decisive.
Don’t dig in food dishes, you should take from the top.
Don’t wash them off in soup or search for things in your bowl with them.
Don’t suck on the ends of them.
Don’t pass food from your chopsticks to another’s, you should use a common utensil to pass food.
Don’t rest them across your dish. *see below*
Don’t stick them straight up in your food.
Don’t cross them on the table or over your bowl like an X.
Don’t pull a plate or bowl toward you with them.
Don’t point at people or things with them.
Don’t tear food apart with one chopstick in each hand.
Don’t hold the chopsticks and a dish in the same hand.
Don’t eat with an unmatched pair.
When not using, the pointed ends should be placed on a chopstick rest (hashioki 箸置き). Sometimes when using disposable wooden chopsticks (waribashi 割り箸) there is no rest provided. You can make one out of the paper wrapper. If there is nothing you can use, in a casual setting you can place them across your dish, but try not to do this in a more formal setting as it’s considered slightly improper.
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also EXTREMELY key point the director keeps explicitly using words like 'queer contents' and 'queer works' (even when the koreans are referring to things like skam or cmbyn as 외국 BL작품 'foreign bl works' which is itself interesting...) AND he says he told them not to watch korean bl shows as reference
「…誰だって、ほんとうにいいことをしたら、いちばん幸なんだねえ。」 “…a person creates happiness around them when they do something good.”
- Campanella, from 銀河鉄道の夜 by Miyazawa Kenji
blogging about (mostly queer) media i'm watching 🎬📚enjoy your visit to my internet abode!
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