These Exchanges Between A Bigot Named Brendan Sullivan, And A Heroic Troll Named Robert Graves, Will

For writers: historical women’s clothing

Those who have been with me for a while know that although I’m not an expert,  I’m super enthusiastic historical clothing. Which means I also notice when it’s totally butchered in writing (I’m looking expecially at you, smut fics). So here are some pointers for your historical/fantasy lady’s clothing, for my peace of mind:

Not everything with laces is a corset. Although terms overlap, we mostly only talk about corsets from mid-19th century. Before that you have stays or bodies, maybe even jumps (unboned, quilted garment). You’re pretty safe with simply saying stays.

Stays cannot be tight-laced! You can only tight-lace if your garment has metal eyelets (otherwise the lacing would tear the fabric, ruining the garment), and those only came in mid-19th century. Your 18th century lady won’t be gasping for air (I’m looking at you, PotC)

That being said, even tight-laced ladies are unlikely to gasp for breath.

Your character won’t be wearing a corset/super structured stays under an empire gown/Regency style dress. That would be totally unnecessary (looking at you, Bridgerton). Character instead would be wearing “transitional stays”–a short, boned garment somewhere between a modern bra and a corset–, or lightly boned/unboned stays. The point of these is to push the boobs up, not to slim down the waist/create a silhouette.

Instead of stays, your early 16th century/fantasy character can wear a boned kirtle–in this case, the bodice and the skirt are made up of one garment.

Stays/corsets can be back laced (mostly earlier stuff), front/front-and-back laced (a bit later), back laced with clasps at the front (Victorian)

Some stays can be worn as outerwear. They can be colorful and intricately decorated.

Gentlemen can and will help their lovers dress; they know how women’s clothing works.

There is always a chemise/shift under the stays! (looking at you, The Tudors.) That is your first layer–it protects the character’s skin from chafing and the character’s clothes from sweat.

Stockings are held just under the knee/mid-thigh with garters/ribbons.

No panties! No underwear, whatsoever. Ruck up those skirts and the banging can commence

There’s such a thing as split drawers (19th century)–which is like a pair of knee-lenght underpants, only the two legs are not connected at the groin area.

Ladies can have pockets–they are basically big pouches that can be tied around the waist with a string. They can be worn over or under the overskirt.

If the pockets are worn under the skirt, then they can be accessed via slits on the sides. This happens when the skirt has a kind of “apron like” fastening: basically, the top of the skirt is made of two rectangular pieces, both of them having their own ties. You first tie the back part on the front, then the front part in the back. And voila! Slits on the sides.

Those were just from the top of my head. If you have any question, feel free to ask*–or better yet, look up ladies on the internet who know more than me on this topic, like Bernadette Banner, Karolina Zebrowska, or Abby Cox.

Also feel free to correct me if I said something stupid

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Sea Shanties 101: Let's explore

TYPES OF SHANTIES

If you've any experience in sea shanties, you've probably noticed they don't all sound the same. Some are slow, some are fast, and some are just downright sad! Well there's method behind the melody, and I'm here to tell you all about it!

A shanty frequently contains a CALL, which is what the shantyman would sing out, essentially the verses of the song, and the RESPONSE, which is what the men would sing back. For example in Haul Away Joe: the call is "Louis was the king of France before the revolution," and the response is "heave away, haul away Joe."

One of the first things to keep in mind is that shanties were used most frequently during tasks that required most of the crew. I'm now going to separate these types of work shanties into categories:

CAPSTAN SHANTIES: these shanties were used for repetitive work that was sustained, such as raising the ship's anchor at the capstan. Examples? Randy Dandy-Oh, Drunken Sailor, Eliza Lee, Barrett's Privateers (though this was written long after the age of sail!)

HALYARD SHANTIES: sung during tasks that took a very long time and required a break for a breath before the men started up again, such as hoisting a sail. Examples? Blow the Man Down, Leave Her Johnny, Hanging Johnny (Johnny really took the piss huh)

PUMPING SHANTIES: let's hope you didnt have to do a lot of pumping! Wooden ships were prone to leaking and so pumping out the water was necessary but tiresome work below decks. Examples? Santiana, Pump Shanty (surprise there)

SHORT-HAUL SHANTIES: for quick work, like shortening sails! Examples? Haul Away Joe, Paddy Doyle's Boots, Haul on the Bowline

There's some of our task shanties! Now why don't we go below and see what our off-duty men are getting up to?

Why, they're singing FO'C'SLE SHANTIES! These shanties are stories of life at sea, the work they'd done, the places they'd been, they can tell you a lot about a sailor's life. Examples? Rolling Down to Old Maui, Ben Backstay, All for me Grog

Fun! How about those far away in the polar seas hunting whales? Well I'm glad you asked because this is where we encounter WHALING SHANTIES! And yes, you guessed it, this is where Wellerman comes in! Other examples include Bonnie Ship the Diamond, The Greenland Whaler Fisheries

Now of course the most important rule of sea shanties is to have fun with your buds! Be sure to tell everyone you know about your newly-acquired shanty knowledge!

Types of Ships

Parts of the Ship

Wind Directions

Sides of Boats

How the media depicts the Apollo 11 mission:

Actual quotes from the Apollo 11 mission:

I’m dying last night we had a house party and at one point I remembered I have a lit paper due this week and decided to get started on it, this morning I woke up to this

i'm so tired of the online art influencer mentality that in a sketchbook everything in it has to look amazing and polished and flawless it's so performative!!!! sketchbooks should be for drawing stupid shit

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Music of the Mojave Wasteland (x)

Writing advice you're not going to like.

People sometimes send me Asks wanting writing advice.  I suck at it.  I don’t really know how I do the writing, or how one should do the writing, or what one should do to get better at the writing.  All I can ever think to say is “write a lot of stuff and you will get better at the writing.”  Which is true, but hardly a bolt from the sky.

Well, as it turns out, I do have one piece of Legit Writing Advice, and I am going to share it with you, right now.  If you were in any of my writing workshop groups at a con, you’ve heard this advice already.

Warning: you’re going to fucking hate it.  But if you do it, you will thank me.

If you have a piece of fiction you’re serious about, something you might want to actually shop around, or just something you really are into and want to make it as good as you can…do NOT edit it.

Repeat.  DO NOT EDIT.

REWRITE.

As in, print out the whole fucking thing and re-enter it, every word (or use two screens).  Retype the whole thing.  Recreate it from the ground up using your first draft as a template.  Start with a blank page and re-enter every. single. word.

I hear you screaming.  OH MY GOD THAT’S INSANE.

Yes.  Yes, it is.

It is also the most powerful thing you will ever do for a piece of fiction that you are serious about.

Now, let’s get real.  I don’t do this for most things.  I don’t do it for my fanfiction.  But if it’s something original, something I might like to get to a professional level - I do it.  You absolutely COULD do it for fanfiction.  It’s just up to you and how much time you want to sink into a piece.

You can edit, sure.  But you WILL NOT get down to the level of change that needs to happen in a second draft.  You will let things slide.  Your eyes will miss things.  You will say “eh, good enough.”

The first time I did this, on someone else’s advice, I was dubious.  Within two pages, I was saying WHY HAVE I NOT BEEN DOING THIS ALL THE TIME.  I was amazed at how much change was happening.  By the time I got to the end, I had an entirely different novel than the one I’d started with.  When you’re already re-entering every single word, it’s easy to make deep changes.  You’ll reformat sentences, you’ll switch phrases around, you’ll massage your word choice.  You’ll discover whole paragraphs that don’t need to be there at all because they became redundant.  You’ll find dialogue exchanges that need reimagining.  Whole plot points will suddenly be different, whole story arcs will reveal their flaws and get re-drawn.

You cannot get down to the fundamental level of change that’s required just by editing an existing document.  You have to rebuild it if you really want your story to evolve.  You will be AMAZED at the difference it will make.

It will take time.  It will seem like a huge, Herculean task.  I’m not saying it’s easy.  It isn’t.  But it is absolutely revolutionary.

Try it.  I promise, you will see what I mean.

*PSA: Tipsy!Lori wrote this post.  In case you couldn’t tell.

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

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How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

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