A trolley full of your loved ones is heading down the tracks and will hit another loved one. If you redirect it, it will hit three strangers, but all of your loved ones will be fine. However, there is another person on the other side of the tracks facing the same problem. If you both choose to redirect the trolleys, they will crash in the middle, killing almost everyone.
The least amount of people will die if you do nothing and allow a loved one to die, the best-case scenario for you will occur if you pull your lever and the other person does not pull theirs, and the worst-case scenario will occur if you both pull your levers.
What do you do???
Tumblr users on April 25th, 2018: My ancestors are smiling on me Wikipedia. Can you say the same?
gf: “what are you thinking about?” me: “oh, nothing.” me, internally: “if Bugs Bunny and Lola Bunny were both on Baby Looney Toons then why does she have to introduce herself in Space Jam? Shouldn’t they have known each other since they were children? Could the Looney Toons Universe subscribe to the multiple worlds theory where Bugs and Lola never met? but how far does this, for lack of a better term, rabbit hole, go? Elmer Fudd was on Baby Looney Toons as well, which means that he and Bugs are roughly the same age but as an adult he is Bugs’ primary antagonist? The lifespan of a rabbit is 9-12 years and Elmer is clearly an adult. How can that be? Could Bugs bunny be immortal?”
friend: they're flirting with you
me: no they're not..
friend: they really are how do you not see this?
me: i've yet to hear them say, "i am romantically interested in you, dating would be swell." until i hear that it is never certain.
Hey what was the name of Lilo’s big sister in Lilo and Stitch?
What makes Oppa Homeless Style so perfect is the escalation of disbelief. We begin with the waitress giving a twenty to a homeless man, passing on the generosity of her customers. This is unusual, but not inherently implausible , and we may expect some corny but heartwarming conversation to follow.
Then it introduces the Dipshit, an impossible strawman who plants the first seeds of doubt. The reader now stops thinking about this as a narration of true events and begins to wonder how much the heroine has embroidered. A charitable person might suggest that somebody did indeed object to her donation, and she invented only the following argument. As the Dipshit’s statements become ever more exaggerated and absurd, however, we increasingly suspect that even that was the product of a fertile imagination.
Finally, the homeless man begins to dance, and we realize that he never existed, either. The narrator stretches our willingness to believe like silly putty: for some readers, it simply snaps, while for others, it drifts apart gently after dwindling to an almost invisible thread. Oppa Homeless Style is a study of the unreliable narrator and the fine line past which a story becomes too much to swallow. Each reader has a different experience of where that crucial point lies.
Horror movie trailer editors struggling to find a children’s nursery rhyme that already hasn’t been used for a different horror movie trailer
Trying to jump into Kingdom Hearts 3 like
Stuff I like that I reblog, and stuff that I post .... Luke
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