Autistics Often Struggle To Learn How To Drive, Usually Taking 6-9 Months Longer To Obtain Their Licence

Reblog and put in the tags a movie that was made for kids but is actually pretty cruel or scary.

What if Sylvie fell in love with you, a mortal on Earth? (HEADCANNONS)

Naturally, it would scare her. Meaning she would try to push you away, be a little short with you, pretending to be disinterested to stay distant

But when you confront her about the sudden change in behaviour, she realises that she’s only making things complicated

She’d apologise and just say she’s ‘stressed with work’, obviously not at all wanting to tell you about the life she lived before, this was her fresh start after all

Although the fear she felt about falling for you would still be present, after all, you’re a mortal and she’s seen whole realms be destroyed and die over and over

She’d be difficult to get close to at first, guarded and closed off, sure she was pleasant and chatty enough, but any questions about her past or anything deeper than surface level would be harder to discuss

Soft smiles and doe eyed looks would be very much involved

She would be awkward, not too sure how to navigate her feelings

If anyone upsets you, she instantly becomes like a feral cat and wants to hurt whoever would dare hurt you— but ultimately she would just have a ‘quiet word’ with them

Hand and arm brushes/bumps, standing a bit closer than needed when around you, eyes flickering to your lips

Giving you free milkshakes because you’re her favourite mortal

Late night talks on the hood of her truck, listening to music and star gazing

She’d let you introduce her to new foods, show her quiet places, as well as taking her to the movies - her favourites are rom coms but if anyone asks she will deny it

You’d be her best friend and her go to person, no doubt about that

Playful teasing and jabs, all affectionate and full of fondness

Sarcastic quips also, she loves when you match hers with your own

She would do whatever it took to protect you

TRAINS

The mobile theme for this month is ghost-type Pokemon! 🔮

I had a lot of fun making this theme, as ghost type Pokémon are my favorite to draw, I love the purple palettes ♡

You can find it in my store! ‎♡‧₊˚

💜Ghost Pokémon Phone Theme💜

I hope that you like it!

put your favorite stereotypical old people thing in the tags

09 STORM (late post)

Stormy battles are always accompanied by smiles.

Some critical rules for writing coherent genre fiction, courtesy of my writing teacher, who is very wise. I don't pretend to have mastered all of these, but their application can do wonders for a story, their lack can cripple it:

Employ the causal chain - every action must be connected to what comes before and after. Each action and beat needs to have impact. They don't all need to be shown but the author needs to know what they are. It is impossible to build suspense without this principle. Things can't happen "just because" or there's no reason for the audience to become engaged with your sequence of events or do things like make predictions. All subsequent rules follow from this principle.

When showing a new type of fictional magic or science, you must show it work before you can show it break. For example, if a character has the ability to summon objects into their hand, we need to see them do so successfully and see how it works, before we see it break at a critical moment during the climax. Otherwise, the audience can't be expected to follow why this situation is unusual because they don't know how it works during normal circumstances.

When claiming a character is good at something, you must show them succeeding at it before you show them failing at it during a moment of pressure. Otherwise, we don't believe you when you establish your character's competence or badassery. For example, when saying your character is an excellent military commander, we need to see them win a fight using those skills and tactics. We can't open with a fight they lose, or else the character and author lose credibility. By all means, show the experienced hero/military leader/ruler/assassin/mage etc break down during a moment of intense pressure, fall down sobbing in terror at a truly insurmountable foe, or otherwise fail to meet the moment, but don't do this before we've seen them succeed at least once, or the moment loses impact.

During the build-up of tension, coincidences should hurt the hero and help the antagonist. This plays into the causal chain rule. Coincidences that help the hero feel cheap. Coincidences that help the villain raise the tension.

Every beat, whenever possible, should be connected to conscious action by central characters (hero, love interest, or villain). The more events are connected to purposeful action by key characters, the more satisfying the causal chain for the reader.

Avoid things that happen "just because" whenever possible. You can have one or two, sure, but the more often things happen "just because" the less interesting the story is, especially if those "just because" moments are core to the story. Fiction is not real life. Audiences are drawn to stories where purposeful actions dictate the success or failure of the characters.

e n e m i e s t o l o v e r s t r o p e - p r o m p t l i s t

these are prompt lists which im so excited to do and share in the future and i hope my list only grows :)

-ˏˋ. dialogue ˊˎ-

"As if you would ever cross my fucking mind."

"fuck you" "when"

“He so likes her.”

“I don’t mind wasting time on you.”

“I feel the opposite of hate…towards you.”

“I feel things…”

"I hate you, I hate you, I hate you"

“I might need more.”

“I’m not…used to feeling this way, okay?”

“Oh - don’t fucking do that.”

"shut up and kiss me"

"such a pretty liar mhmm"

“Took you long enough.”

“We might have been wrong.”

"what did you do"

“What the fuck is your problem?

"where the hell is he?"

"you want me?" "you know i do"

"stop crying"

"stop acting as if you're royalty, join reality."

"this is so wrong-"

-ˏˋ. scenarios ˊˎ-

both of them are in forced proximity because of a crowd rush

internal conflict of being enemies with benefits

fake dating to get someone of their back

enemies but they are shivering and the other offers their hoodie

they make fun of eachother just to keep their attention

they have to work together and they hit a realization on how its not too bad

injured and goes to them to fix up their wounds as they have no where else to go

cant stand that they're ignoring them