I am blankness and emptiness personified. Everything falls, flows, into the empty recesses of the soul and shapes and wears it away with its continuous current. ‘I talk to god but the sky is empty’. Blue, beautiful melancholy. The overhead lamp casting shadows of disarrayed hair on the page I write upon. I stretch my hand outwards and upwards, and I grasp solitude with a clenched fist.
As punishment for his sins, a human is sentenced to battle endlessly against hordes of demons with nothing but a knife. Satan’s court laughs at him for a few thousand years… until he starts winning the battles. Then they start screaming in terror.
Loneliness sometimes takes strange shapes I suppose, there is a kind that the fervently wants recorded in word or image every thought and deed, an underlying fear of being forgotten, afraid of never being truly known. Perhaps the feverish words scrawled in the middle of the night are just intended to be a reaffirmation of your existence, even though no one might read it.
I got a shivering hand and wet
Hugs from the clothes still hung
On the wind-up clothesline.
And it's night under the lamps,
And the moths are beating
Themselves up against the stars.
Three verses and I've run out of smoke.
Three verses and it still ain't been told.
We're tripping over each other,
Waiting for the other all the time
To ask for a light and to dig in.
There's not enough air for crickets
To bite into, so the chill bites into them
And me, always me. Watching
Them live from the window.
Yesterday evening they cut a cake
And someone brought a wreath.
It bled into the white-washed walls
Like my month would for some days,
And the baby was there when
The plates crashed and the sobs broke
After the party curled up to leave.
See, it unrolls like a film or a die
With the edges cut lose from hinges.
Tell me a number, gypsy, and I'll tell you
Why I would still see you snaked into it.
In the crook of seven, in the curve of two,
And a laced soixante neuf printed with
Brilliant blue - the sodium pricks
Like chalk in eyes when you close them
And an ultramarine demon is the halo I have
Beside me when I walk the path that
Is never there at daytime. Even though
Little squirrels have left mud-paw prints,
I doubt they trod the ground alive.
Tell me again, a line this time and I
Will roll it up and give you a light -
The smoke will incense the moon
So eat it up dear, served with the basalt
Hanging over the ravine.
I thought I could go through it like one
Slips to the bottom of a cumulonimbus.
And eventually there will be the earth,
Ready to take your bones and skin
And swallow you whole, as if they'd been
Starved of the seed a lover plants
To carve up another Matryoshka doll.
Empty to the very last case and cold
Where the tired paint flaked off.
Tell me a word and I will make a cloud
In the night with your breath.
- pollosky-in-blue
I have come to a conclusion, after mulling it over for a while, that happiness has been been cast off and melancholy embraced perhaps not because of the evil and dark being more beckoning, nor is it because of the naivety associated with joy, though perhaps this might be one, for effervescence is so often confused with gladness that it is no surprise that it is seen to be foolish, but because it has become now that stillness and silence are symbolic of melancholy, while happiness is characterised by permanent high-spirits. Contemplation and reflection are few things that bring inner tranquility, for many it is the source of peace. Thus for some any absence of continuous childlike behaviour becomes sadness and for the others any presence of natural laughter and to not always be lost in a maze of cluttered thoughts becomes immaturity. I’m somehow both of these people.
Literary history that happened on 8 July
who needs a social life when you have followers who don’t talk to you and you run a blog no one cares about
*hints at eternally vague intentions*
A fond insect hovering around your shoulder. I like Kafka, in case you're wondering.
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