Ominous howled rendition of "Silent Night" recorded in the woods at 1AM this morning.
No, no, this isn't an AI-generated image! It's a 220 million-year-old petrified log located in Petrified Forest National Park, Arizona, USA. This park is famous for its vast petrified wood deposits. Petrified wood forms when minerals replace the wood fibers over millions of years, resulting in fossilized wood that can be as hard and colorful as gemstones. The log in the picture is entirely replaced by quartz crystals, making it sparkle in the close-up view. This log, dating back to the Late Triassic Period, about 225 to 207 million years ago, serves as a fascinating reminder of the ancient forests that once covered this area.
the group chat when i ask whos available to hang out next week
Boop.
Love is the best scent #38.
Here she did the same exactly one year earlier.
there's a really funny 3d printing controversy going on btw.
if you don't know, there's a very popular 3d printing model out there called "benchy". this is used for benchmarking your 3d printer because it's a difficult print and will help test it out.
this is so widely used that people make their own little versions of it, remixing the 3d model to make benchy look cooler and stuff. however, a new company owns the benchy license. they are sending copyright takedowns to all those who wrongfully uploaded the benchy model.
of course, this is pissing off the 3d printing community greatly. everyone loved benchy and have used it for years. so someone on reddit decided to make a new model that is designed as a 3d printing stress test. one that works a lot like benchy, and people are freely able to edit it as they please. you know what they called it?
House intruders (don’t call the police)
Well those are allllmost done
(X)
In the West, plot is commonly thought to revolve around conflict: a confrontation between two or more elements, in which one ultimately dominates the other. The standard three- and five-act plot structures–which permeate Western media–have conflict written into their very foundations. A “problem” appears near the end of the first act; and, in the second act, the conflict generated by this problem takes center stage. Conflict is used to create reader involvement even by many post-modern writers, whose work otherwise defies traditional structure.
The necessity of conflict is preached as a kind of dogma by contemporary writers’ workshops and Internet “guides” to writing. A plot without conflict is considered dull; some even go so far as to call it impossible. This has influenced not only fiction, but writing in general–arguably even philosophy. Yet, is there any truth to this belief? Does plot necessarily hinge on conflict? No. Such claims are a product of the West’s insularity. For countless centuries, Chinese and Japanese writers have used a plot structure that does not have conflict “built in”, so to speak. Rather, it relies on exposition and contrast to generate interest. This structure is known as kishōtenketsu.
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