If You Guys Are Like Me, And You Struggle A Little With Describing Locations, Can I Suggest…

Science Fiction Weapon/Airship List

Gun Type:

Accuracy:

Range:

Damage:

Fire Rate:

Reload Time:

Mobility:

Cooling Power:

Description:

-----------------------------------------------------------------------

Interstellar Travel:

Weapons Systems:

Length Of Travel:

Gas/Energy Refuling:

Ship Gravity:

Habitation :

Landing:

Artifical Intelligence:

Phsical Descrption:

Length and Size:

Heart of beast, blood of god.

Therefore, However, Meanwhile.

An important characteristics of plot is that events must be connect to the next one seamlessly and logically. The three types of relationships between events must be either:

Therefore (a cause-effect relationship)

However (something that the readers don't expect)

Meanwhile (meaningful connection between two different scenes/subplots)

It should never be:

And.

While having multiple episodes to show character and build atmosphere is great, a story must be weaved in a way that the readers are introduced to a chain of plot-driven episodes. That way, your narrative will both flow better and capture the attention of the reader.

Happy writing!

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💎Before you ask, check out my masterpost part 1 and part 2 

Tips for writing plot twists

1. Start with a false sense of security

• The best plot twists work because the audience feels confident they know what’s coming.

• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.

• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.

2. Plant the seeds early

• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.

• How? Use small, seemingly insignificant details that take on new meaning after the reveal.

• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.

3. Subvert expectations without betraying logic

• A twist should surprise readers, but it must feel plausible within the story’s framework.

• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.

• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.

4. Exploit emotional investment

• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.

• How? Create twists that change how readers perceive the characters they thought they knew.

• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.

5. Use red herrings strategically

• Mislead readers by planting false clues that draw attention away from the real twist.

• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.

• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.

6. Timing is everything

• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.

• How? Build tension to a breaking point before the twist shatters expectations.

• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.

7. Allow for multiple interpretations

• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.

• How? Design the twist so that the story works both before and after the reveal.

• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.

8. Pair the twist with consequences

• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.

• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.

• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.

9. Keep the reader guessing

• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.

• How? Build twists that complement each other rather than competing for attention.

• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.

10. Test the twist

• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?

• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.

• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.

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sometimes you need dialogue tags and don't want to use the same four

the turkey swiss on rye incident

You started a scam religion for a quick buck. You begin to panic when your fake god was actually a real forgotten one awakened from new worshippers, declared you it's high priest, and granted you the power of healing.

A desperate kingdom attempts to summon a hero, but their limited magical resources only allow them to summon a “miner” a man named Steve carrying only a wooden pickaxe. But when he starts punching trees , everyone wonder what miner he is.

some weird writing advice that i would give to new writers (that i still use).

(part two of ?/part one)

✩ being stuck

being stuck is another thing a lot of writers struggle with, and this problem has a tendency to pop out in the most random times. you could've written the most amazing scene you had ever written in your life but when you reread it to edit it, you realize that it's actually as flat as a burnt pancake. it's frustrating as hell, makes me want to punch the words then myself if i'm being honest, but then i started using this techniques and it actually helped me a lot:

forget you're writing a scene. imagine it in your head as a movie scene playing. jot down everything you can imagine; what expression does the character have? where are they standing? what sounds can be heard in the background? you're not writing a scene, you're watching a movie.

summarize. what happens next in the story? summarize it in brackets, like this:

' (they both started running and skidded under the closing door.) ’

‘ ( she pulled out a gun and pointed at them. blood was flowing from the side of her forehead.) ’

‘ (they fought. BAM BAM BAM BAM. then silence. someone screamed. the walls started closing.) ’

summarize p.2. this is the same thing as the above one, but in reverse. instead of summarising the situations in brackets, we're gonna be writing just dialogues. sometimes it happens that when you're writing, you can actually hear the characters speak in your mind but don't know how to describe the scene.

change perspectives. if your story is written in first person pov, change it to third person pov. if it's in third, change it to first. or, to spice things up, write from a side character's pov and how they see the mc (main character) deal with the situation.

being random. now, you'll see a lot of people saying to ‘kill one of your characters if you‘re stuck’ and it might work, but not every time and definitely not when it's not needed. throwing a plot twist in your book is one thing and breaking your reader's trust is another and there's a thin line between it. however, you can be random in some other aspects, like switching the narrator. or changing the weather (this one is so helpful!!). or adding in a small but fun and interesting side quest.

try something different. this could be something just for timepass but it would be fun. write a character sketch. build up backstories for your side characters. take buzzfed quizzes as your characters (this is honestly so fun). make a satire AITAH post inspired by something unhinged your character did, let the other characters decide if they're TAH or NTA.

read some fanfics. trust me on this, reading some poorly written fanfics is the best way to get out of a writing slump! the worse it is, the better chance you have of writing.