Great, You Stabbed Him Without Hearing Him Out. Would Have Been Great If He Was Actually What You Were

He just wants to learn more about his object of affection (in a very roundabout way because god forbid we communicate on the cult grounds).

That’s Namer btw, a reddish fox I assigned to the drink house after seeing him in the little hat.

the shifting mound's thing about gifts is such bs to me . "gifts arent what someone tells you to bring them" yeah lady gifts also arent something you fucking steal. give me back my ghost girlfriend youre not using her anymore

Thinking about how the Narrator doesn't really know if the world stays saved when we die, and yet in some cases He tries to reassure/console us during our 'last moments'.

"You've paid a terrible price, but you've saved us all." He doesn't know that. Maybe He's just trying to describe it into existence, hoping that if you die with the thought, it'll become true? But in other times, He's sure that our death means doom for whatever world we've left behind. "The world doesn't stay saved if you die." Then why tell us that we've saved it?

I also think it's interesting how emotional Narrator gets by the end of each chapter 1. He treats us differently based on our actions and how we approach the situation.

If we try and save the Princess, he purposely makes our death as long and painful as he possibly can, presumably, out of pure spite. "It is agony. But you aren't dead yet." "She sinks the blade into your chest again, and again, and again... and you feel every inch of burning pain that slices itself into your body."

If we resist his instructions at first, but give in later, he seems genuinely apologetic. "This can't actually be how everything ends..!" "I'm sorry, but it is." or "As much as I'd preferred for things to have gone differently, I can't deny the reality of what has happened." He wants this to work, and he wants us to come out happy and content by the end of it.

He seems caught off guard in the Spectre route if we try to kill her while she's in our body. "Slay her would slay you. Are you sure you're willing to do that?" One would expect Him to immedietly be on board with whatever plan gets rid of Her, but the "heroic"(in His eyes) gesture immedietly makes Narrator develop a soft spot and start to worry for our well being. He doesn't like the idea of the hero being denied their happy ending.

He genuinely believes the Princess to be a manifestation of everything evil in the world and constantly denies her any personhood. It's not an active choice either, as Narrator is an Echo with a set amount of beliefs that cannot be changed. He never changes His mind about anything and one of His core beliefs is that He is right. He has to be, otherwise everything he'd done, everything he went through, it would all be for nothing.

That which was once a defensive thought, shaped by his own hurt and unwillingness to see another perspective, becomes a universal truth.

uhhh yeaahh

One Last Dance

I don’t wanna, why do I have to? Can I not? What if I just lay here and don’t think about it? Maybe it just won’t be an issue tomorrow.

Tower learning how to be nice.

they were supposed to get rearranged, but ... huh

(its just the guys i ship)

and here are some like mini ideas? things i thought about while imagining their dynamics (they probably aren't accurate to rema's ideas so take them with a grain of salt)

did we make the construct ?