Objects of Desire (Japanese Screens and Panels)
1. Paulownias and Chrysanthemums, late 1700s-early 1800s Sakai Hoitsu (Japanese, 1761-1828) two-fold screen; ink and color on gilded paper
2. Detail of heron. Birds and Flowers of Spring and Summer. Edo period (latter half of 17th century).Kano Eino
3. Detail. Trees. Master of the I’nen Seal (1600–30), Sōtatsu school. Japan, mid-17th century
4. Irises. Ogata Korin. Right of two six-section folding screens (byōbu). Ink and color on paper with gold leaf background. Located at the Nezu Art Museum, Tokyo
5. Detail. 伝三谷等宿筆 松と椿に鷹・柳と椿に小禽図屏風 Pine and Camellia with Hawks and Willow and Camellia with Small Birds. Attributed to Mitani Tōshuku (Japanese, 1577–1654). Edo period. 17th century
6. Detail. Flowers: chrysanthemums, peonies, etc. Japanese folding Screen (six-panel), one of a pair. Edo period, 18th-19th century. Color, gesso, and gold on paper.
7. “Trailing vines” Japanese 6 panel screen, Edo period (1603-1868)
8. Japanese Screen, Peacock and Peahen, Meiji Era, circa 1900
9. Early 19th, Japanese Folding Screen with Birds and Plum Trees, Edo period
10. Pomegranate and small birds Moriyama Kouho (b.1883) Late Meiji/early Taisho era, circa 1910. Two-panel Japanese Screen. Ink, gofun and pigment on silk and gold leaf
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when oscar wilde said 'i am tired of myself tonight, i should like to be someone else' and when sylvia plath said 'i wish i knew what to do with my life, what to do with my heart' and when rilke said 'this heavy humanness'
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“Saintliness is the negation of life through heavenly hysteria. How does one negate life? Through uninterrupted lucidity.”
— Emil Cioran, excerpt from Tears and Saints