Gaël Davrinche (French, B. 1971)

Gaël Davrinche (French, b. 1971)

“Nebula” series, 2018

Oil on canvas

More Posts from Kiidkeroscene and Others

kiidkeroscene

3 years ago

Some Art Posters I'd Put Up In My Dream Home

some art posters I'd put up in my dream home

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claude monet vincent van gogh

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kiidkeroscene

3 years ago

The Dark, Weird World Of Aleksandra Waliszewska (born Warsaw, 1976) • Via Bibliothèque Infernale On

The dark, weird world of Aleksandra Waliszewska (born Warsaw, 1976) • via Bibliothèque Infernale on FB

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kiidkeroscene

3 years ago

WI HA-JOON as DO-SIK in MIDNIGHT (2021)

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3 years ago

I’ve seen people pass around the “hold up, I’m googlin’ something” image but it cropped out the part where he was googling “how many guys can one guy take”

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kiidkeroscene

3 years ago

Romance in the shadows of our daydreams

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kiidkeroscene

3 years ago

Smart Magazine: ストリートスタイル Jewelry Showcase From Japan’s Harajuku Distrcit (1998)

Smart Magazine: ストリートスタイル Jewelry Showcase From Japan’s Harajuku Distrcit (1998)

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kiidkeroscene

3 years ago

Art by Thanh Nhàn

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kiidkeroscene

3 years ago

Vento Aureo • 1600 AU (JJBA) 🇮🇹⚜

Bruno Buccellati × Leone Abbacchio

(Reference: Henry John Stock "The kiss" (1894)

Mid-afternoon Sun

Mid-afternoon sun, poem and art page by me, kiidkeroscene.

Drawn and highlighted under blue/green lights

Coloured lights

Light

The mid-afternoon sun is warm against my skin,

But her touch, her fingers gracing my jawline,

Her gaze, eyes like hazelnut and coffee,

Taking in my sight,

Her heart, full, intertwined with mine,

Her lips, brushing against my cheek,

Are warmer.

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my art art poem aesthetic flower my poem highlighter LEDS kiidkeroscene 9:32pm

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kiidkeroscene

3 years ago

No Human Eye Can Isolate The Unhappy Coincidence Of Line And Place Which Suggests Evil In The Face Of

No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice.

Shirley Jackson, The Haunting of Hill House

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