Day 6 (and 7) Of My Snarky Sarcastic Side Speaking Quotes From My Page-a-day Calendar!!

A silly doodle I made as the year ended, featuring my silly friend group. Happy 2024!!

:333 I knew it

With absolutely no context I wanted to say:

I Told You So

:3

“My brain is rotting from the Wisdom Saga” has got to be some sort of paradox hasn’t it

I’m 12 years late to it but let’s ramble about Scylla

Of course it took the Wisdom Saga nearly dropping for me to finally finish this

This may be a collective organized rant or it’s (more likely) gonna be a super-ramble nonsense jumble pile of me trying to words

A bit of background- I got into Epic right around the time the Ocean Saga released; I quickly got obsessed (as one does) and have watched a bunch of Jorge’s older shorts on the making of different songs, including just about everything I could find on Scylla’s song. I was enamored by the vocals Jorge teased us with and as the Thunder Saga drew nearer, Scylla was hands-down the song I was most hyped for.

And BY GOLLY I WAS NOT DISAPPOINTED. I was blown away by Scylla on the livestream. Everything- the vocals, the instrumentals, the visuals- came together beautifully and I’m gonna ramble about it

But to really see Odysseus through this we gotta start with Suffering (which is an absolute bop); specifically when the siren tells Odysseus about Scylla. When she first says Scylla, Odysseus is repellent of that option, judging by his immediate “no”. He isn’t immediately on board. He doesn’t want to sacrifice his crew. And (even though we all knew this was coming) it takes the rest of Suffering and Different Beast before we finally see that he’s willing to go through with it in the opening of Scylla (what with him saying “this is our only way home” and all that).

Parts of Scylla sound like a waltz!! I haven’t noticed anyone else mention that yet. Maybe it’s just me. But in the first section during the “deep down”s and Ody/Eury dialogue the chords all sound waltz-y to me.

Odysseus only has a few lines in this song as well as some interesting parts when he doesn’t speak.

His very first lines- “the lair of Scylla… this is our only way home” aren’t in the same harsh tone as Different Beast. To me it sounds like he’s trying to justify his decision to himself. He has to go through with this. It’s the only way that he’ll get back to Ithica.

Contrast this with his tone as he speaks to Eurylochus- “not much to say”. It’s back to being rough and hard. He’s closing himself off to the rest of his crew, including Eurylochus. He’s becoming the monster to them. (Rawr rawr rawr)

The confession scene- THE CONFESSION SCENE MY GOODNESS. Honestly I wasn’t exactly expecting Eurylochus to have opened the bag but I’m not surprised either. It was a very “ahhh” moment for me. And Scylla’s words-

I’ve seen a few posts talking about how they believed Scylla’s words were directed to Eurylochus in this scene, but I never thought that was the case. I think Jay deliberately created the parallel there, but Eurylochus doesn’t seem like he’s *hearing* Scylla yet. (Remember- later on, he says “something approaches” as if that’s the first he’s seeing/hearing of Scylla.) No, these lyrics are meant for Odysseus, and what he’s about to do. Not to say there isn’t any relevance to Eurylochus here- “you hide a reason for shame … leaving them feeling betrayed / breaking the bonds that you’ve made” alternate with Eurylochus’s apology, as they shed light on what Eurylochus *had* done as well as what Odysseus was *going* to do. There is a strong parallel here- but it’s not Eurylochus Scylla is talking to. (This is also supported by the lyrics “you know that we are the same” and “we both know what it takes to survive”, neither of which have much relevance to Eurylochus here.) The lyric “you know that we are the same” is an interesting one, but I’ll get back to it later.

So Odysseus basically ghosts Eurylochus- and yes he’s probably furious about the wind bag incident but I think another reason for his silence is because he’s been hearing Scylla. Odysseus can’t forgive nor blame Eurylochus because he’s about to betray Eurylochus right back. Maybe he just can’t face speaking to Eurylochus with what he’s about to do.

Did anyone else at this point realize the sole purpose of the song “Full Speed Ahead” was for nothing more than to create a motif to be used absolutely everywhere

Then we get to Odysseus’s first words to Eurylochus! When first listening I could feel my heart dropping, as did likely everyone else who knew about Scylla from the Odyssey. But the DELIVERY. The simple DELIVERY of those CONDEMNING LINES- Eurylochus doesn’t even react to this order. This is really how you know that he- and the rest of the crew- don’t know where they’re headed. (I’ve seen plenty of people talk about Eurylochus’s thoughts during this scene and afterward so I’m not gonna tread over that same ground.) All I can say is my heart sank.

Did anyone else think about the lack of a “danger is near” motif in this song? I’ve heard a possible modified version in the song (1:14 if anyone wants to listen for it), but it doesn’t fully fit, and nowhere else is a hint of this theme shown. And there’s clearly about to be danger in this song- for six of Odysseus’s crew, that is. I think the reason we can’t hear a “danger is near” motif in this song because there isn’t a danger for Odysseus, and that’s who the danger is near motif is for. After all, the motif was present in “Mutiny”, right *after* they got through the danger of Scylla. Just another something cool I’ve found that I haven’t seen anyone else comment on before.

“Captain, something approaches”

“Hello.”

The DRUMS ON EACH BEAT, the VIOLIN RUNS, all with the background SHEPARD TONES falling and then rising, the SUSPENSE- THE ***SUSPENSE***

Before Scylla came out, I repeatedly watched the Scylla audition call video Jay put out, and from that I had the thought that the buildup section would be much shorter. Boy was that not the case and boy was that such a good decision the more I think about it. You really feel the suspense gradually build like it does for the crew, first seeing the vague shapes of Scylla and slowly having more and more revealed in the torchlight before the heads pounce.

Not to mention Scylla’s voice actor is amazing. She does a wonderful job of the smooth, almost angelic voice at the beginning and end, but in the chorus?! Jay’s videos on it didn’t do this justice! The MONSTROUS way she growls, the HARMONIES that come in in the second chorus- not to mention the crazy drums and other music in the background adding to the chaos.

And in the background you can *hear* when each man is scooped up, when each man is being devoured. Once again you’re right there with the crew, hearing your fellow friends get eaten. It’s not something I would expect to hear in the official song when their deaths aren’t the main focus during the chorus (the main focus being Scylla herself), but props to Jay for adding that detail.

One thing I noticed in the amazing animatic done for this section that I haven’t noticed many people specifically point out yet, is how Eurylochus doesn’t seem to catch on it’s the torches that are signaling to Scylla which men to eat until *after* he passes his own on. You can see it in the horror on his face as he looks at the second-to-last torch drop, then as he turns to the final man, the man he’d given his torch to (as he presumably went to try and help someone else from getting eaten? That’s how I interpret him leaving the torch with the final guy, like a “I need both hands for this” kind of thing).

Then the END- after the rampage- the final “We must do what it takes to survive”- it quiets down, the waltzy pattern comes back out, and the final line- “We are the same, you and I”

Back to that previous lyric I mentioned, “you know that we are the same”. Near the beginning of the song when I heard it, the lyric recalled to my mind that villain trope of “we’re not so different” (I think that’s a trope). And here at the end of the song that sentiment is repeated- and Odysseus SINGS WIRH HER. He AGREES. Up until now Odysseus hasn’t acknowledged Scylla talking to him, but here he’s given into the thought that yes, now he *is* the monster - to both his enemies *and* his crew. (Rawr rawr rawr)

And that’s how Scylla’s become one of my absolute favorite songs from Epic

Days 12-14 of my snarky sarcastic side speaking quotes from my page-a-day calendar!!

“Your breath is as bad as your personality.”

“Every second you’re alive is one less second that you will be alive.”

The calendar is taking quotes from the @ unspirational Instagram account by Elan Gale.

WHOOF. This weekend has been something. And judging by how the past few days have gone with my posts and doodles, I think it’s safe to say I’m going to start making weekly posts of these quote doodles. It’ll be less stress on me to make a post every day and also give me leeway if I fall behind a day but catch up the next.

Anyways, enough of my ramblings- enjoy my snarky gal! She looks so happy in the second one, I don’t know whether to be amused or concerned

I think we all need a little reminder of this every day

Hey you know that thing you're good at? That thing you think makes you valuable? The way you are, or the thing you do, etc?

You can be and deserve to be and will be loved and cherished even without it.

You're not worthwhile because you help, or you are good at making your art, or your skills at your job. You're worthwhile inherently, as a person, even without all that.

And I want you to internalize that because otherwise there might come a day where you can't do The Thing You Think Makes You Valuable. You'll get sick and can't draw, you'll burn out and can't do your job, you'll be emotionally unable to do your regular helpfulness for whatever reason, and you'll start to feel like you have no worth anymore.

But that's not true. You have worth, you deserve comfort and companionship and happiness, and that's not a conditional thing. You deserve that, even if you can't be Useful and Productive and all that shit.

It's an easy trap to fall into to justify yourself as "well, at least I help/make art/work hard" and have that be entirely too much of your self-esteem. Being proud of your work is fine. Being proud of yourself solely through your productivity is not, because you're making it conditional. And conditional on something that can change for reasons completely outside your control!

You gotta stop thinking about it like you gotta justify the space you take up on the planet. It's great if all those things make you happy: just make sure they're not the only things that make you feel like you are justifying your existence, or you'll crater if they get taken away.

You are lovable and likable and you have value as a person and a member of society, even if you never can be productive again. You are enough.

AAAAAA IT’S SO BEAUTIFUL

I’ve been waiting for this song to be released for so long! And now, my take on it is finally here!

My thoughts on the Wisdom Saga

Legendary

TELEMACHUS MY BOY!!!

Honestly most of the stuff I have to say about him deals with the next two songs instead of this one…

Okay, but the more I listen to Antonius the more his voice is just ✨✨✨? Like Calypso’s voice being gorgeous was on SIGHT (on… hear? Heard? Audio?), but Antonius keeps getting better the more I listen to him. Don’t get me wrong he’s a bad dude, but his voice acting? Beautiful

I love the setup in this song, you don’t even notice because it’s so catchy

ARGUS CRUSHED MY HEART IN THE ANIMATIC (like I knew he would) poor dog boi… if Jorge doesn’t have Odysseus say hello to him in a song I will be heartbroken.

Little Wolf

This song… the appearance of Athena in this song brought my prospective ranking of it from likely low to battling it out with Love in Paradise for top spot (I’m STILL not sure which one I like more).

When Athena first appeared in the livestream I (mentally) SCREAMED- MY FAV IS BACK SHE’S BACK AND I LOVE HER (very platonically)

I love the little interlude with her and Telemachus- speaking of which-

I’ve seen some people mention how Telemachus seems much younger than 20/21. Something about the portrayal of Telemachus as this naïve inexperienced child? I’m not sure. But I have my own thoughts to share on this, because as someone who’s close to that young adult age, I think it’s actually pretty accurate for Telemachus’s character. He’s lived in the palace all his life, he’s longing to adventure in the world beyond, but he doesn’t know how to fight… I mean, I don’t specifically relate to Telemachus but I can see aspects of this in my own life. I’ve taken my first baby steps into the big adult world, and it’s intimidating and scary, and I don’t know how anything works, but I’m trying anyways. Point being, I don’t understand how people think that Telemachus has to be younger just because he doesn’t have certain life experiences or knowledge yet. I think it’s a very good portrayal of a young adult being unsure of his coming into the world but excited for it anyways.

Anyways back to ATHENA MY GIRL

I love that we get an in-musical explanation of Quick Thought!! I think it’s really important for a musical to be self-contained with its important lore/information and Jorge does such a great job with that.

Athena’s entire speech about the suitors and bullies and inspiring Telemachus and reframing his “Little Wolf” title CHUCKED THIS SONG SO HIGH IN MY BOOK I need to find a character of mine to associate this part to

The little “ooohhhh, maybe I pushed him a bit to hard” is hilarious

Interesting thing we’re doing with transitions into the next songs with this saga. I do agree with some of the people who said it sounds kind of off in this song; I think it might’ve flowed better if it introduced the next one, but honestly, I’m entirely willing to ignore that because this song is *so* good

We’ll be Fine

I have one glaring complaint about this song…. WHY ISNT IT LONGER?!?! I NEED MORE OF THIS

I can honestly see this becoming a comfort song for me, it holds such great messages to remember

“Cause I got in a fight, and I didn’t die!” The bar is on the FLOOR with Telemachus

The voice actors are rocking their respective high notes! Jorge pushed them and they owned it!!

Speaking of those good encouraging messages- I absolutely adore Telemachus’s chorus. Every time I listen to it, my brain auto-fills the lyrics ahead, and I hear, “maybe it’s all gonna be okay,” but then Telemachus actually sings the verse and it’s “maybe it’s all gonna turn out great!” And that’s just… such a good thing to think about. Yeah, it’s gonna be okay in the end, but what if it was better than okay? What if it turned out to be absolutely amazing?? That’s… such a positive way to view things and I need it more in my life. Of course it could get toxic but for me, it’s a great reminder of how good things can become

Love in Paradise

I read a post that mentioned how the happiest song in the Thunder Saga is called Suffering, and the saddest song in the Wisdom Saga is called Love in Paradise, and I hate how accurate that is T^T

THE TIME DIVE MONTAGE WAS SO GOOOD- such a fun mini mash-up of the rest of the songs! I wish I had more to say about it because I want to keep gushing over it but I’m just gonna end up repeating myself saying it’s so good

The little replay of the “Captain?” “I have to see her” ;-;

WANGUI’S VOCALS— I CAN’T— THEY’RE SO GORGEOUS *unintelligible squealing*

“She’s my wife”

“…”

“…”

“…”

“…”

“…”

“Anyways-“

Her voice is so pretty help I don’t approve of her actions but her VOICE HER VOICE

Can I also just say the animatic/visuals for this section were also gorgeous, such a great compliment to the audio

The way it goes from all sweet and bouncy to “oh ****” and right back to sweet was so good

“Last I checked goddesses can’t die!!” *cue the Wisdom Saga stream crash of 2024*

The cliff scene… oh my goodness it’s so *good* it’s all so *good* Jorge how are you so good at writing

He pays such close attention to characters and motifs and lines too- you can hear how Calypso triggers Odysseus’s flashback.

NOT TO MENTION- when Odysseus yells his line “All I hear are SCREAMS”, it’s in response to Calypso’s line “I’ll stay inside your heart”- which is Odysseus’s mom’s lyric from the underworld!! I literally just noticed the connection between the line and his reaction and I haven’t seen anyone else mention it before so-

And Athena’s little “he needs my help”- aaaaaa we all feel the pain

God Games

Oh *boy howdy* this one is a doozy

The intro is great, I adore Zeus’s voice- this cast is just FULL of talented voice actors man

“… Hera!…. Or me” …. A-wha-huh? I’m sorry didn’t you used to be “and”???

I was intrigued what Apollo’s grievance would be based on the whole “who’s cows” debacle- the sirens kinda threw me off guard xD

His voice is ✨✨✨ though, I love listening to him

JORGE’S DAD HEPHAESTUS!!!!! Aghhh his voice was so good for the part! And I loved the commentary on trust too

Aphrodite’s and Ares’s parts are still amazing even after all this time- I LOVE the details of Ares’s musical motif! He has the same melody as Athena, but played on this raw-sounding violin/cello? And he *also* has quick thought- but it still all feels different from Athena’s too! Because they’re both gods of war but with different domains and attributes AAAA so good!

And Athena’s lyrics in response- I love the re-do and the little extra quirks in it, like the extra growl on “ARES!!!” And the little riff(?) on “his son’s my FRIIIIEND”

Hera’s part was amazing. 100/10. Her voice was a lot… smoother than I was expecting honestly. It took a bit of getting used to but now I love it. And I am HERE for the dance battle

“Never once has he cheated on his wife”

“Release him.”

10/10 ✨✨✨

I was… really excited for an Athena/Zeus debate in this song when listening to all the snippets. I couldn’t wait to see how Athena would try and persuade Zeus, what arguments he would use specifically, how it would all go down… instead I got uh-

“I played your game and won! Release him.”

Oh so, no Zeus round? Ohh this is why it got changed to “or” isn’t it-

“You DARE to defy me?”

Huh-

“To make me feel shame?”

What’s happeni-

“No one beats me, NO ONE WINS MY GAME!!”

Oh boy howdy-

“THUNDER BRING HER THROUGH THE WRINGER, SHOW HER I’M THE JUDGEMENT CALL, THE ONE WHO MAKES HER KINGDOM FAAAAALL—“

I’M SORRY THIS WENT FROM 10 TO 100 SO FAST WHAT IS HAPPENING?!—

Athena in the flashback scene- holding baby Telemachus- the music- my HEART

And the end instrumental is so triumphant aaaaaa

“Let him gooooo! Please-“ JORGE WHEN I GET YOU JORGE—

Uh, so

My thoughts on God Games right after it came out were

Mixed

At first I was so absolutely frazzled from the livestream I could barely put thoughts together outside of incoherent screaming

But then I read a few tumblr posts about how some others were disappointed in how God Games ended and Zeus’s character- and I found myself agreeing :/

I do have a propensity for latching onto different opinions because I think they’re the “expected” one for me to have- and I totally think a bit of that was going on here- so I took some time off of tumblr/limiting my scrolling (which needed to be stopped anyways-) to really sort out how I felt on this

And I think I feel a bit stilted by God Games from its ending. The ending was… underwhelming? Which sounds INSANE considering the end of the stream but it’s underwhelming less because of actual shock factor and more because of what specifically happens versus my expectations.

Zeus just kind of… blasts Athena in the face??? Without provocation?? Athena DID win his game, she passed the terms he set out, she did all of that… and he shocks her anyways. It just. Doesn’t really sit right with me.

But I love Epic, and want to enjoy every song I come across, and I REALLY didn’t want this view of the ending of God Games to taint the rest of the song or the rest of the musical. So in my next big post, I’m going to do a mini “rewrite”/reworking of God Games that I’ve been toying around with in my mind for a little while now!!

I’ll explain more about why and what and the details in that post but for now, just know that it’s been a helpful exercise in enjoying God Games as it is too, and I’ll get to posting that the next time school isn’t absolutely crushing me with long homework assignments

Anyways, those are my kinda-in-depth thoughts about the Wisdom Saga!! I’ve been so excited to write this out and I’m happy to be posting it finally

white people go like “is anyone going to redesign this nonhuman evil character as a poc?” and not wait for an answer

Days 22-28 of my snarky sarcastic side speaking quotes from my page-a-day calendar!!

The calendar is taking quotes from the @ unspirational Instagram account by Elan Gale.

Also I SWEAR I had everything doodled well before this hour I just had other stuff happen and then I forgot ._.

Jan. 22:

“It looks like I’m trying to help, but I’m actually pushing the “close door” button as fast as I can.”

Jan. 23:

“Save the planet.

Stop making people.”

Jan. 24:

“Everyone remembers every dumb thing you’ve ever done.”

Jan. 25:

“You are entitled to your opinion, just like we are entitled to ignore it.”

Jan. 26:

“Positivity are for people who don’t know better.”

Jan. 27/28:

“Strength is an admirable quality.

Consider getting some.”

Another WHOOF of a week. But I do quite like how most of these turned out! I’m on the home stretch now- I’ve decided I’m going to keep making these daily doodles until January ends, and then I’ll be cutting back on them. More about that in that post probably.

These quotes were a lot of fun. I personally feel the elevator one- that is me every single time, even when there’s nobody there. xD