Kaanha-ki-barkat - There Is No Charm Equal To Tenderness Of Heart.

‘am I really about to start watching this show solely because of repeated exposure to gifs of two lovestruck assholes looking at each other’ is the core drive of my fandom experience

Does anyone else reply to a text mentally but not physically then forgets to actually reply all together or is that just me

A Fairly Nice and Accurate Timestamp Cheat Sheet for Good Omens (2019)

All timestamps should be correct, give or take a gnat’s whisker on the seconds, and titles of individual scenes may occasionally be obtuse references to the book or fandom shenanigans. Feel free to save the list as a file on your word processor and rename or otherwise alter specific scenes as you see fit.

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Michael Sheen: No one except those from Wales can pronounce this 

David Tennant: Hold my whisky 

Yudhishtira and Duryodhana for the Swap headcannon.

“Yudhishtira is relieved that the path of dharma runs so straight and broad. A king’s son becomes king, and his own father has only ever been Regent, holding the throne for the next heir. The eldest son in the family becomes King, and Suyodhana is a full year older.

Yudhishtira wishes the path of dharma were not so crooked and full of traps for an unseasoned walker. A king’s son becomes king, and his own father was king, and his uncle though the elder only ever Regent. The eldest son in the family becomes King, and Suyodhana is a full year older.

Suyodhana says, “Mother, look what a bride our Arjuna has won with his valour,” and hands Draupadi forth as Pritha comes wondering out from her cottage. All too soon there will be Panchal to sit in counsel with, but it is good to see his mother pull his new sister into an embrace.

Suyodhana says, “I will gamble no further, I cannot wage my family,” overlapping withYudhishtira saying, “This is only a friendly game, I would not take your lands.”

“You are my brother,” he tells Karna. “We are bound together, that remains as true as ever it was. I pray you, forget my delusions about the nature of our tie, and remember only its affection. Let me crown you again, but King of Hastinapura now, and Emperor in Indraprastha.”

Aziraphale blinked rapidly. “One of…” he trailed off in realisation. “You—You made…? Before you…?”

The demon turned away. “Yup.” He popped the ‘p’ sound, shrugging. The light in his eyes shuttered a little, flickering behind something deep and aching. Aziraphale started to move his hand before he realised what he was doing, then pulled it back and let it fall into his lap.

“I could show you, if you like.” Crowley’s tone was flippant, but the tension in his posture was unmistakable.

“Show me…?” asked Aziraphale.

Crowley held up a hand, flexing his fingers in a jerky wave. “The nebula. If you wanted.”

Aziraphale’s eyes widened. “Oh. Oh.”

Crowley waited, hand help up in offer. Aziraphale’s heart hammered in his chest. He felt altogether too human, some unknown chasm gaping at his feet.

“…alright.”

- from ‘An Angel who did not so much Fall In Love as Settle Into It Gradually’ 7.5k words - on AO3 at works/19324027

If you need me

I’ll be locked in my room reading Letterboxd reviews of the Netflix original movie “The Knight Before Christmas”.

I mean... these are literally just the ones that show up at the top

They’re all like this

It’s just one giant roast

And endless shit posting

Most shows with overpowered supernatural characters always try to come up with elaborate excuses to explain why the characters can’t just magic themselves out of every situation. Good Omens doesn’t really do that, but you don’t really question it because you completely buy that these morons are so unequivocally incompetent that they straight up forget that they have the powers of fucking demigods. They’re like high-level d&d characters who only use the same three moves and have completely forgotten about the 73 magic items sitting in their inventory.