what the what
unpopular opinion but with the new tide of Greek mythology stories and retellings, Greek Cultural Sensitivity Readings are absolutely necessary. We are in 2024, with thousands of fics and retellings out there!! How is this not a thing yet?? There's vast improvement one can achieve by working professionally on their text with a Greek. I've seen it so many times!!
Also, duh, I'm offering the service BUT I want you to know that the situation with the inaccuracies of SERIOUS works is so dire that initially I didn't even do it for money. As a writer I just wanted to... fix things, to set a new standard for writers and the industry that sells us the most heavily Americanized pop-culture material and passes it as "authentic vibes of Greek mythology". (And of course there were writers who wanted to do right by their story and they had reached out to me. So kudos to them as well!)
Okay, but why does Cultural Sensitivity Reading make a vast difference and it's not just smoke and mirrors?
As a Greek, I am tired of well-meaning writers and authors butchering very basic elements of my culture. It's not their fault exactly, since they were raised in another culture with a different perspective. And nobody clued them in on how different Greek culture is from theirs, so writers sometimes assume that their culture is the default and they project that into ancient Greece. (Even published professionals like Madeline Miller have written "UK or US in antiquity" (with a very colonialist flavor) instead of writing "Ancient Greece". (Looking at you, Circe!)
Even writers who researched a lot before coming to me still had a lot of misinformation or wrong information in their text, easily verifiable by the average Greek. Again, not their fault. They can only access certain information, which does not include Greek scholarly work and scientific articles that DO offer valuable context.
Translation, accuracy, and meaning: If you ever wondered what a word means or how to pronounce it, here's your chance! There are Greeks like me who are knowledgeable and have a keen interest in antiquity and they will be able to read and compare ancient texts, and dive deeper into the work of Greek scholars regarding those texts.
If you want to create new words, you can do that as well! (It doesn't always work, but we can try. Greek is a really rich language and has a word about everything) If you use existing words, I can help you separate reality from fantasy in the context of your story.
(Do not assume we Greeks are ignorant of our heritage, or that we don't know how to research! Our archaeology sector is huge and archaeological museums are closer to most of us than your local Target is to you)
I guarantee there are things you never thought about Greece and the Mediterranean - from the ancient to the modern era. Sprinkling elements like phrases, types of interactions, customs, songs, instruments, dances, etc , into your text will make your text absolutely rich in culture.
Names matter!!! The genders of the names matter, diminutives matter (If I see one more "Perse" for Persephone I will claw my eyes out along with a few thousand Greeks), naming traditions matter!!! In many cases you should not even use a diminutive!!
You will be able to write about a foreign culture easily! Because of the continuity of Greek culture, you can even write a few more recent Greek elements to fill in the gaps. I can make sure they are not mismatched, and they will complement your ancient setting. I have observed a few things I didn't know we had since antiquity, but they make sense because our land has certain characteristics.
Non-Greek writers often miss the whole context of Greek culture! Do you know how Greek respect towards deities and parents looks like? What tones we use when we talk to our elders? When to use honorific plural - if your setting is more modernized?
Oh, and please let's avoid caricatures when describing Greeks?? (even fantasy Greeks) There can be heavy exotisation and odd descriptions of Greeks, as if we are another species. Even in published works. For many western writers it's difficult to catch, unfortunately.
The whole process is actually way easier than you think. You send me a text, I make notes and then we have some discussion on your vision.
It's always okay to seek guidance from the locals! You are not "guilty" when you admit you don't know! How can you know if you don't ask?? You can't imagine what relief and "πάλι καλά!!!" I read/see from other Greeks when I tell them another foreigner is using me for cultural sensitivity? Greeks want you to seek help and will NOT shame you for it!
(On the contrary, you have no idea how many eye-rolls Greeks do when they see a blatantly wrong thing in a story... Which has happened pretty often for many years now. Can we do better as an industry?? Please???)
You can send me a personal message to share your story, or ask what this whole cultural sensitivity thing is all about, or ask about what I have done so far and how I can help. But for the love of all that's good, don't let your story be another "generic greek myth retelling"! And don't let others sell you their generic greek myth retellings!!
no, Rick, it's not
Like what do you mean Mount Olympus is the Empire State Building?? Last time I ckecked, Mount Olympus is a MOUNTAIN and it's in GREECE. 'Many of the locations of Greek mythology have also moved with Mount Olympus and can be found all over America'????? These are locations, not furniture!
Greece is a country that still exists, by the way, so why exactly would the Greek Gods (Greek, Rick, Greek) abandon it? Why would they leave their homeland?? Every time I remember that passage where Chiron is like "haha, Percy, western civilization is a liViNg fORce and it started in Greece" and "ohh it's a fire and the Gods follow wherever the flame is brightest uwu" I just- it's so stupid, it makes me want to pull my hair out. How on Earth did Riordan think that was okay to write? Did he really think it was valid justification for basically disconnecting the Greek gods and Greek culture from Greece and Greek people?
You know what this 'justification' reminds me of? This. They're both part of the same narrative.
Not even the camp- the goddamn camp for children whose parents are Greek Gods- is set in Greece. Riordan just made a US-flavored cake and sprinkled some Greek Mythology on top. Delicious.
(Spaceboy finds out Rumor has asked Number 5 to spy on her ex-husband)
Spaceboy: Now I'm losing her! What'll I do? What'll I do?
Number 5: What are you talking about?
Spaceboy: Huh?
Number 5: You are Spaceboy! My God...
Number 5: *swatting Spaceboy with a newspaper*
Number 5: Pull-yourself-together!
11-year-old me: *ugly sobbing* SearCH FOR YOUR LOVE
Important research
Define "burger" and "american" however you want. Vote with ur heart.
I still feel like the movie slapped me in the face, so I decided to post a meme.
It didn’t help.
I liked it
https://www.nytimes.com/2024/05/25/books/greeks-myths-adaptions.html
Westerners never cease to amaze me with their entitlement - this was nearly too infuriating to even read.
Also, honorary mention: “There’s no final word on anything, because language is always changing, so there’s no definitive myth,” said Miller, who is currently working on a new novel about Persephone and Demeter, her mother. “These were fluid texts right from the beginning.”
Said Miller, who twists and bends myths and cultural elements beyond recognition so as to excuse all her inaccuracies and downright murder of the Mythos. Also, it's a known fact that Miller sees Demeter as an oppressive mother and that she bases said belief on British poetry of the 19th century. Therefore, when that monstrosity of a book does come out (where Persephone is twice assaulted by Zeus, no doubt), I honestly wonder how they will find a way to present her portrayal of Demeter as "feministic", especially knowing her previous distaste towards maternal and female familial figures, in general (Thetis, Kirke's mom and sisters etc).
The article is titled "The Women of Greek myths are finally talking back". Which is disgusting because the Women who talk are Western Anglo women and they cover with their voices the voices of modern and ancient Greek women.
They paint our antiquity and our struggle like some type of torture porn and, in the process, ignore how much depth and power female characters were given in our ancient texts.
Those retellings are a cheaply written, stereotyped power fantasy for Western women who use us and our ancestors to feel like they are doing something against the Patriarchy.