Gonna Be Usefull For Future Fic Powerscaling And Backstory

You are the Dark Queen—the most powerful being of your entire universe. Your lair is breached by an aspiring hero—a pitiful thing, easily crushed.

Except they keep coming back.

PLAY ON ITCH.IO

[crossposted from Bluesky]

a fun recurring theme in no mercy and the weird route is everyone around you trying so fucking hard to make sense of your motives and landing on a pov that suits their own needs/wants/hopes and then being very surprised when you don't act as that model predicted

the obvious ones like. Chara thinks you're getting stronger with them to bring the world to a clean end where they can't be hurt. Noelle thinks you're teaching her to be strong and to stand up for herself and make her needs known. Flowey thinks you're a coconspirator and Chara back to help him

but even the enemies - Berdly tries to play it into his whole weird dynamic with Noelle and turn it into a quasi-romantic rivalry, Undyne frames you as the enemy a heroine defeats in an anime with directly Evil motives who can be beaten by will and friendship

oh i forgot spamton who thinks you're after personal power and such and who is happy to ride along on your chaos to get his own personal power lmao

everyone sees in the relentless, unspeaking violence some sort of mirror of themself, the wants they may not admit to, the fears they hold, etc

i think sans is the only one who actually truly gets even a little bit of it, especially if you go for the fake spare and then come back. he understands - you probably were friends, once. you hold no true malice. you have no grand purpose.

but he has more dialogue to show you.

i'm really curious if anyone will similarly see what's actually going on with us in Deltarune. seam seems like an obvious shot, plus gaster ofc lmao. but it's way too early

in the meantime, i can't wait to see every character rationalize Kris Is Doing Random Murder lmao

Fun Dragon Ball headcanons

Goku and Vegeta are experienced with video games because of their sons. They even sometimes play them together. Goku's favorite is Sonic the Hedgehog and Vegeta's Mortal Kombat. Vegeta is usually the victor in their matches.

Bulma makes up to Vegeta by letting him give Bulla a middle name. He picks Eschalot of course. He chooses this name after a famous Saiyan princess. Princess Eschalot was known as the ideal Saiyan princess: strong, intelligent, brave, beautiful, and a fierce warrior. She refused to marry and decreed that she only would if the suitor beat her in combat. Not only did she defeat each and every one, she even killed them.

The gang sometimes go to Yamcha's baseball games. The kids even have his baseball cards.

Piccolo's favorite water is from watermelons. Dende's is coconut.

Trunks and Bulla are grossed out when they learn their mother and Uncle Yamcha used to date.

Goku sometimes stops by Tien's school to observe or participate in lessons.

Goku and Chichi planted their own apple tree in their backyard shortly after they married. It's still there all these years later.

Vegeta is very approving towards Mai as a match for Trunks, especially since finding out she was an assassin.

Goku likes to bring Chichi souvenirs from his adventures. They could be a stone from a foreign planet, a seashell from the ocean, or a flower from the mountains.

Vegeta is a secret Taylor Swift fan. He listens to her music when he's training or thinking by himself.

The children like Broly and love to play with him.

Goku can be a jealous husband in a subtle way. If he notices a man checking Chichi out or trying to flirt with her, he will hold her hand and refer to her as his wife or use endearing names towards her.

As far as the public is concerned, Vegeta's a cryptid. Everyone knows his name and recognize him as Bulma Briefs' husband, but that's about it. Nobody knows who exactly he is, where he came from, or how he and Bulma met and got together. It's even more difficult since journalists are too scared of him to approach him for an interview.

Since he can remember, Goku has had dreams where he is floating in a yellow void, surrounded by large shadows of people and muffled voices. Most of the time, he sees and hears a small and friendly woman, a large man with a deep voice, or a short child who likes to knock on glass. Goku doesn't realize until many years later that these are memories of his time in his incubator and the people he was seeing/hearing were his parents and young Raditz.

"Hungry like a Saiyan" or "eat like a Saiyan" are common metaphors among certain alien races.

Krillin stays in touch with his Buddhist roots. He visits temples, even his old temple where he was raised. He sometimes brings 18 and Marron with him.

While it's not shown, Launch does stay in touch with everyone.

Chichi speaks fluent Cantonese and Mandarin. She personally teaches Gohan and Goten from a young age. Goku has even picked up some terms here and there. When she’s angry enough, Chichi will curse in either language.

Gonna need to re-read this later for when i write a Zelda fic

I will now yell about Fi and Ghirahim as symbols of their respective creators, please stand by:

So, the biggest slap addition the lore that Skyward Sword gave us was (Her Grace) Hylia and (the Bringer of) Demise. Entities who, regardless of confusing localisation choices, exist as two sides of the same coin and are locked into a mutual karmic cycle.

They reflect each other like a mirror, and also represent an antithesis of each other, seemingly existing as consequence to one other. They were presented as the penultimate deities of the physical and metaphysical realms of their world since the advent of its creation by the departed Golden Goddesses; twinned yet opposite, and each both inevitable and necessary.

Shadow; Light. Chaos; Order. Indulgence; Restraint. Upheaval; Stability. Primordial; Designed. Spite; Grace. Hidden; Seen.

Ghirahim; Fi.

It goes right down to the blades that Demise and Hylia would level at one another. The spirits of each are a representative of the principles and philosophy championed by their creators.

Now, the closer you get to the works and relics of the Gods/Gods Tribe in Zelda, the more you see divine constructs that blur the line of spiritual magic and advanced technology, and are ostensibly both. This was a direction that really bloomed in Skyward Sword, taking a running start on it that games hereafter have followed. The caveat is that only certain special people chosen by Gods or otherwise given permission to use this kind of Magitech can interact with it or produce things like it (either at all, or without punishment).

Even the Sheikah, who have closely served the intentions of the Gods/Spirits of Light (Hylia and her aligned) all throughout history, make the mistake of getting too comfortable in their inspiration and cross the line into imitations. Despite the successful utilisation of, and later recovery of, certain Sheikah Tech such as the Divine Beasts to positive effect, the tragedy of both the Sheikah's Divide and the Calamity's hijacking of Hyrulean defence systems is still played as a cautionary tale of hubris and knowing one's place in the natural order of things.

The Sheikah were effectively making unauthorised knockoffs of Divine Magitech and it bit them on the arse.

Can't have shit in Hyrule.

Pretty much every significantly advanced tribe in Zelda has a stated closeness to 'the Gods'. Either by being adjacent to or descended from deities and spirits collectively known as the Gods (specifically the Gods Tribe in JP), they are still distinctly subordinate to and separated from entities such as Hylia and the three Golden Goddesses.

Confirmed to be included in this special grouping are the Zonai and the Oocca, for instance. Speculatively, the Wind Tribe are an example of people who ascended (with permission or worthiness) from the surface-- they are an arguably Gerudo adjacent tribe who may even be precursors to the Zonai or related to the Twili.

The Picori, at the very least those in their native realm, also certainly count as part of this grouping. Though it could be argued whether those descent Minish living on the surface still do.

The Sheikah, it should be noted, have never gained entry to this Gods club. Despite their proximity in worship and service to Hylia, historically, they've also done some pretty shady things-- like the Shadow Temple and the general murder and espionage stuff -- that may have otherwise excluded them from ascending like the Wind Tribe did. They walk a grey line, and they have a duty in the eyes of the Powers That Be that apparently prefer they stay put.

Not Turtle-y enough for the Turtle Club.

Another example of this Icarus flying too close to the Sun type cautionary tale, and a far more egregious offender in the eyes of the Gods Tribe, are the 'Interlopers' who would eventually become the Twili. They were a tribe of people that, while squabbling with others, tried to take dominion of Hyrule (referred to itself as the Sacred Realm/Holy Land in TP) with powerful magic that more or less gave them a winning advantage. Specifically, the Crystal Stone of Shadow (the Fused Shadow) which greatly amplified their magical power.

Banished by the Spirits of the Light whole cloth into an underworld (lit. A Realm of the Dead) that we also know as the Twilight Realm, they have been shunned from the land they tried to conquer and transformed by shadow so much, they're now allergic to the light (without sufficient mystical power to bolster themselves).

Basically, the intended message is this: any earthly people who have advanced themselves without approval by the Gods Tribe-- especially by using Divine Constructs as inspiration or means-- have therefore disrupted the order of things, and stacked the deck too much in their own favour. Even if the intent was primarily a fixation on preserving Hylia's bloodline, and by extension her sacred land, it is still possible to elevate oneself above your contemporaries (especially the capacities of the Royal Family line in Hyrule) in such a way that you impose too much independent influence upon the the natural world.

No longer following 'the way of the Gods' (the Gods Tribe law) or respecting the order of things (ala Shintoist inspiration), you are labelled a disruption to harmony and peace, and therefore seen as corrupted and pollutive, and generally negative in your impact. You will then be chased off, at the very least, unless you renege-- for fear that you will bring in demonic influences or be used by them. This has canonically happened to both the Gerudo and the Sheikah, now.

But you know who Magic Constructs on par with the Gods Tribe, except it's more eldritch and organic-looking and primordial in form? It's the other club, the one that the disenfranchised Sheikah went and banged on the door of, hoping to be let in if they started wearing cool red and black outfits and changed their name and stopped worshipping Hylia.

Yeah. It's the Demon Tribe-- who are pretty much just the inverse reflection of the Gods Tribe and its set up. Their Magitech equivalents, and what they can do, only serve to further cement this.

Specifically, if you could suggest that the Gods Tribe's main objective is maintaining a status quo of shared prosperity that provides an ordered and peaceful existence through conformity and tradition, the Demon tribe is an ever churning well of opportunity where winner takes all. It is a hierarchy built on brutal meritocracy, honed by constant challenges and hard won continuation-- survival and status fought for and maintained by individualistic influence and innovation.

Many various little bastards exist in the Demon Tribe. Bosses in charge of sub-tribes of monsters are commonly seen, but they have their minor Deities ad Spirits, too. The head honchos are called Demon Kings (plural, because it doesn't describe a single position, but rather just very powerful Demons who have clout). Demise is both a Demon King, namely the most powerful one, and also the 'Chief' of the Demon Tribe; just as, in this case, Hylia could be considered the 'Chief' of the Gods Tribe. So, Demon God-King, really.

While Demise is incapacitated by Hylia's seal, his role as the Chief of the Demon Tribe is actually the position that Ghirahim fills in for as his (literal) right hand man-- the very extension of his arm, as his blade.

Both the Master Sword (Fi) and Ghirahim himself are, perhaps, some of the most advanced forms of this sort of Magitech we've actually ever seen.

Ghirahim goes above and beyond in his role, even going so far as to cultivate his full persona as a Demon in his own right in order to maintain his authority as the effective Regent while the big boy is incapacitated. He disguises his true form and nature, and with a surprising level of autonomy and self-transformation for what he is, sets about attending his duties with great devotion.

He seems to have an incredibly intuitive and flexible mode of operation. His sentience is full of creativity, emotionality, and genuine potential that he has the capacity to explore and shape with great freedom, for the construct that he is.

He is flamboyant and attention grabbing, highly expressive. He entertains great personal indulgence, even going so far as to toy with Link in a manner that borders on vicious training for a while. Though in part due to his undeniable sadism, Ghirahim almost can't help himself but to continue to test and push against the potential as a swordsman that the Hero has, inadvertently cultivating its growth.

This depth of identity and adaption he's capable of was either an intentional part of his design, or specifically not prevented by it-- both of which stand to represent something of Demise and Demonkind. The lengths to which Ghirahim is allowed to wield himself when not in his creator's hand is remarkable and, though he is shown to be unable to override actual commands from his master, it stands in an interesting contrast to Fi.

Where Ghirahim is able to radically redefine his own presentation and function to best suit his Master's needs in a way that mimics the organic, Fi's evolution is far more linear and streamlined, never really deviating from systematic updates. Though the sword itself is subject to physical restorations, Fi's personal appearance is unchanged and reflective of her true shape, indicating that her tempering in the Sacred Flames is either a slow return to previous form or a pre-programmed and permanent upgrade set into motion by Hylia. It is also an evolution that is entirely dependant upon the actions of others, largely lacking the individual agency and flexibility that Ghirahim possesses.

Not to suggest that Fi is any less devoted to her purpose, however.

She is, quite unlike Ghirahim's aspect of individual advancement, wholly geared toward a model of mutual enhancement with a partner. She is built with a singular and clear objective in mind, perfectly designed to suit the needs of the one wielding her as a supplement to their ability, rather than an autonomous servant. She defers entirely to her Master's decisions at all times, though does make informed suggestions, and does not appear to be able to relocate the physical sword on her own. Many of her abilities are things that must be directly requested of her.

Even when she is given to performance, such as her singing or her ballet, these are seemingly dispassionate affairs that are precisely executed, preprogramed displays for Link's benefit. Absolutely nothing, not even particular inflections of emotionality, must risk the distortion of her relayed messages and guidance to Link-- these displays may also be something analogous to morale boosting rewards or a really weird form of reverence to the musically inclined Hylia. Either way, Fi is highly logical and presents herself foremost as an instrument and a tool. She does not indulge in a persona or otherwise engage in anything not directly tied to her assigned mission-- she does not get distracted or indulge personal whims as Ghirahim does. But critically, a large part of her design is geared towards an awareness of her surroundings. Fi has a visible consciousness for the living things around her at all times, contrasting to Ghirahim's seeming negligence of them and open disdain.

Fi's orderly efficiency and lack of cultivated personality to detract from her purpose make the fact of her construction obvious. Unlike Ghirahim, her true nature and her task is almost painfully undisguised. She exists in a simple sincerity, almost austere, seemingly unwilling or unable to seek function beyond her designation without being updated by another. However, her concentrated application seems to achieve concentrated results, strengthening both herself and her wielder in a near impenetrable mutual reinforcement.

It is perhaps of no coincidence that, despite Fi's seeming inflexibility and clinical pragmatism, she also expresses something of a fondness for Link at the end-- in many ways, mirroring her Divine creator. She does this very robotically, by correlating her collected data time spent together and their completed task with what she's observed of human happiness.

Skyward Sword seems to argue that Ghirahim's main flaw is spreading himself too thin, or trying to be so many other things, that he falls short as a sword in the end. It suggests that his sin, like others in the franchise, is getting too big for his boots scabbard and letting his pride become his downfall. His individualism gets presented with a great cost, as he has only enhanced himself in ways that seemingly do not apply when he returns to his primary function as a sword. The emotionality he has, such as the frustration and cockiness and bloodlust he indulges, are also shown to lower his successes-- reducing the sense of his efficiency and precision beside the ever level, measured Fi.

When he returns to Demise's hand, Ghirahim is already weakened and spent. Despite all he's done for his Master's revival, Demise is left to fight with a paling version of the blade that once fatally wounded Hylia-- not unlike a Master Sword in need of restoration to its full power.

There's a legend regarding Gorō Nyūdō Masamune, widely regarded as the greatest swordsmith in Japanese history, and Sengo Muramasa, who is famously known for creating unique and terrifically sharp blades that are considered cursed.

It starts when Muramasa challenges Masamune to see who can make a finer sword. When the work is done, they go down to a river, and place the blades in the water with the cutting edge towards the current.

Muramasa's sword, which he named Ten Thousand Winter Nights, cuts everything that floats its way-- leaves, fish, even the wind that happened across it. It is so sharp that nothing escapes unscathed.

Masamune's sword, named Tender Hands, is placed in the river and cuts the leaves that go by so seamlessly, they reform on the other side. Fish swim up to it and seem to be repelled by its aura, avoiding death. The wind kisses the blade gently with a pleasant whistle.

Muramasa isn't impressed by this. He thinks the blade is useless, barely cutting anything at all, and starts to remark on the lack of skill. Masamune smiles at the criticism, but merely compliments that Muramasa's sword is indeed quite sharp.

A monk who had watched all this from nearby approaches at that point, bows, and interjects with his own observations.

Though he too observes that Muramasa's sword is technically very finely made, he notes that it's a bloodthirsty, wicked blade. It cuts anything in its path indiscriminately, he says, and would just as soon cut a butterfly in half as remove somebody's head.

Masamune's sword, however, was the clear winner in the monk's opinion-- a gentle blade that did not needlessly cut that which was innocent or undeserving, tempered by grace. It is a benevolent sword, and so far finer made.

In popular culture, Muramasa's blades have held onto their violent reputation. There's a superstition that they can compel their wielder to murder. It has even been said that, once drawn, they can't be sheathed again until their thirst for blood is sated-- even if it has to drink from its own wielder.

They also had a weirdly consistent habit of maiming or killing members of the Tokugawa Shogunate, and so became an anti-Tokugawa symbol synonymous with the rebellion. So that's fun.

But Masamune was considered to be a very calm man, who was controlled and reserved and quite spiritual. Muramasa, though, was depicted as an aggressive man, who was a bit wild and kinda unpredictable. As far as the folk stories go, Muramasa is depicted as having been quite envious of Masamune. Unlike Masamune, who approached his craft as the art of achieving clean death, they say Muramasa needed to transfer his unhinged energy into his blades to keep from being overwhelmed by it himself.

Because their natures bled into the swords they created, it was believed that Masamune and Muramasa imbued them with purifying and demonic power, respectively.

Just as with Demise and Hylia and the swords that they created-- as inspired by such a legend-- the spirits inside of them represent their natures, as well.

Lol,that a fucking lie,Otto is freaking unhinged,dude is Fine with mass murder

Some Fun Facts According to Sparking Zero’s Encyclopedia (aka Girl Talk)

Chichi still thinks ALL Super Saiyans are delinquents (and yes that includes Frieza’s golden form) meanwhile Bulma defends the Super Saiyan forms.

Chichi considers Krillin to be just as tough as a Saiyan because of all that he’s been through.

Bulma LOVES Vegeta’s red hair when he turns into a SSJ God.

Videl wonders if she and Future Gohan ever crossed paths in the future timeline. She also wishes she was there to fight by his side when he faced the androids.

Chichi thinks SSJ3 Goku and SSJ4 Gogeta are scary looking.

The girls all agreed that Krillin hit the jackpot with Android 18.

According to Videl, Vegeta is a good cook.

Chichi still hasn’t forgiven Piccolo for kidnapping Gohan, but looks past it cause Gohan looks up to Piccolo.

Bulma thinks Piccolo’s fusion with Nail and Kami is unimpressive compared to the other fusions she’s seen.

Bulma has a biased towards SSJ Blue, cause well, blue hair lol

Videl believes Goku and Bulma were positive influences on Vegeta (she’s right).

The girls don’t like Paragus for what he did to Broly (Super).

Bulma thinks SSJ4 Vegeta is “cool looking” and “wild”.

Videl thinks Baby Vegeta is scary.

The girls don’t understand the purpose behind Frieza stretched out head in his 3rd form. They think he looks gross.

Bulma defends Vegeta as a father and husband, saying he’s a good dad to their kids.

Videl hopes that Yamcha will find love someday.

The girls think Garlic Jr is Pilaf

Bulma is glad Trunks doesn’t have a tail, fearful of what would happen to the house if her husband and kids could transform into a giant apes.

Bulma mistook Recoome for Android 16.

Videl is shocked to learn Piccolo was once a villain.

Videl wants a “foodie buddy” like Whis is to Bulma.

Bulma confirms she’s the breadwinner of her family while Vegeta is the protector.

The girls wonder and are envious that Android 18 will most likely stay young and beautiful forever.

Bulma wonders why Zamasu didn’t steal Vegeta’s body instead of Goku’s.

Videl did not know that Bulma and Yamcha used to date.

The girls criticized Baby Vegeta for constantly changing forms so quickly XD

Chichi respects Bulma for slapping Beerus across the face.

Chichi hopes to one day meet Bardock in Otherworld and thank him for bringing Goku to her

Dont know How to Tell you this but the ammount of energy nescessary to punch a Hole in reality(in fact,even mess with space time in ANY Way even a ridiculously small one like a 0.01 Second of time dilation) is not gonna even leave a corpse because even that wouldve been atomized from The sheer RAW energy in there

Danny's New found Powers are pratically the only reason he survived It to Begin with

Honestly, I find the idea of Tucker being cursed with bad luck so fucking funny. Like, imagine that the majority of mishaps and unfortunate accidents were due to the Tucker’s bad luck, but the idea of him being a trouble magnet just. Didn’t cross their minds. If anything, everyone from Danny’s circle of friends, acquaintances and (fre)enemies believes that it is Danny who’s cursed with shitty luck because of all the bullshit he and his (relatively) happy band of clowns get involved with.

And then Tucker leaves for vacation with his parents for a week, and it’s the quietest Amity Park has ever been. No ghosts, no natural disasters, no creepy circuses with their sicko ringmasters; the sun is shining and birds are chirping, the school is less horrible than usual, Vlad is on some sort of business trip and left the town, Sam’s mother decided to leave her alone for a change and Danny even gets enough sleep at night! They’re thriving, man!

Tucker, meanwhile, is locked in a twisted survival horror with only his beret for a company and is having a horrible week. Afterwards it was assumed that it’s because some kind of creature akin to Youngblood followed him to make his life a living hell, therefore Sam, Danny and Tucker decided to stick together as much as possible to prevent it from happening again. And the cycle continues.

The concept of rezero modern AUs that are "the same but different" (meaning all the fantasy elements are replaced by realistic equivalents) is so funny. Like what do you make of arc 2? Does Subaru get bitten by a normal puppy and get normal rabies? Does the Milwaukee Protocol work on him? Does he later learn a little girl intentionally got a rabid dog to bite him? And his clown boss asked her to because his horoscope said so? You have to understand his life actually gets way more insane if you try to make it normal

Getting excited cuz totk really is supporting my theory on wandering spirits heheheh

hello ive made many diagrams by now but you can have Yet Another One. appy pride monf 🫶🏳️‍🌈 (also i mayve put some of the more intersecting ones in the wrong places oops but just pretend theyre in the right place 👍)