My review of Ang Lee’s Hulk.
Real conversation I had last night:
Her: so my journalist character was tricked by someone posing as a person with big secret news to tell her
Me: Ah so she was taken in by the expectation of having a Deep Throat
Her:
Her: WHAT
Me: ... oh
Me: SO in 1972--
i feel so bad for nikola tesla like imagine spending years beefing with a guy who has conned the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and you end up dying broke and starving and alone and then 100 years later another guy cons the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and he's doing it all IN YOUR NAME. he must be rolling in his grave like a fucking rotisserie chicken
My review of Marvel’s first ever movie!
Pacific Rim: Uprising got on my bad side early.
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I honestly expected another all-Moffat-women-are-the-same post when I clicked the link and was positively suprised not only does it include a deconstruction of the femme fatale archetype and how it apploes to Moffat's characters but also some really good comparison between Amy and Clara meta non-celebratory business sherlock doctor who clara oswald amy pond irene adler mary watson mary morstan I DON'T like the use of the word 'real' in the manner it just reminds me unpleasantly and I don't usually make that distinction but a man talking about writing stories representation what 'real women' face seems misguided but overall this is good and deserves a read
Thanks!
I suppose "real" may not be the best word under the circumstances. Based on my experiences with women, and having talked to a number of them about this before writing it, those scripts do seem to reflect the reality of women's lives within fantasy. But in the future I'll strive to be more careful to specify when I need to that I am myself a man and basing what I'm saying on my observations rather than my own experiences, as such.
A new update to my blog.
She haunts it, mostly.
Ian and Barbara are both unnerved by how casual the Doctor seems about it. Since their arcs, and especially Ian's, are about embracing their adventures and having fun rather than suffering through them, they sort of have the same transition the show has once she's gone.
During the one scene from the Doctor's POV, he wonders about what's going to happen to her; at the end, he decides his next adventure will be to go to her wedding. (or, more accurately, to get her a wedding gift)
Since there isn't a Susan subplot, Ian and Barbara go through the vast majority of what her story would presumably cover, and one of the POV Venusians is more or less a teenager, so that seems to take care of the rest.
Also, lacking Vicki, there isn't really a comedy subplot (or, at least, not a significant one), and the Doctor spends most of the story on his own, largely stalking the edges of the story until the last act. Because of that, Vicki's absence is also felt, in a subtle way.
Venusian Lullaby? I read it over Thanksgiving, and thought it was a fantastic take on the Hartnell era, particularly for its success in aiming at roughly the same target as The Web Planet and nailing it.
Not one I’ve read. Interesting TARDIS team though. How does it deal with Susan’s absence, given that placement?