My Review Of Robot Of Sherwood.

Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

I know it’s not hard to point out reactionaries hypocrisy when it comes to like safe spaces or hug boxes or whatever but genuinely how much of an echo chamber do you have to exist in for you to think this is a reasonable thing to say

Tomb Raider [2018]

Say what you will about the previous Tomb Raider films, but they made a brilliant casting choice in Angelina Jolie. Already a great, Aca...

Alicia Vikander kicks ass in a Tomb Raider movie that fails to kick ass. Deja vu.

There’s also Terrence Dudley, but it’s understandable why you might forget him.

Barry Letts is (I believe) the only other one.

How many people have both written and directed Doctor Who? Only Peter Grimwade springs to mind.

He may well be it.

Part of Neil's genius is how well he can modulate his crazy, and how great he is wherever he is on that scale. On the high end, Possession, Event Horizon, In the Mouth of Madness, etc. benefit immensely from how far he can push the insanity.

The then you look at the other end of the scale, and take The Hunt For Red October, where he breaths heart and soul into the Clancy shenanigans. Like, sure, the fun of the movie is in Alec Baldwin, Sean Connery, Scott Glenn, and Stellan Skarsgard trying to out think each other, and the thrills come from McTiernan's mastery, but Neil talking wistfully about Montana, or reassuring the crew that their own countrymen trying to kill them are totes a training exercise ("If they'd really been shooting at us, we'd be dead.") while giving Connery a side-eye - that's what gives the film humanity and an emotional punch.

And then you get Hunt for the Wilderpeople, where he brings the crazy and the soul and it's the best thing ever.

Okay I know that Nick Cage is the Internet’s favorite movie lunatic but we really need to talk about Sam Neill

Like, sure, he’s more simmery-crazy than explody-face crazy but this motherfucker kook it up with the best of them.

Like, if all you know him from is Jurassic Park, just take the SIX INCH RETRACTABLE CLAW scene, multiply it by a thousand, and you get the rest of his career.

 Motherfucker was in a movie with Isabelle Adjani (The Queen of the movie lunatics) where she contorts herself into a miscarriage that makes her bleed from the ears and gives birth to a demon-fetus-doppelganger-monster and held his own.

He was scarier than any of the dinosaurs in Jurassic Park…

Then there is this shit:

(Seriously, if you ever feel like watching the Omen series, you can skip Omen II and just go to Omen III because Sam motherfucking Neill. If you really have to know about Omen II — there is a bowl cut and some birds. That’s about it.)

The guy makes Malcolm McDowell look like Morgan Freeman.

(I just love how fucking pleased with himself he is)

In conclusion Sam Neill is an underrated mad genius thank you for coming to my TED talk.

Launch the nukes, humanity deserves it.

We’ve Always Hated Girls Online: A Wayback Machine Investigation

Searching for a teen girl who was once internet famous for her coding skills, a former fan uncovers a story of harassment.

It wasn’t the graphics, or the jokes, or the N*Sync lyrics people had a problem with. It was that view counter, at the bottom of her home page. That view counter was into the hundreds of thousands, and that made some people very, very angry.

It’s an interesting reminder of how small the internet was in the late 90s. That this middle school girl could reach so many people by simply understanding how to make a website look good is remarkable. Her website truly didn’t have anything spectacular or unique or even that interesting on offer. Her popularity was based almost solely on her design abilities, and that is damn impressive. She was at the forefront of a revolution none of us were even aware was happening, and she was internet famousbecause of it. “I started it a long time ago, when the Internet was like slowly becoming popular, and webpages were like…whoa,” she wrote on her FAQ page. “Heheh so I think my page was like ‘extraordinary’ then, and it got people kinda hooked on it…now its just like any other webpage, but people come to it anyways.”

People came, in droves, and they signed her guestbook, and in their messages they berated Sara for her popularity. She wrote in her diary about the people who were harassing her about her extraordinarily high page views. She lamented (half-heartedly) that she wished she’d never added a view counter. She defended her popularity, and then down-played it, and then defended it again. She angrily, reluctantly, offered advice to other webmasters on getting views for their own pages: sign other people’s guestbooks, update often.

And then, the next entry, the mea culpa. The apologies for getting angry, for writing “all that stuff.”

If the internet is an archive of the things we make then it’s also an archive of the abuse we endure there, and our apologies for feeling outraged.

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Tonight I am contemplating the intimacy of someone borrowing my headphones without asking

Like. In many cases that would be somewhat annoying. In this case I'm all 🥰 about it. I think it's for the same reason either way--there's this intimacy to borrowing something without asking

Unwelcome intimacy is uncomfortable, a violation even if minor, like someone asking a question you don't want to answer, but welcome intimacy is just a, like, look how close we are kind of thing

She borrowed my headphones because she knew I'd say yes if she asked (because I'd give her anything (because I love her))

Iliad mini comix, books 1-8! yes i am going to do all 24 books! pray for me!

more iliad stuff

more ancient studies comics

A Vulcan named Stork works at the Terran adoption agency. Parents always request that he be the one to deliver their child to them.