The Wolf

Before she swims to me, I catch her scent in the water. Like bath pearls popping in the laps of purple water against the yellow sand, I inhale euphoria, and I am intoxicated, immovable from the shoreline. I melt into the mud, and I am eaten alive, transfixed, infatuated with the shape of teeth boring holes in my skin.

-Diary of a Siren

My skin prickles with heat,

Dropping doves on laundry lines

My heart leaps hard against my ribs,

Shelving sonograms in my mind,

Oh dear. I am in love.

Let her die softly, let the seabed take her as if in a dream.

Tattoo

There is an aching in my heart that I fear I can't articulate. The words would spill from my mouth as blood. Every beat in my chest, a promise that I will die if I am ever truly myself.

It hurts to watch my father split in two each night.

Right down the middle of his face, one half hops to bed and the other to the garage to yell.

The sleeping half is kind, and has never touched a drop of alcohol, and makes big pancake breakfasts on Sunday mornings.

The waking half is cruel, and has fascist memorabilia on his walls, and drills screws in pictures of the opposition to hang.

I can only love half of him, but I cannot stop even that. His image bleeds in my mind, I cannot grapple with the fact that they are the same man after all—that Nazi’s have daughters, too.

I want so badly to be great but I don’t know how.

Is the joy of wearing anyone’s face, dawning any voice on command worth more to you than possessing your own? Then by all means act your life away. Express yourself in characters, distilled emotions and memories of yours, collect awards, applause, whatever it is you think will fix you, make you happy. And when the curtain is called and the limelight dims and you sit with your viewer of one and struggle to communicate to other people in real life without the hug of a facade, I want you to remember that you wanted this. You wanted to be shucked and hollowed out to be filled with the adoration of millions. Don’t step down now. There’s nothing worth returning to anyway.

-Diary of an actress

When I was a child I’d only known depression through medicine commercials, where the depressed person was a porcelain wind up doll that had to be wound over and over again to walk. I didn’t really understand it then, tucked away neatly in my television set. Why wouldn’t they want to keep going, always? Why would they need to be wound? And now as I look down at my porcelain foot, I wonder why it isn’t shuffling in front of the other.

What happens to memories of broken places? Do they bleed too?

I am fickle with happiness. They say you don’t know a good memory is happening until it ends, but I do. I’m acutely aware of how precious the good times are—pair that with the odd feeling I get of being watched by my future self, having dealt with the deaths and tragedies that growing older brings, seeking refuge in the past. I feel anxious knowing it will be over, and that no matter how deeply and fully I cherish the strong legs beneath me, the wind on my face, my parents by my sides, it will end the same. All happinesses are doomed to be memories. And that bitters them for me; when I am at my happiest, and my smile is wide as it is earnest, I still taste the rancor in the back of my throat.