Genuinely Think About This Image Like A Dozen Times A Day. Every Time I Hear Anyone Repeat The "they're

openly admitting that the material reality has not really changed much but the absurdity and violence of American politics is exposed for everyone to see now and it's making you uncomfortable and you wish everyone could go back to pretending any of this was ever rational there I can put it into words

http://www.kickstarter.com/projects/1107767469/get-anna-may-wong-on-public-tv/widget/video.html

From Colorlines:

by Channing Kennedy Thursday, November 10 2011

If you’re reading this, you’re probably interested in the history of racebending and POC representation in cinema — and that means you need to get familiar with Anna May Wong, the black-and-white-era film star who made a career out of smashing barriers in Hollywood. A new documentary by filmmaker Yunah Hong, Anna May Wong: In Her Own Words, can bring her story to PBS, but not without your help.

Wong’s Hollywood career is fascinating and instructive. Despite being a California-born native English speaker who didn’t visit China until adulthood, Wong was only given roles that reinforced stereotypes about hypersexualized, deceitful Asian women. Time’s film critic Richard Corliss identifies three rules that hemmed in Wong’s career, even at the peak of her success: she couldn’t kiss (unless she was being savaged by an Asian man), she had to die, and off-screen, she always got paid a fraction of what her co-stars earned. And for her trouble, she was cast by Chinese newspapers as a traitor and an embarrasment.

So why, as someone subject to her own misrepresentations of Asian women, did Wong take these roles? One answer is illustrated in a role she didn’t get, a cowering Chinese peasant in 1937’s The Good Earth — played in yellowface by German actress Luise Rainer. Landing the roles was Wong’s only chance to humanize the stereotypes.

Want to know how Anna May Wong felt about her career? Yunah Hong’s new documentary, made over the last eight years, tells Wong’s story through new interviews and archival footage. The film is completed, but in order for PBS to air it, Hong has to raise $12,000 in the next 19 days to pay for the archival footage’s licensing fees.

As Hong says on her Kickstarter page:

Many older Asian Americans look down on Anna for playing stock Asian characters. But a younger generation sees her as a pioneering artist who beat the odds in a tough industry. Besides her strength as a woman, I admire her for pushing herself as an actress. When her film roles were limited, she traveled around Europe performing in cabarets, polishing her talents as a singer, dancer and monologuist. When MGM didn’t cast her in The Good Earth, a film set in China, she went to China anyway and filmed her trip. Long before anyone was called a “community activist,” she devoted herself to the Chinese American community’s war effort during World War II. She was way ahead of her time. Her courage to be herself against all odds is truly inspiring, the kind of story I want my ten-year-old daughter to know.

masteradept:

midwestmountainmama:

ritheory:

What the fuck. 

wow. my point made. i don’t even need to say anything anymore! eventually, tumblr WILL get to it! :D

Those in power using it to stay in power.

Friendly reminder that there's always somebody out there predicting the imminent end of the world. I've lived through a bunch of predicted apocalypses throughout my life and not a one of them has ever happened. The world won't end this time, either.

girlsasboys:

Catherine the Great, on her favorite horse, clad in trousers.

In case you lost it - a link to the eSIM donation guide. Even if you feel sick and powerless, you can at least do this. And even if you really, really can't donate, you can always at least share this and remind others.

https://gazaesims.com/esim-purchase-tutorial/

Chocolate

"the world isn't kind" ok??? Much more importantly are you?????