Sam Cooke - A Change Is Gonna Come (Ain't That Good News - 1964)
I was born by the river in a little tent Oh, and just like the river I been a runnin' ever since It's been a long, a long time coming but I know A change gon' come, oh yes it will It's been too hard living but I'm afraid to die 'Cause I don't know what's up there beyond the sky It's been a long, a long time coming but I know A change gon' come, oh yes it will I go to the movie, and I go downtown Somebody keep tellin' me "don't hang around" It's been a long, a long time coming, but I know A change gon' come, oh yes it will Then I go to my brother And I say "brother, help me please" But he winds up knocking me Back down on my knees There been times that I thought I wouldn't last for long But now think I'm able to carry on It's been a long, a long time coming but I know A change gon' come, oh yes it will
Via Charles Augustus
Imane Khelif be like:
Oh, she’s got them. Dead to rights, as they say.
hip local coffee place is holding a book swap and people are unloading their Neil Gaimans en masse like whole sacks of cursed amulets
cannot imagine what it must be like to be a liberal who champions terrible shit and people your whole life. i hope those people are careful not to hurt others with their behavior. and consider others people and not someone to fill a pre-defined role as a means to a self-absorbed end. the gender essentialism i keep seeing in blue magas is alarming. now why can it co-exist peacefully with liberalism. that's a question
The Big Damn List Of Stuff They Said You Didn't Know
(includes some of the reading material recced below)
Academic Books (many available in Goldsmiths library)
Rosemary Sayigh (2007) The Palestinians: From Peasants to Revolutionaries, Bloomsbury
Ilan Pappé (2002)(ed) The Israel/Palestine Question, Routledge
(2006) The Ethnic Cleansing of Palestine, OneWorld Publications
(2011) The Forgotten Palestinians: A History of the Palestinians in Israel, Yale University Press
(2015) The Idea of Israel: A History of Power and Knowledge, Verso Books
(2017) The Biggest Prison on earth: A history of the Occupied territories, OneWorld Publications
(2022) A History of Modern Palestine, Cambridge University Press
Rashid Khalidi (2020) The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance, 1917-2017, MacMillan
Andrew Ross (2019) Stone Men: the Palestinians who Built Israel, Verso Books
Ariella Azoulay and Adi Ophir (2012) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press.
Ariella Azoulay (2011) From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press
Jeff Halper (2010) An Israeli in Palestine: Resisting Dispossession, Redeeming Israel, Pluto Press
(2015) War Against the People: Israel, the Palestinians and Global Pacification
(2021) Decolonizing Israel, Liberating Palestine: Zionism, Settler Colonialism, and the Case for One Democratic State, Pluto Press
Anthony Loewenstein (2023) The Palestine Laboratory: How Israel exports the Technology of Occupation around the World (CURRENTLY FREE TO DOWNLOAD ON VERSO)
Noura Erakat (2019) Justice for some: law and the question of Palestine, Stanford University Press
Neve Gordon (2008) Israel’s Occupation, University of California Press
Joseph Massad (2006) The persistence of the Palestinian question: essays on Zionism and the Palestinians, Routledge Edward Said (1979) The Question of Palestine, Random House
Memoirs, Novels & Poetry:
Voices from Gaza - Insaniyyat (The Society of Palestinian Anthropologists)
Letters From Gaza • Protean Magazine
Raja Shehadeh (2008) Palestinian Walks: forays into a Vanishing Landscape, Profile Books
Ghada Karmi (2009) In Search of Fatima: A Palestinian Story, Verso Books
Fatma Kassem (2011) Palestinian Women: Narratives, histories and gendered memory, Bloombsbury
Mourid Barghouti (2005) I saw Ramallah, Bloomsbury
Izzeldin Abuelaish (2011) I Shall Not Hate: A Gaza Doctor’s Journey on the Road to Peace and Human Dignity, Bloomsbury
Cate Malek and Mateo Hoke (eds)(2015) Palestine Speaks: Narrative of Life under Occupation, Verso Books
The Works of Mahmoud Darwish
Human Rights Reports & Documents
Information on current International Court of Justice case on ‘Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem’
UN Commission of Inquiry Report 2022
UN Special Rapporteur Report on Apartheid 2022
Amnesty International Report on Apartheid 2022
Human Rights Watch Report on Apartheid 2021
Report of the United Nations Fact-Finding Mission on the Gaza Conflict’ 2009 (‘The Goldstone Report’)
Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory, International Court of Justice, 9 July 2004
Films
Lemon Tree (2008)
Where Should The Birds Fly (2013)
Naila and the Uprising (2017)
Waltz with Bashir (2008)
Omar (2013)
Paradise Now (2005)
5 Broken Cameras (2011)
The Gatekeepers (2012)
Foxtrot (2017)
Gaza Mon Amour (2020)
The Viewing Booth (2020)
Innocence (2022) - Innocence (2022) | IDFA Archive
The Village Under the Forest (2013)
Palestine Film Institute's films on Gaza
Abby Martin - Gaza Fights For Freedom (2019) | Full Documentary | Directed by Abby Martin
Dan Cohen - Gaza Fights Back | MintPress News Original Documentary
‘The Promise’, directed by Peter Kosminsky (2010) (4 part miniseries on the creation of Israel)
Sources:
https://www.972mag.com/
https://jewishcurrents.org/
Jadaliyya ‘Gaza in Context’ Series
Jadaliyya “War on Palestine” podcast - The War on Palestine Podcast: Episode 1
Border Chronicle, Interview with Israeli anthropologist Jeff Halper
NGOs
B’Tselem
Breaking the Silence
Al Haq
Palestinian Feminist Collective
Yesh Din
DAWN
Amnesty International
Human Rights Watch
Gisha
Forensic Architecture
Instagram Accounts
gazangirl
mohammedelkurd
khaledbeydoun
motaz_azaiza
wizard_bisan1
etafrum
sara_mardini963
Twitter(X) Accounts
@PalStudies - Institute for Palestine Studies
@medicalaidpal
@middleeastmatters
@KenRoth - former executive director of Human Rights Watch
@YairWallach - Reader in Israel Studies at SOAS
@ PhilipProudfoot - researcher on development, humanitarianism and Arab states
@btselem - Israeli human rights documentation centre
@MairavZ - Senior Israel-Palestine Analyst at Crisis Group
@rohantalbot - Director of Advocacy and Campaigns at MedicalAidPal
@sarahleah1 - Executive Director of DAWN (democracy and human rights in MENA)
@alhaq_org - Palestinian human rights organisation
@FranceskAlbs - UN Special Rapporteur on the Occupied Territories
@Yesh_Din - Israeli human rights organisation
@sfardm - Michael Sfard, Israeli Human Rights Lawyer
@EphstainItay - Israeli international humanitarian lawyer
@saribashi - Program director for Human Rights Watch (Israeli living in Palestine)
@Gisha_Access - Israeli NGO
@_ZachFoster - Historian
(if any links are broken let me know. Or pull up the current post to check whether it's fixed.)
(I took the first video down because turns out the animator is a terf and it links to her blog. Really sorry for any distress.)
treasuredthings:
statue of Sophie Auguste Friederike (Catherine the Great)
democrats (and liz cheney) begging for george w bush's endorsement and acting like his "silence" in not endorsing kamala is the worst most indefensible thing he's ever done in his entire life………… god you really can just kill 4 million people in the middle east and american liberals will simply not hold that against you at all
http://www.kickstarter.com/projects/1107767469/get-anna-may-wong-on-public-tv/widget/video.html
From Colorlines:
by Channing Kennedy Thursday, November 10 2011
If you’re reading this, you’re probably interested in the history of racebending and POC representation in cinema — and that means you need to get familiar with Anna May Wong, the black-and-white-era film star who made a career out of smashing barriers in Hollywood. A new documentary by filmmaker Yunah Hong, Anna May Wong: In Her Own Words, can bring her story to PBS, but not without your help.
Wong’s Hollywood career is fascinating and instructive. Despite being a California-born native English speaker who didn’t visit China until adulthood, Wong was only given roles that reinforced stereotypes about hypersexualized, deceitful Asian women. Time’s film critic Richard Corliss identifies three rules that hemmed in Wong’s career, even at the peak of her success: she couldn’t kiss (unless she was being savaged by an Asian man), she had to die, and off-screen, she always got paid a fraction of what her co-stars earned. And for her trouble, she was cast by Chinese newspapers as a traitor and an embarrasment.
So why, as someone subject to her own misrepresentations of Asian women, did Wong take these roles? One answer is illustrated in a role she didn’t get, a cowering Chinese peasant in 1937’s The Good Earth — played in yellowface by German actress Luise Rainer. Landing the roles was Wong’s only chance to humanize the stereotypes.
Want to know how Anna May Wong felt about her career? Yunah Hong’s new documentary, made over the last eight years, tells Wong’s story through new interviews and archival footage. The film is completed, but in order for PBS to air it, Hong has to raise $12,000 in the next 19 days to pay for the archival footage’s licensing fees.
As Hong says on her Kickstarter page:
Many older Asian Americans look down on Anna for playing stock Asian characters. But a younger generation sees her as a pioneering artist who beat the odds in a tough industry. Besides her strength as a woman, I admire her for pushing herself as an actress. When her film roles were limited, she traveled around Europe performing in cabarets, polishing her talents as a singer, dancer and monologuist. When MGM didn’t cast her in The Good Earth, a film set in China, she went to China anyway and filmed her trip. Long before anyone was called a “community activist,” she devoted herself to the Chinese American community’s war effort during World War II. She was way ahead of her time. Her courage to be herself against all odds is truly inspiring, the kind of story I want my ten-year-old daughter to know.