Pairing: Eddie Brock x Venom Symbiote
Universe: AU where Eddie and Symbie keep all of their goo babies and raise them together (because I love me fluff)
Warnings: None
Overview: “Eddie finds himself awoken one stormy night and quickly realises that he won’t be getting much sleep.”
A/N: My first Venom fic! It’s only a short little one shot, but with all of these cute symbabies everywhere I had to write something for it. I hope you all enjoy!
Read on AO3: HERE
Next Fics:
Cookies and Cream
With Great Doggo Comes Great Responsibility | Part 1
With Great Doggo Comes Great Responsibility | Part 2
Keep reading
i have watched approximately 54535624664534 of these so here is my Ode to Hallmark Christmas Movies
Photo of the Day – The White-throated Kingfisher (Halcyon smyrnensis) is widely distributed in Asia, and is a resident over much of its range. The species is large, reaching almost 30cm in length, and feeds mainly on small reptiles, amphibians, small rodents and even birds.
This colourful photo was taken by Adam Riley in India
The Great Djaolang
design from scrapped book/zine project
The official Hazbin Hotel twitter just released these character bios. I’ll post again if they upload any more
what brushes did you use for the baby twinyards
for those drawings i used SAI, here are the brush settings, the line art was done with my ink pen, and the spots on aaron were done with idgaf (it’s a pencil) while most of the coloring was done with the first brush except for the eyes which i did with the bottom left fill pen.
Made this for a friend who needed some help with fire animation, figured it might be useful to someone else
this is how I approach any fire animation I do timing-wise and design wise. if I am doing something more cartoony I will use shapes that are suited to more flowing smooth transitions and a nice graphic look, if I am animating more realistically I will use more chaotic timing and a design that works better with the slight motion blur I always apply to realistic fire. real fire doent flow nice and smooth like water or smoke when viewed at real-time
I almost always animate fire on 1′s, though the cartoony fire can work on 2′s, you just have to be more careful of pops.
you can also animate more realistic fire with a slower timing, you wouldn’t want the above fire in the background of a calm scene. this is just an example using an extreme case.
Hope this helps someone who is struggling to rough animate fire that fits their specific style and scene timing.
ELI SHOWED ME A COOL THING where it generates a skeleton in various angles for you !!!!!!