Y’all!! 201 Followers, Oh My Gosh! And I Only Have Posted One Fic (yikes Lol😬). Maybe As A Quick

003 — ɴᴏᴛ ꜰᴏʀ ʜɪᴍ

★— pairing(s): Max Verstappen x Male! Leclerc! Reader

★— warning(s): none!! possible grammar mistakes, hints of angst

★— (a/n): idk a lot about modeling either so i just made up what i think would happen there. we're finally building up the plot (barely started), not proofread!

★— character information | series masterlist

19-22

September 3, 2019

"Tilt your head to the right... just a bit... yeah, just like that." You did as you were told. You hear the sound of the camera and the lights flashing. The photographer takes another quick shot.

The director goes to check the pictures that were taken recently. The photographer gives you a quick nod, a little something he does to indicate he liked the pictures.

"Okay everyone!" the director claps his hands to get everyone's attention, "15-minute break, and then we do the last shoot for the day!"

There was a chorus of sighs of relief from everyone around you. It looks like everyone else couldn't wait to leave the studio either.

You return to the changing rooms along with a few of your coworkers. You had gotten to know some of them over the past few months and could now confidently call them your friends.

You pick up your phone from your makeup station. Opening it, you see a couple of texts from your friends and brothers. Clicking open your brother's contact, you answer his recent messages.

"Tell him to come up," another model who you've befriended said, looking over your shoulder. "Is that even allowed?" you ask. He had been in the industry for far longer than you; he was sort of like an upperclassman to you.

"Friends and families come to shoots all the time," he said emphasizing the word 'all', "Usually you have to get permission and stuff but it's the end of the shoot. Nobody has enough energy to care." 

"Oh."

He pats you on the shoulder, getting up from the chair beside yours, "You will have to go downstairs to get them. The security won't let them through." "Thanks, mate," you call after him, he throws a lazy smile your way, disappearing into one of the changing stalls.

"Uh...you guys can sit on the couches over there," you say pointing to the couches near the makeup stations, "and we have snacks over there," you say pointing to the opposite side of the couches, "and right next to that, we have refrigerators. Help yourself with the drinks."

You show your brother around for a bit before settling on the makeup station with your name on it. Your makeup artist gets to work immediately, getting you ready for the last shoot, when you hear your name being called. You let out an exhale, mentally preparing yourself for the last of the shoot.

---

"Damnnnn... you're actually good at something," Arthur says, chuckling at his own little joke. "At least I look natural," you retort back, earning a punch on the arm from your twin. 

"I look natural in my photos," he says back defensively, looking at Charles for some kind of reaffirmation. Charles turns his head, deciding not to comment on his younger brother's awkward poses for photoshoots. You snicker at your older brother's reaction, earning a smack on the back of your head from your twin. 

"Okay... Are you two hungry? What do you want to eat?" Charles finally intervenes, before you two decide to start a full-on brawl. "Man...," you whine out, "I'm starving." 

"Me too," Arthur adds with a scowl. "We couldn't even get food because someone," he gives you a stink eye, "can't even finish up by the time they said they would."

You roll your eyes at him, ready to retort back when Charles' car comes into view. "I call shotgun!" you say, running towards the car. "Bitch-" Arthur runs to catch up, leaving Charles behind. Charles shakes his head, long given up on you two. Freaking kids, he thinks.

You look in the rearview mirror, at Arthur's scowling face. He scoffs looking out the window, still pissy about having to sit in the back. You laugh at him (again), resulting in him kicking your seat. Charles finally decides to cut in before the two of you destroy his baby. 

Charles mentally celebrates when the restaurant comes into view. At least he won't have to worry about his baby getting destroyed for another hour or two. He sighs once again, pushing the both of you inside. Freaking kids, he thinks (once again).

"Oh yeah, what happened to that girl you were dating?" Arthur asks just as you were about to bite into your food. 

---

18-21

You raised your hand, ready to press the doorbell, before lowering it back again. Taking a deep breath, you ring the doorbell. You cleared your throat while waiting for the door to open. Hearing the door open, you look up.

Max sucks in a deep breath, not expecting to come face-to-face with you. Is that a suit you're wearing? Are those flowers in your hands? "Wha-what are you doing here?" He questions you, suddenly remembering how to speak.

"Oh... Um... I'm here for-" you begin to say before stopping abruptly. You look up suddenly, and Max thinks it's to look at him, but instead, you look behind him. The corners of your lips lift up into a soft smile.

(a/n): i'm sorry the title is so lame😭 anyway any guesses what's happening?

ᴛᴀɢʟɪꜱᴛ (ᴏᴘᴇɴ): @miloformula123fan @its-ares @fangirl-dot-com @wolf-knights @zyonsay @1obsessedwithfictionalmen7 @fevndue @erinpiastri @v3lnys @woozarts @sebastianstansblog @badblondebisexualboy @lovecarsgoingvroom @kurating @saintraikkonen

heyy, you haven't been active for a while ig, hope you're okay and doing well :))

hey!! thank you for asking:) im doing alright, actually probably the best i have in some years, knowing this time of year is a bit hard for me at times. i know i haven’t been writing much, ive been just extra busy with school and life but i promise i’ll try and start to write again… thank you so much, love! and if not this month, definitely in december i will post again:)

F1 masterlist

feel free to request for any of the boys below and any that i haven’t mentioned:)

evermore masterlist

max verstappen:

missed f(l)ights: in which max and his partner fall into an argument about commitment to their relationship before max’s flight to baku and there’s nothing more than the two of them wanting to be with each other (angst/fluff)

heaven: (coming soon) in which george russell’s girlfriend likes her good boy, however no one can ignore the bad boy who brings heaven to you (inspired by “heaven” by julia michaels) (smut/miscellaneous)

my oh my!: (coming soon) in which toto and susie wolff’s daughter catches the eye of rival red bull driver max and when night falls they can’t help but seem addicted to each other (smut/miscellaneous)

brother knows best: (coming soon) in which lewis hamilton’s adopted sister starts a relationship with red bull’s max verstappen in secret and tries to hide the boiling pot that is about to spill over in the 2021 season (angst/fluff/smut)

getaway car: (coming soon) in which it all started with one man, which led to running away to the other’s brother, however in the end, she can’t stay with either as it is too much (inspired by “getaway car” by taylor swift) (angst) (ft. arthur leclerc and charles leclerc)

charles leclerc:

champagne problems: (coming soon) in which charles’ girlfriend cannot commit to him, even when his whole family and himself believe that everything is perfect and will stay that way (inspired by “champagne problems” by taylor swift) (angst)

getaway car: (coming soon) in which it all started with one man, which led to running away to the other’s brother, however in the end, she can’t stay with either as it is too much (inspired by “getaway car” by taylor swift) (angst) (ft. arthur leclerc and max verstappen)

george russell:

high school sweethearts: (coming soon) in which george russell catches his old flame in the paddock, after a couple years) and wants to reignite a spark between them (angst/fluff)

heaven: (coming soon) in which george russell’s girlfriend likes her good boy, however no one can ignore the bad boy who brings heaven to you ft. max verstappen (inspired by “heaven” by julia michaels) (smut/miscellaneous)

arthur leclerc:

getaway car: (coming soon) in which it all started with one man, which led to running away to the other’s brother, however in the end, she can’t stay with either as it is too much (inspired by “getaway car” by taylor swift) (angst) (ft. charles leclerc and max verstappen)

daniel ricciardo:

coming soon!

lando norris:

coming soon!

pierre gasly: 

coming soon!

Every time I see Jeddah 2021 Max I need to re share it with you all🫠🫠

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hey everyone! welcome to my tumblr account and page; underneath is my navigation, where you can find masterlists, requests, questions and anything more:)

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That sounds like a cool idea, Maybe with fluff endings

sorry for the late reply (took me a year to reply) but i am a machiavellian and evil person and i just hate always having fluffy endings - like it's a bit of an issue; i swear i love reading sad endings lol

is it bad that im a little happy lmao

where are the max & kelly broke up rumors coming from?

scenario prompt list

*For prompts with Characters A and B; you can choose who is who in your request (who is reader and/or character)

Huddled together to keep warm.

Fall asleep in same bed, on opposite sides, wake up in each others arms.

Character A comes to talk to Character B, pretending to be B’s s/o when a stranger is making B uncomfortable. Leads to them asking B out on an actual date.

Running from dangerous person or monster.

Hunting down dangerous person or monster.

Separated forcefully or for reasons you can’t control, run into each other again years later on accident.

Get locked in somewhere together.

Continuously running into one another for days after having a meet cute.

Hands brush as you stand next to each other, you think it’s on accident until their hands gentle wrap around yours.

Shielding the other with their body to save/protect them.

Caught staring too many times for it to be a coincidence.

Size difference hug; they engulf you.

You refuse to leave so they pick you up and throw you over their shoulder.

Character A can tell Character B is getting nervous in a big crowd, so A slips their hand into theirs to help them calm down.

The panic between thinking you lost them and the relief of seeing they are okay.

Character A teaching B to ice skate/roller skate.

B taking care of A when they are sick.

Holding hands underneath the table.

Bandaging the other and then kissing the injury gently.

A surprises B with a picnic.

Getting stuck at the top of the Ferris Wheel.

B sitting/standing behind A and leaning into them as they show/teach them how to do something.

A kisses B, but A can tell there is no feeling behind it anymore.

As you begin to fall asleep, you feel a gentle kiss pressed to your temple and a blanket draped over you.

B comforting A as they wake up from a nightmare.

A realizing that they have feelings for B when they see them with someone else.

B bringing A hand-picked flowers.

Thinking you are alone in the house but you hear a noise upstairs.

B buys A’s dream house and surprises them.

Cliff/floor breaks out beneath A and as they fall B manages to grab their hand at the last second.

A leaves baked goods for B anonymously, but B already knows that it’s A.

B surprises A with a cake for their birthday even though A forgot what day it was/or didn’t know B knew it was their birthday.

Sharing an umbrella.

Walking together and it starts to rain, so they grab your hand and you start running until you can find somewhere to escape getting wet.

A and B meet randomly, B finds out A is on an important mission or quest and decides to go with them to protect them/watch over them.

Fake date to a wedding; leads to confession.

A game of 20 questions that ends with “Can I kiss you?”

There’s a big storm going on outside while A is at B’s house, so B insists they sleep over.

A hears that B got hurt and rushes over in a panic to see if they are okay.

B just moved to town and really only knows A (just met). B is being followed or is lost and calls A for help. Of course they come to help and it turns into a date of sorts.

A falling asleep while sitting next to B, as there head falls onto B’s shoulder, B stays as still as they can, afraid to wake A.

Cloudgazing or Stargazing together, as you lie next to each other, their hand slips into yours.

Looking around for the shirt you left at your s/o’s house; only to find it in a drawer with other clothes and items you’ve left.

B get’s so nervous about their dinner date with A that they accidentally make enough food to feed ten people.

A hand written love lover left at your doorstep.

B dancing to music as their cooking or cleaning, and as they spin around A suddenly appears, grabbing onto B and continuing to dance with them.

A grabs B’s hand instinctively out of surprise or fear, and continues to hold it.

A keeps catching B (a stranger) staring at them from across the room and feels self conscious, until B finds them later and tells them that they couldn’t stop staring out of awe/attraction.

A and B realizing they were holding hands the entire time the moment they had to let go. (after getting scared, nervous, frightened, etc.)

A buying B groceries because they knew they forgot to buy themselves food again.

B is sad because they accidentally threw something important away. A shows up later with said thing, smelling like trash.

A finding a hand-sketched photo of them on B’s desk.

B hearing A sing for the first time (due to karaoke, or walking in on them, etc.) and being surprised at how good they sound.

B helping A step down from a high place by taking their hand, and then not letting go as they continue to walk.

Comparing hand sizes, then linking fingers together.

Dancing around the living room of the first home you’ve bought together.

Long distance relationship; receiving a good morning text every morning, until one day you don’t. You are worried, but then there is a knock at your door.

B is sunshine, rainbows and kindness. A is night, rain-clouds and anger. But when A meets B, they bask in the sunshine and never want to leave.

A asking B on a date until they say yes.

B asking A to attend a wedding with them, to get out of going with someone their parents tried to set them up with.

winter prompt list

Traveling to a frozen lake to go ice fishing.

Icicles collecting on the edges of the roof and tree branches.

Using snowshoes to find the perfect photo spot.

Ice skating on an outdoor rink/pond.

Participating in a white elephant gift exchange.

Getting a cold and having a red nose from using hundreds of tissues.

Adding extra tinsel and baubles to an ugly Christmas sweater.

Eating gallons of ice cream despite the cold weather.

Having snowball fights for hours on end.

Going days without seeing the sun.

Working up a sweat by shoveling snow.

Bundling up in five layers before stepping outside.

Taking part in an ice carving competition.

Putting together large puzzles while you’re stuck inside.

Making snowmen in an empty field.

Making snow angels.

Making homemade slush drinks out of the fresh snow.

Blowing hot air on your hands to keep them warm.

Using a nutcracker to open assorted nuts.

Dipping in a natural hot spring.

Building an igloo with a friend.

Getting thrown face first into a tall pile of snow.

Knitting warm scarves and sweaters.

Having snowflakes catch on your eyelashes.

Playing hockey with a team.

Following animal tracks in the snow.

Play fighting with spit-sharpened candy canes.

Being blinded by the light reflecting off the snow.

Decorating a yule log.

The crack of overburdened branches in a near silent forest.

Taking a warm bath after spending the day outside.

Settling in front of the fireplace at night.

Making personalized gingerbread men.

Sledding down the biggest hill in town.

Catching snowflakes on your tongue.

Finding the perfect snow globe for a collection.

Decorating the house with lights and pine branches.

Roasting nuts over the fire.

Putting off your diet because you can’t resist all the seasonal food and desserts.

Eating tomato soup and grilled cheese.

Walking outside where it’s early and all you can hear is the crunch of snow and ice under your feet.

Making hot chocolate with all the fixings.

Slipping on the ice despite wearing textured snow boots.

Being unable to go anywhere because you got snowed in.

Getting happily drunk off spiked eggnog.

Singing seasonal songs with friends and family.

Bundling up in a stack of quilts to read a book.

Cutting snowflakes out of paper and taping them to windows.

Going on a sleigh ride.

Spending a day at the slopes to ski/snowboard.

this, people, is just a masterpiece

see it through ✴︎ cl16

genre: friends to lovers, fake dating au, fluff!, humor, slight angst, slow burn-ish, yearning

word count: 9k

“It’s a proposition for the fans.” She smiles. “It’s a fake relationship.” Or: you go from social media manager to girlfriend in under a day. Keeping up appearances for Charles’ family isn’t easy, until it is – and until they’re not really appearances anymore.

notes... internet translated italian ahaha

auds here... this fic is quite long! i hope you all like it. title from this bee gees song which reappears in the fic later. few music references here so if you like to listen to music, just look for the titles, they’re famous!

You’d gotten the phone call on a Saturday morning.

Barely morning, you realized when you were digging for your phone in the sheets, half-asleep—it’d been five minutes past noon. You’d swiped, pressed the phone to your ear, and waited for the other end to speak, eyes shut.

“Good morning,” a vague voice had said on the other said, distinctly American. “This is Jenna Griffin, newly appointed PR specialist for Ferrari. Your boss told me you were free for lunch on Monday, so can I pencil you in for a one-thirty meeting?”

You click your tongue. “Um, yeah.”

“Wonderful. Monday, one-thirty. Apologies for the weekend call, it’s for Mr. Leclerc.” The line buzzes dead after, and you flop backwards onto your bed, confused out of your mind.

Your job for Ferrari was simple—create social media content, do the occasional damage control, have a pre-interview discussion with journalists, and generally stay out of everyone’s hair. It’s not a high-maintenance job, but it pays well, and you get to travel; plus, you’re young, and you figure this is just a stepping stone for a more legitimate post. Your point is, you’ve never gotten into trouble before, and are only at meetings to take minutes or get assignments.

Which is why a Monday lunch meeting—on your vacation, nonetheless—seems so out of the ordinary. And arranged by a PR agent from Ferrari? Last you’d heard, cars were objects and didn’t need publicity. The whole affair gives off a vibe of semi-mystery, almost, like you’re in the MI6 and taking lucrative calls in alleyways. 

You feel through your bag for your hotel key card, wallet, and phone, and finding them all there, you leave and make your way to the restaurant. You’re not too nervous; you’ve had to have your own sit-down talks with higher-ups and even Charles or Carlos before, but none of the “you’re fired” variety. 

The restaurant isn’t far from where you’re staying, so you shove sunnies on and trek there, managing to make it inside unscathed.

Table 17, the text reads, and you’re quickly ushered into a private section of the place. It’s empty, save for a couple and a far-off table seating one guy, whose back is to you. You realize it’s Charles when you squint your eyes harder. The waitress doesn’t give you much of a choice and seats you across him, promising to return with noontime champagne.

You slide your sunglasses onto your hair and look up. “Hi,” you say politely.

“Hey,” Charles says back casually. He wears a Richard Mille and a few other bracelets, a linen blue polo, and jeans.

“New PR thing?”

Charles smiles, shrugging. “Man, I’ve no idea. Wake up on Saturday and I’m due for a meeting. Is this for social media?”

Huh, so he doesn’t know either. “I don’t know. It was a super random call for me, too.”

He shrugs. “Both clueless.”

“Right. So, to be clear, we’re waiting for—”

“I am so sorry I’m late,” a woman says sheepishly, her heels clicking along the tiled floor. She definitely looks the part for a PR officer: pantsuit, heels, a blond bob, ridiculously expensive handbag, eccentric sunglasses. “Scusami, really.” Her Italian apology has an American twang.

“All okay,” says Charles with a small smile. “We were barely waiting, no?”

You nod, offering a tight-lipped smile of your own. “Yeah, don’t worry about it.”

She slides into the seat beside him and waves a waiter over, ordering in quickfire English; clearly, she’s been here before. Absently, you wonder if her previous affairs in this restaurant were also to have clandestine meetings. Your reverie doesn’t last long, though, because immediately Jenna’s starting her agenda. “So, are introductions in order?”

“I, um,” you say, “I’d say so, yes.”

“Alright, spectacular. I’m Jenna Griffin, just moved to Monte Carlo after living and working in SoCal. I’ve been appointed as a PR manager for Charles here, but don’t worry. You’re in good hands. I’ve handled three Kardashians, two NBA players, two One Direction members, and a lot of nepo babies.” 

“Wow,” you say, nodding.

“Cool.” Charles says, clearly impressed.

Jenna’s gaze flits between the two of you, both smiling at each other. “Right,” she says. “Let’s get down to business.” She clears her throat and pulls out her phone from her handbag, scrolling for a few moments. While the silence settles, you steal another glance at Charles, and hide a chuckle when you find his eyes already glancing back at you.

“Aren’t we waiting for Carlos?” He asks, taking a sip of water. 

His PR agent looks up briefly, then answers. “Actually, it’s just you two today.”

You nod slowly, burrowing even further into the confusion you’d been feeling since Saturday. It wasn’t like you were expecting Carlos, per se, but a meeting with just you and him—now, that’s a bit strange.

“So, I know this is all very confusing. But it’s happening for a reason,” says Jenna. “Charles—and I really only feel qualified to say this because I’ve done my research—has been on a streak of…erm, well, lady-related scandals lately.”

“Oh, God,” Charles groans across you, and you chew your lip. You’ve seen the headlines, but you’re still clueless as to how this concerns you. 

“As a PR agent, I think it won’t do good for his public image to be seen as somebody who sleeps around.”

“It was two headlines,” Charles cuts in with a laugh. “And they were both fake. Please don’t misunderstand.”

Jenna clicks her tongue. “Yeah, the public definitely has some thoughts.” She turns to her phone and reads off of it. “‘Charles is a playboy and not a driver’, ‘Leclerc is too busy pulling girls’… times ten thousand. So, yeah, it’s a bit of a smear.”

“Right, okay. Listen, I’m not sure I understand,” you say with a stuffy laugh. “What has all this got to do with me?”

“Everything,” she answers with a smile. You raise a brow. “Well, you see, we PR managers always have a network. We keep tabs on who’s who, and who needs what. As a new manager, I need to implement some of my strategies around here. Go digging, you know? Find something good. And when I found your pretty little face in the background of many of Charles’ paddock photos, I realized you could help create something newsworthy.”

“Are you talking about a PR stunt?” You ask, your frown deepening. 

“Well—virtually, essentially, yes.” She opens her mouth to explain but is interrupted by the serving of champagne and appetizers. “Okay. Don’t think this is a haphazard decision. Naturally, we had to find out if this would even be a good idea…”

“Which it’s not,” you say, taking a swig of champagne.

She nods. “The thing is, your bosses and I really did go over several scenarios, and this one seems the most likely to keep your fans engaged. This way, the appearances won’t look so staged.”

“—Jenna,” Charles says, clearly having detected your hesitance, “I don’t think she’s interested.” 

“It’s fine,” you say, but you still sound off-put. It’s not fine, not really. “I don’t see how this is going to help Charles, though. I’d think the idea of him being committed to somebody would just further alienate his fangirls.”

Jenna chuckles. “While that is, to some extent, true, the number of fans who would go gaga over the two of you far, far outweighs the opposing population. This is a special case. A girl next door social media manager with a social media presence—and a wildly popular, totally charming Formula One driver? I mean, talk about Harry and Meghan! Everybody loves love. And, might I add, Charles’ male fans might actually like seeing you two together.”

You sigh, a quick huff of frustrated air. “So, what is this then?”

“It’s a proposition for the fans.” She smiles. “It’s a fake relationship.”

You reach for champagne, but find you’ve totally drained your glass. The room falls into muted silence, and you can’t bring yourself to look at Charles. You didn’t expect this on a Monday afternoon. You thought maybe it was a job termination. Or a leaked text message. Somehow, this is the strangest of all possibilities.

“So, good?” She chirps. “I’ll send you the primer.”

You both stare at each other. “We’re not actually going to. Right?”

“Right. We are not dating.”

—

“We’re dating!” You chirp, practicing your appearances in front of Carlos and Lando, who had visited the former.

“You two look like two people dating pretending to be friends,” Lando observes.

You grumble. Many of your shots had been staged pap photos outside his apartment, or fans happening to catch you two together; no official statement had been released, according to Jenna’s “masterplan.” For the most part, it was a good dynamic of putting up a façade for the public and settling back into a platonic relationship within minutes.

Nothing really goes wrong at first—and then Charles ruins it.

It happens after a Ferrari event in spring. You’re in Monza again, weather humid when you re-shoot the fifth TikTok for the day with Carlos. There are celebrities to and fro, even more journalists and a shitload of fans crowding the perimeter of the area. You’ve successfully pulled off the fake dating stunt, keeping a lowkey profile and doing your job.

There’s a green room for the drivers and close managers to wait and rest, where you stow yourself away to avoid the crowds. You review the reels and stories for the day, and cap it off with a “goodbye, Tifosi!” post with Carlos that’s enough to quell the many notifications.

Granted, many of the said notifications are of the speculative nature. Some are wondering if it’s you posting or if a new hire was underway to make room for the new couple. You ignore them anyway and take a seat on the couch across Carlos, sighing with exhaustion.

“Where’s your boyfriend?” He teases.

“Ha-ha,” you say, unimpressed. You gesture to the TV behind him, showing a live feed of Charles’ last interview of the day with Natalie Pinkham. Once this is over, you’re free for the week: free of social media manager and fake girlfriend responsibilities. The thought alone makes you well up with relief.

You and Carlos both watch intently as Charles answers several event-related questions that, to your horror, simmer into personal ones. Natalie sounds excited when she goes, “Any plans for the week with a special someone?”

Charles has no thought behind his eyes, a muted wave of panic coming over him as he fumbles for a response. “My family’s staying up in Tuscany, in a farmhouse we own, stay in for spring and summer. We are actually visiting them for the week.”

We are actually visiting them for the week. Your look of pure, unadulterated shock doesn’t go unnoticed by Carlos, who’s quick to snap pictures of you on his phone. What the hell is Charles talking about? Tuscany? No, family? 

“I take it you didn’t know about this,” Carlos says with a laugh. 

“You think?!” You holler, still appalled. Charles has a lot of gall to spin this without your permission, or Jenna’s for that matter. You know she’ll love it, though; it’s really, mainly, you who has a problem with it. Anxious, you get up and watch the broadcast end; not a minute later, Charles enters and offers a can of sparkling water to you.

“Thirsty?” He asks casually.

“Very,” you pipe, taking a gulp.

“You’re welcome,” he says teasingly.

“Oh, thanks! I think I’ve been busy thinking about the fact that I’m meeting your family!”

“I’m sorry, I’m sorry!” He yells, trying to match your agitated volume. “I didn’t know you were watchi—I was nervous! I didn’t know what to say anymore! And—you kno—well—and Natalie kept asking a ton of questions!”

Your face of disbelief matches his of sheepish apology, facing each other frozen. Across you, Carlos lets out an incredulous laugh, mumbles something about wanting popcorn. You honestly can’t blame him. Had you been an outsider, you would’ve relished in Charles’ slip-up, too. Instead, you’re the one who’s apparently going to Tuscany on Friday to meet the extended Leclerc clan.

“It’s fine. It’s gonna be”—you attempt to find an appropriate adjective—“bearable. At least we don’t need to keep up appearances there.”

You’re met with disagreeable silence. When Charles doesn’t chime in with an agreement, you turn slowly back to him. “No.”

“It’s only for a week—”

“No!”

“A week!” 

You’re both standing up, pacing around the other frantically. Pretending to suddenly be bumped up from social media manager to Charles’ girlfriend was a daunting enough proposition. Getting hate mail and death threats was enough incentive to let you want to leave. Timing exits and entrances was difficult. And now, pretending to be together in front of his family? His family. 

“Why can’t you just tell them we’re not actually dating?!”

“It’s just—it’s complicated having to explain why.” You remember his assortment of man-whore scandals and realization sinks into you. You sit on the arm of the couch, deflated and contemplative. Despite your own knowledge of the scandals being totally baseless and false, you understand it’s difficult to explain the lengths of tabloids and online rumors to older family members.

You might have to grin and bear it.

“Fine.” You digress. He cheers silently. “One week. Once our quickie breakup is finalized, you’re telling them it ended well. I don’t want to be in anybody’s bad graces.”

“Yeah, yeah, okay.”

Tuscany won’t be so bad, you think. What’s the worst that could happen?

—

Charles’ extended family greets you at their farmhouse when you arrive heaving two pieces of luggage. It’s populated by two aunts, three uncles, and two younger cousins, and their hospitality is contagious. They all somehow remind you of Charles, their faces, their laughs, their easy attitudes.

His aunts, Mia and Giulia, are the first to pull you in for a hug and inspect your face. Good eyebrows! Good lips! Healthy attractive child for you both!

You have to pry yourself off of them with giggles and smiles and pretend the kid comment was never uttered for your own sake. They’re kind, ushering you inside and serving dinner immediately, inquiring about the drive and if it was bad, if Charles had spotted any dead sheep or cattle on the way (none.)

His cousins are both little boys, eleven and six, shy and with thick accents. Charles’ smile is huge when he speaks to them in Italian, eyes comical and animated. His three uncles all eat fairly quietly, talking about politics, or racing, only when they feel like it. 

They ask many questions, and tell so many stories, over limoncello and rigatoni that leave you stuffed after two platefuls. You didn’t think you’d be satisfied so soon after the drive, but you’re grateful for it. His uncle Giorgio leads the tour of the house, his voice slow and constantly sliding into Italian, but Charles is quick to supply a translation into your ear. Lit by terrace lights, you get a night view of the house, surrounded by the hills, the lemon trees, and a swimming pool in the back. Further back, there are two horses for riding, and bicycles for easier transportation.

A vineyard borders the other side of the hill, owned by a different family. You can’t digest the beauty of this place, even without the sun to provide a better view. You’re back inside, being shown the rest of the wide dining room and kitchen that lead out onto a balcony-terrace area, and then clambering the stairs to be shown your room—a beautiful one on the second floor that overlooks the hills. 

“This is so beautiful,” you say honestly. “Thank you so much. And Charles will be staying…?”

“In my childhood bedroom!” He quips excitedly, already halfway out the door to review his living situation.

Giulia and Mia share a look and then the former goes, “Wait, Charles!”

He slows to a halt and turns, awaiting their words. “Ay. Bambino, because you have been in Monaco so long these days, and we have gotten a lot of stuff, your childhood bedroom is now more of a… storage room.”

“A storage room?!” He sounds scandalized.

“Bambino, mi dispiace,” she continues. “But—let’s not be conservative! You two have been dating now for a year, correct? Surely, you’ve slept in one bed.”

Your face grows warm. “Um, actu—”

“Shh,” Mia says kindly. “No need to make excuses. Charles, stay with your girlfriend. And we will wake you both for breakfast. Ciao!”

You barely voice your assent, managing to wedge in a thank you! before the door closes and leaves you and Charles alone. 

In a room without a single couch. The only non-bed “resting” space is a single chair, and as much as you want to, you don’t want Charles to break his spine trying to sleep on it. The situation is clear. You need to configure the bed.

“We cannot sleep on the same bed.”

“I’ll take the floor.”

“No! I mean—ugh. I don’t want to risk you pulling a muscle. Also, more importantly, if any of your family walks in and sees you sleeping on the floor, they’re going to think we’re freaks.”

“The bed is big enough for us both,” he says, gesticulating. You narrow your eyes. If you’re going to be avoiding physical contact, it definitely isn’t. It’s like the gods had decided to bless the room with a bed perfect for two people snuggling.

You place your hands on your hips, analyzing the best way to tackle the situation. You won’t lie, you’d thought about the possibility of sharing a room—but a bed was completely different. You’d expected a couch, a loveseat of some kind, both of which are woefully missing. Thinking fast, you take the three decorative, cylindrical pillows and place them vertically on the centre of the bed.

You step back. “Okay. That’s our boundary.”

Each side is a bit small, but it’s the price to pay, you think, taking a long look at your handiwork. Beside you, Charles snorts. “That is not going to work.”

“I’ll bet you it will,” you say matter-of-factly, retreating to the bathroom to get ready for bed. When you emerge, Charles is fast asleep, half his body on your side of the boundary. You have to pour water on his face to shoo him away, and that’s when you’re positive your creation will work.

You place yourself gingerly on your side of the border, remaining perfectly still as you drift off to sleep. You wake up the next day on Charles’ chest, pushing him away before admitting you’d been in that position in the first place. 

You slide him five euros over breakfast. 

—

Charles is a good driver, skier, and biker—you can attest to this from being by his side, reviewing pictures and videos of him for a living.

But there’s one thing he absolutely sucks at, and it’s teaching. You thought you’d never have to attest to this, but here you are, with scraped knees and a smudge of soil on the hem of your shorts, on your sixth attempt to learn how to ride a bike.

It’d been his idea, like many of the odd things you’d gotten yourself into. “Let me make up for dragging you along,” he’d said, and then proceeded to commit attempted murder every time he sent you away on the bicycle. Five tries did you no good; Charles’ directions contradicted each other and came much too fast, causing you to crash into the grass or skid yourself to a halt, your sneakers coated in a light layer of dust.

“Why are we still trying?” You ask woefully, examining the scratches on your calf. And to think you would’ve gotten to go truffle hunting with his uncle had Charles not swept you away to bike.

“It is an important life skill. Just—don’t look at the ground. Okay. Andiamo!” He sends you off again, watches as you twist and careen into a bush. Again. Your groan of pain matches the ooof he lets out, jogging to help you up. You turn away from the ground and toward his face. His laughing face.

“Ow. What?” You ask, raising a brow. You flex your fingers, waiting for him to pull you upwards. 

“You smashed into a bush and a berry’s all over your cheek.” He says, still laughing when he helps you up. You hold the tip of your pinky to your face, press down, and sure enough, when you inspect it again, it’s stained a dark berry color.

“Is this toxic?!” You ask, agitated.

“Che? Toxic? No, no. It’s a juniper berry.” He reaches over and swipes his thumb across your face, sending you into a frozen state. Your hands remain at your sides while he focuses on wiping the rest of the fruit off of your cheek, showing you his stained finger afterwards with a proud smile. “All gone.”

You turn and pick up the bicycle. “One more for good luck,” you say, shaking off the nerves and gut churning feeling deep in your stomach. You situate yourself atop the bike, trying to remember and re-remember all the tips Charles had given you. 

“Don’t look down, just breathe, keep your eyes trained straight. If you crash, on the grass always. Better than this path.”

“Got it,” you say breathlessly, determined. You take off, eyes trained on the landscape in front of you, leaving the house behind and gliding quickly downhill. It takes you a beat to realize, however, that you’re not falling. You’re doing it—properly. You turn to voice your pride, but that’s what gets you caught in your thoughts.

Charles is cheering behind you, but once he detects you’re stumbling, he runs the few metres over. Still, he can’t catch you fast enough; you do manage to turn right and land on the grass. In his own rush, Charles trips on the horizontal bike, and lands right beside you, atop your arm.

Eventually you’re both doubled over laughing, your fingers finding purchase on the blunt grass. You both only quiet down when you hear his aunt’s car, old and rickety, grow louder. You look up to find Giulia peeking out of the driver’s window, her face as amused as it is confused.

Beside her, Mia yells. “Buon lavoro, Charles!”

“What’d she say?” You ask, still half-laughing.

“Good job,” he replies, entertained. “She said good job.”

—

Charles takes Giorgio’s Vespa and rides you both to town two days later, even with the offer of a car. He claims the motor ride is the best way to experience Tuscany at its finest. Nothing about the two-seater bike on the pebbly road feels fine, though, and you’re seriously contemplating broken ribs when he makes a sharp turn. It’s only a ten, fifteen-minute ride, but the downhill slope makes it seem faster—and more dangerous.

Your grip on his waist had gone from loose and hesitant to tight and anxious, your voice a mantra of possible death in his ear. He can’t help but laugh, revving harder and chiming in with a biting remark of his own.

“You know who this is named after?” He shouts over the wind whipping both of you.

“Mmm?” You ask.

“Apollonia, from the Godfather.”

“Oh, Christ. The girl who died?”

“Hey, she was beautiful! My uncle loved the movies so much, his Vespa had to be named after her.” You lean onto his back for purchase, still unused to the speed at which he zips through the countryside. Eventually, after a few turns, the terrain turns from rough to smoother, and he parks at the busy-looking town square, populated by locals and tourists alike, but not with the traffic of more popular cities. Alleyways lead to smaller corner stores and cafés; a chapel overlooks the area, and a market populates the centre.

“What would you name your bike, if you had to?” You ask as a follow-up, removing your helmet and shaking your hair out. You pull at your dress to straighten it out.

“Well…” He takes both your helmets and stores them in the bike, leading the way toward the bustle. “My uncles, and my father—they always say we name our most precious things after beautiful women. Apollonia. My other uncle, Leo, he named his sailboat after his mother, Bianca. Even my dad would name few objects after my mother. It’s a way of honoring them, you know?”

You nod, stopping at a produce stall and examining a bunch of tomatoes. “I think that’s sweet.”

“Yes, so I guess… well, I don’t know, really. My mother’s name, maybe?”

“She’s got a beautiful one,” you comment offhandedly.

“Yeah. Or, if we go by appearances, I suppose your name.”

You ignore the flush of nerves that well up in you and turn back to face him, confused and amused. “My name? Why’s that?”

“I mean,” he coughs, crossing his arms and smiling, “people think we are together, so if I get a bike, and they ask for her name, I must say yours, no?”

“Only if you want to,” you chirp back, amused. What had possessed him to suddenly bring you into the discussion? Neither of you are pretending for all these strangers. Here in town, you’re friends again, browsing the market, walking around stalls, eating free samples of pesto and cheese.

“I do want to,” he says. It’s a joke, you’re sure. Half-sure. It’s a joke.

The town square’s noise begins to die when the sun sets. City-dwellers leave to take trips back to main hubs of Italy, and with no nightlife in the area, many in the square are families or couples sitting down for dinner. The ride back, while short, might be dangerous in the dark; you tug on Charles’ sleeve to relay your thoughts.

“Don’t worry,” he says dismissively. “I’ve biked here past midnight.”

“What were you even doing in town at midnight, hmm?” You tease lightly, following him around. There’s not much to do except eat at this point, judging by the way you’d both exhausted the stalls in the afternoon. He rolls his eyes, mumbling excuses. 

“You womanizer,” you whisper in an exaggerated scandalous tone. You poke his bicep. “Bedding the locals.”

“I was not, ay!” He defends. You’ve noticed his accent is so much thicker here, where he has to speak Italian all the time, except with you. It sounds nice. “I would come to smoke weed.”

That’s even funnier, you think, throwing your head back to laugh. Thoughts of teenaged Charles, tinged pink and tan from summer, on a momentary break from a junior racing career, biking fast back and forth—for a joint no less—are both funny and endearing. “That is so cute, Charles. Drug virgin.”

“Don’t speak of those when we’re in front of the house of the Lord,” he says sarcastically, gesturing to where your cyclical walking had landed you: back in front of the town’s chapel. There’s a pot of holy water by the front doors and a rack of candles for lighting and offering. Besides that, there’s a coin drop box being manned by a priest.

In silent agreement, you walk in sync to the candles, lighting one each and whispering brief intentions. You’re not religious, you’ve never been; a church seemed foreign to you, always. But you figure there’s no harm in a candle and an offer to the big guy, if he’s there.

There’s a mural painted by the doors, which you observe silently while Charles goes to drop donations into the box. You catch bits of their conversation. Good evening. Are you a tourist. No, we live up the hill, visiting for spring, yes. 

The rest you don’t catch, turning to Charles and watching him talk, animated as he is solemn. The priest smiles at you politely, turns to Charles, goes, “Siete qui insieme?” You rack your brain for the Italian you’d picked up recently but can’t match it to anything.

Charles nods. “Qui per cenare, ed esplorare.” Esplorare, explore? You fail again, but continue listening anyway, occupying your eyes with the mural.

“È la tua ragazza?” The priest asks with a soft chuckle.

“Oh, sì, sì.” Charles looks very sure of himself when he says so.

The priest nods once. “Se ti sposi, allora dovrebbe essere qui, no?”

Charles turns slowly, looks at you, then smiles. “Okay,” he says, still looking at you. “Farò in modo che accada.” Then they’re exchanging quick Italian goodbyes and he’s walking back to you, guiding you to a nearby restaurant for dinner.

“What was that about?” You ask, the curiosity getting the best of you. You don’t remember what they said, so you can’t plug it into Google Translate; your last hope is getting Charles to translate it for you. You figure it’s no problem. He’s always translated for you during your stay here so far, word-for-word recounts that have you feeling fluent in the language after decoding them. Whether it be a family anecdote or a market transaction, the language has never become an issue for you.

You walk beside him, awaiting the translation that never comes. Instead, he smiles, shakes his head, and says, “That was nothing.”

—

Your first, last, and only close call happens during a wine and poker night with Charles’ uncles and aunts. You’d spent the morning semi-cuddling (to beat the early a.m. cold, you both insisted), and then a majority of the afternoon in the nearby vineyard volunteering to help pick grapes, and they’d offered to let you wind down for the night inside.

It starts off well enough—you and Giorgio best the first two rounds, much to everyone else’s chagrin, and you rest on the sofa, reading Giulia’s cookbook with a glass of wine. At quarter to midnight, Charles’ six-year-old cousin, Marco, comes inside and slots himself beside Charles, eyes sleepy.

“Cugino,” he says. Cousin. His voice is squeaky and childish.

“Yes, Marco?” Charles asks, preoccupied with his cards.

“Put me to sleep,” he says in accented English.

“Later. You should wait.”

“Can she do it?” A chubby hand rises and points toward you. You offer a small wink, sipping wine.

“Only if she wants to,” Charles says, turning to face you. You chuckle.

“I’d be happy to, Marco.” You smile.

“Cugino.” Marco tugs on Charles’ sleeve to regain his attention. “What’s her favorite color?”

Oh, shit. Neither of you had really thought this would come up, so you hope Charles can fake it well. While you know everything about him, he knows not much about you, especially little niche facts like this one. Charles clears his throat and goes, “Blue.”

“Favorite song?”

“Uh. Marco, aspettare. OK?”

“Why should he wait?” Giorgio asks, gruff. “Your aunts and I are curious, too.”

Charles meets your eyes, and you try to signal for him to lie, which he ends up doing. “It’s Take a Chance on Me. ABBA, zio.”

You do know that song, but it’s definitely not your favorite. You close the cookbook and get up, pacing onto the seat beside Marco and leaning against it, smiling and nodding. Beside Giorgio, Mia asks sweetly, “Do you have any tattoos, dear?”

Just you, or are Italian aunts ridiculously straightforward? You open your mouth at the same time Charles does, and that’s what leads to your downfall. Yes, one, you say. No, none, Charles says at the same time. You both look at each other, eyes wide.

His uncle grunts. “Bambino, do you know nothing of this lovely girl?”

“You misunderstand,” Charles says. “I thought she wouldn’t want to share that yet, zio. I tried to cover for her, but, er—she seems okay with sharing it.”

It’s a flimsy excuse but it seems to work, and the poker game resumes without any more questions about you.

Still, you grow nervous, frustrated a bit, and, once you spot Marco asleep, you take him into your arms and mumble a polite goodnight, carrying him upstairs. The call was just too close. Why did Charles feel the need to interject like that? Had you been caught in such a lie, you’d need to reveal everything.

Something else tugs at your chest, but you refuse to admit it incites an unhappy feeling out of you. Charles’ lack of knowledge about you did nothing but remind you that in the end, he did know nothing about you, and this was just contractual and obligatory and for the press-turned-for the family. You pat Marco’s forehead, sighing. You shouldn’t be so upset, but you are.

You know a lot about Charles, but it’s a cold fact that he can’t say the same about you; at least, not to the extent that you know him. The doors and staircase creak, signifying the game’s end and everyone’s retreat to bed; you await Charles’ entrance, which comes after you hear him opening your room, finding it empty, and then—

“Sorry. I’m sorry.”

“It’s okay,” you say, hushed. You get up and walk past him, crossing the corridor and opening the door halfway into your room. 

He says, then: “You really never tell me anything about yourself.” 

You freeze, turn, suddenly frustrated all over again. Suddenly sad. “Yeah. You really know nothing about me.” It’s exaggerated, so it cuts deeper.

He’s upset, you realize. “Do I have to beg for these sorts of basic facts? I wa—I…” He pauses. “I want to know you more. I’ve always wanted to.”

“You didn’t even think to—to ask me the most basic questions before we got here.” You’re aware he didn’t owe you this, but your irritance doesn’t quell. “My favorite song, my favorite movie, color, anything. I could name all that on your behalf.”

“Every time I ask, you deflect. You never told me, either” he says defiantly.

You scoff and ponder for a minute before shaking your head and clambering down the steps. You need some fresh air, having gotten mad so quickly. You know it makes no sense—he never needed to ask about you. Prior to last week, you worked with him. Still, everything’s changed now, and it feels hurtful knowing he can’t name these things about you.

You take a seat on the terrace chair, pretend not to notice when he sits beside you, separated by a table.

You hug your arms closer to yourself, sigh. “It’s, a koi fish on my hipbone. Hurt like a bitch.”

He looks at you, curious. You continue.

“My high school superlative was ‘most likely to be elected president’—embarrassing, I know. I won the local spelling bee. Thrice in a row. I love the color green, and the movie Fantastic Mr. Fox.”

You pretend you’re not feeling anxious from the sudden sharing, clearing your throat and keeping your gaze trained on the landscape of houses and hills around you.

“I love crosswords to a worrying degree, I’m a dog person but have never owned one, and my favorite song is Don’t Go Breaking My Heart. I kill it on karaoke.” Finally, your eyes slide slowly over to look at Charles. He’s already looking at you, smile soft on his flushed, pink face.

“I didn’t think of you as much of a singer,” he says, eyes crinkling from the size of his smile.

Huffing and stifling a laugh, you cross your arms defiantly over your torso. Your lips melt into a pout, and you flip him off in an attempt to stave him off. He just laughs harder, gulping the rest of his wine with ease.

“To be fair, I think I dance better,” you respond proudly. “It’s still bad, but it’s better. Better than you, anyway.”

“Is that a challenge?” He asks, mouth half-open, still caught in a laugh. “Wow. Okay, d’accord. It’s on.”

“It is most certainly not a challenge, Charles!” You object frustratedly.

“Challenge accepted!”

Against your vocal protests, he gets up from his chair and reenters the house, exiting with his phone in one hand and the rest of the wine in the other. He browses his selection of songs, humming until he seems satisfied with one of them. He pours you both a glass of preparatory red, a grin lighting up his face. 

You burrow into the chair, unrelenting when he stretches out a hand to invite you to dance. You only end up giving in when you’ve successfully finished your wine, getting up and straightening out the wrinkles in your dress.

Your hand is still loosely clutched around his when he plays the Bee Gees song he’d queued up, and then both of you start dancing.

It’s a bit fast-paced, but you catch up well, letting yourself move fluidly to the song. All the while, your hand remains looped around his, like an anchor, a saving point. You shut your eyes to immerse yourself in the song, a smile on your face. When you crack them open, you watch Charles dance goofily, with moves you’d be totally embarrassed by otherwise. This time, you’re strangely endeared.

Where you expected yourself—the both of you, really—to be stiff and awkward, you’re both loose and easygoing, chuckling and laughing as the song progresses. Your dress swishes by your knees softly when you move, letting go of his hand momentarily. It flexes with the feeling of his absence. Charles dances like he has no care in the world, with movements that would rival a fifty-year-old’s. You find that you don’t have a care in the world either, watching him with a stupid grin on your features.

Your heart swells and seizes, and you swallow, not wanting to realize why yet. He reaches for your hand again, seeks it in the evening light. You give it to him easily, cut his search short. You’re what he looks for.

He lifts your linked hands right as the song starts its ending, and you realize you’re supposed to twirl around them. With a laugh, you follow, letting your arms stretch out when you’re done. He pulls you back, with strength that sends you barreling into his chest. “Dude,” you mumble, giggling. “Charles, you ruined my flow.”

You both part, but barely; your hands are still clasped, your distance barely increased. You stare up at him when the next song clicks on.

It’s slower this time, a song you recognize from films and novels. You remember this specific rendition from two years ago in Silverstone, when Charles had shared over a meeting that he’d been busy teaching himself the piano—specifically, The Way You Look Tonight.

The song continues, your hands still together, your eyes boring into his. The moon makes his light eyes a different shade, all green and soft edges rivaling the intensity of his stare. “Come on,” he says. “Why stop, no?”

He raises your hands, guides his vacant one to wrap around your waist. It’s warm there, secure, belonging. With all the hesitance in the world, you wrap a hand around his upper arm. Your gaze is unbreaking.

“Thank you,” he says, steering you both into a slow, easy rhythm. The nerves melt away slowly when you continue to sway. You cock a head to the side in a silent request for elaboration.

“For sharing.”

“Oh. It was only right,” you reply. “Considering you know nothing niche about me.”

“Tell me…” He starts, but the words tangle in his throat, lodge themselves there in a fit of nerves. He breathes, breaks the gaze. “I mean, I wouldn’t mind… if you told me more.”

A brief shine of surprise passes through your eyes, and you nod. “Alright.”

“Alright.” He smiles. 

“Do you think, ” you say, swallowing the sorrow, “we’ll need to keep doing this when the week is ov—?”

“Let’s not dwell on that,” he says quickly. He sounds—sad, almost, at the thought of this being fake. In the days spent here, picking grapes, drinking wine, going on bike rides and practicing Italian, it was easy to let the lines blur. Perhaps he’d forgotten.

You realize, when he leans forward and slots his chin atop your head: you’d forgotten, too.

—

Despite the tension, the next day goes fairly normal, and Charles takes you to town on Apollonia late at night. The Tuscan air is crisp and clean when he parks by a pub, loud not with techno music or hip-hop, but Italians singing. Inside, it’s not so crowded, populated by regulars, few tourists, and several older people.

Charles orders himself a beer, and a cocktail for you after you request something sweet. The bartender gives you an extra one on the house, and you and Charles seat yourself in front, watching people sing on the stage.

“Vi piace cantare?” Someone asks, and Charles quickly supplies: he’s asking if we like to sing.

You wave your palm back and forth. So-so, you signal. Charles, of course, ever the social butterfly, slides into a natural conversation with him, about Italy, pubs, beer, and singing. The guy introduces himself as Antonio, owner of said pub and a man who is apparently more than happy to clear the queue of singers for you two.

“Wait, seriously?” You ask. Antonio nods, clapping Charles on the back. You’d have thought they’d been friends for years or something.

You immediately turn down the request, but Charles scrambles onstage, having downed two bottles of beer. You’re overcome with horror as you watch him walk across the small stage to the side of it to request a song, encouraging whoops from the crowd.

“Ohhhhh. Oh, no. This is not a good idea,” you say, gulping. “Plus, I’ve had a lot to drink. Your aperol spritzes have so much alcohol in them.”

Beside you, Antonio laughs. “Non si preoccupi—do not worry. He seems to be a confident guy. You’re in good hands.”

“Am I? He didn’t even ask if I wanted to sing. I don’t even know what to sing.” You watch him whisper a song to the guy in charge of the pub’s ancient karaoke system, half-sure that the song archive stops after 1990. The stage creaks when Charles reaches for another mic and then stretches his arm out to offer it to you.

You muster your best angry face, but he just laughs. “Come on. You will like it.”

Gulping the rest of your cocktail, you accept the mic, and then his hand, strong in yours as he helps you climb onstage. The crowd of locals and few tourists cheer for the both of you, and you don’t do much to hide your stage fright; even the buzz of alcohol can’t help you. You hope (and know, deep down) that Charles will.

“Buona sera a tutti,” Charles says, met with more raucous cheering. “Io e il mio amico cateremo per te stasera.” He bows, and you follow a bit stiffly, not knowing what he’s saying.

“Amico?” Someone jeers from the audience. “O fidanzata?!”

Charles laughs, and you know he’s truly entertained because his eyes crinkle the way they do. You fiddle with your dress, your hair, anything to channel the nerves. He waves the crowd off with a shush motion and then turns, gestures for the song to start. He catches your eye, anxious, quells your nerves by taking your hand and squeezing it. Don’t worry, he mouths. I’m here.

You identify the song before two seconds of it even play, and the realization is breathtaking: your favorite. You shut your eyes and let a huge smile come onto your face, laughing. You almost can’t believe him for this.

He starts off the song, taking your hand and leading you into a dance. Don’t go breaking my heart.

You twirl around him, exaggerating your movements and smiling. I couldn’t if I tried.

Somehow, you find dexterity, flow in the movements, the words. Maybe because you love the song so much. Charles matches your enthusiasm, singing loudly and exaggerating his accent to incite laughs from the onlookers. When he speeds up, so do you, allowing both of you to join in an upbeat rhythm that leaves you panting.

Ooh-hoo, nobody knows it, you both sing, laughing and shimmying toward each other. You both point and laugh, joining hands again when the chorus ends to sing your lines all over again. Charles always leads you well, alert as he is excited, letting you melt into him, adapt to the dance. You feel like you’re floating. 

Don’t go breaking my heart, he sings. 

I won’t go breaking your heart, you sing back, ducking underneath your hands, laughing.

The tension, warmth, spark between you grow as the song begins to close, your words breathless, faces flushed with alcohol and semi-exhaustion. Even if your face seems to show it, though, you find you’re not tired at all, smiling as your heart beats faster. You pull away, dancing to the last bits of the song, having let go of all your worries, nerves. Why were you ever nervous? You always trusted him.

The song fades to an end when you pull together, faces as close as they’d ever been. You’re both breathing heavy with the intensity of your dance, smiling. You shut your eyes, laugh, with the ecstasy of this moment. From the crowd, the bartender yells: “Ora bacia! Kiss!”

Both you and Charles turn to the crowd, who quickly cheer him on, and laugh. But they’re not kidding, you realize—they’re all yelling kiss in unison, intermittent whoops and cheers joining the chant. It’s like a rural Italian version of an MLB kiss cam.

You turn back to Charles, who’s looking at you already. His eyes dart to your lips. You’d never done it before—appearances never went that far—but the crowd is unrelenting, and you nod back when he cocks his head to the side in silent question. Like always, you’re nervous. And again, like always, he helps you through it.

Warmth blossoms through your chest when he leans in and presses your lips together.

That would’ve been enough to satisfy the crowd, you think, but neither of you pull away. Sparks ignite your stomach, your hands looping around his neck, his around your waist. You kiss him back effortlessly, like you’d done this a million times before. You feel him smile against your own smile, laugh when you laugh. 

The kiss is nothing if not dizzying, the perfect kind, the kind of the fairytale variety. His lips are soft, a bit chapped, against yours; when your tongues meet, they taste like aperol spritz and beer. Your hands tighten around his neck, like you need him still against you, when you both pull away for air. The crowd cheers.

You barely even hear them, staring into his eyes. 

—

The night becomes cloudy, raining softly over the hills when everybody’s done singing; Charles boards Apollonia and like always, you wrap your hands around him, leaning against his back. You’re a bit tipsy, but above all, you’re utterly conflicted with how everything’s seemed to turn in on itself within the last few days.

The rain only grows as Charles revs harder, and the Vespa skids to a screeching, horrible stop. Thankfully, you’re not far from the farmhouse, so you don’t walk much; still, both of you are drenched, Charles’ arms stained with motor oil that drips off with the force of the rain. He stows away the bike, turns back to you. You’re looking at him expectantly.

“What is this?” You demand, raising your voice.

“Rain,” he replies blankly.

“This.” You wag a finger in between you both. “We kissed in Antonio’s pub, Charles. And we might—we might tell ourselves it was because of the crowd’s pressure, but we know. We both know that kiss was for nobody but us.”

He wipes a hand over his face. “What do you want it to be?”

“I don’t know,” you say honestly, sighing. Your hair is dripping with rain. “I really don’t.”

“I’ll tell you what I want,” he says. And he pauses, like he always does when he’s unsure, nervous, bumbling, and then blurts it out. “You—I want you. I was a fool to realize it late. But years of being with you, around you… I should’ve known earlier, I—”

“Charles,” you cut in, not expecting the sudden rawness. “No, no.”

“You’ve got to realize,” he says desperately. “I do. I constantly think of you, feel for you, look for you, look at you. I’ve known you for so long, I always end up liking you all over again. Everything comes back to you. Seeing you here, a place I love—seeing you love it here—listening to you sing, dancing with you—don’t you—haven’t you gotten it yet—?”

You stare at him. 

You’re faraway, on the clouds, dry from the rain, when he says it. I love you.

—

The morning after is quiet, muted. You drown in your own overbearing thoughts.

“Got a lot on your mind?” You emerge from them quick, eyes darting over to Charles’ two aunts leaning by the doorframe of the dining room. You offer a polite smile, hoping it hides the conflict in the recesses of your mind.

“A bit,” you reply. 

“Come join us,” Mia offers. “We will pick lemons outside. For lunch.”

You take a basket from the entryway and follow them through the front door and onto the yard, matching their slow pace, relishing in the morning sun that hasn’t yet grown too hot.

Tuscany is beautiful. Despite your best efforts, you’d grown to love it here over the course of the week. The hilly terrain, the fruit, the constant goat sightings, the bike rides to town where you clutch Charles’ shirt out of fear you might fall off. 

They seem to spot good lemons within milliseconds, balding the branches in minutes. Perhaps because of your own cloudy thoughts, or maybe their breakneck speed, you fail to catch up, and they notice.

Mia again brings you out of your thoughts, guiding you three to the next tree. “Are you upset, bambina? Is Charles being a pest?”

“Oh, God, no,” you say with a laugh. “We—he’s a great tour guide. I never explored Italy before, and it’s beautiful here. He bikes me to town, because I can’t, uh, ride, unfortunately. He transacts for me, because my Italian is hopeless. He buys wine and cheese and lets me pet sheep when we bike past them on the hills.”

“Bambini innamorati.” Mia sighs fondly. “What is it you like about Charles?”

You hum, thinking. There are lots of things you like about Charles, but surely his family share the same sentiments. What’s unique? What about him is just yours? “His humor, I suppose,” you say. “He finds the fun in everything, even in competition, in boredom. Everywhere else, his good traits—everyone knows them. A stellar driver, charming, kind. Good-looking. But his humor, I think… I think he reserves his weirdest jokes, his best laughs, for the best people in his life. I’m just glad I’m there.”

Giulia is the next to speak, slow and encouraging, prompting you with a question you’d once dreaded but now feel excitement to hear: “Tell me again, how you and Charles met?”

It’s a rehearsed story, with bits of lies that you and Charles had to insert to make it appear more romantic and less coworker-esque. But you’d only told the short version before. To some journalists, to his cousin. You figure you’ll lie less and tell a more unabridged version. “Oh, okay,” you say, nervous and collecting your thoughts. 

“I work with Charles. I was spending time with him a lot, so naturally, we became somewhat friends. Not very close, but comfortable enough. I had to take pictures and videos for him and his teammate, so we really were together a lot. I suppose that’s how we met. How we became… something more, is a totally different story. I think the best thing about it was that neither of us were looking for it.”

You breathe, pausing. “It simply happened—despite both of us not expecting, not needing a relationship, it happened anyway. Almost funny, how young people like myself look for the moment of love at first sight. The staggering moment of eye contact and realizing you’ve met your soulmate. But—it wasn’t like that for me. It happened slowly, like I had to dissect what I felt. Like my heart had always known, so I had to catch up with myself and realize I…”

You pause. You really aren’t lying. “…I’m in love with him.”

Giulia and Mia exchange a knowing look over the branches.

—

“So, are you dating?” Natalie asks. It’s the first race of the season, and everyone’s excited—but this interview moves slowly, Charles dictating the flow of it himself. He smiles.

“Yes, we are.”

“Well, there’d been rumors a few months ago that this was a PR stunt, calculated by your new officer, Jenna Griffin. So, tell me again, are you dating? For real?”

Charles seeks you in the crowd of the meet-and-greet fans, finds you in the front row. You roll your eyes when he smiles fondly at you. A Tuscany trip and several months later, he thinks, has changed everything.

For the better. “For real.”