Typoe - Confetti Death, 2011

Typoe - Confetti Death, 2011
Typoe - Confetti Death, 2011
Typoe - Confetti Death, 2011
Typoe - Confetti Death, 2011

Typoe - Confetti Death, 2011

More Posts from Inerhum and Others

12 years ago
inerhum - La Rose et le Croix
10 years ago

Now i take everything as a good sign. Please destroy me.

12 years ago

Hermosa y misteriosa Victoria Legrand

inerhum - La Rose et le Croix
11 years ago
Fotofenomenología.

Fotofenomenología.

12 years ago
Escenario Perfecto Para Nacer O Morir  ¿La Cuestion Es Cual De Los 2 Primero? 

Escenario perfecto para nacer o morir  ¿La cuestion es cual de los 2 primero? 


Tags
12 years ago

Hermosa

inerhum - La Rose et le Croix
7 years ago

\55/

\55/
12 years ago

Baby - Devendra Banhart (cover) by Edd Barrera & Robert Mustang

(Preview.)

Baby- Cover. Cover-Edd Barrea&Robert Mustang Original- Devendra Banhart  

10 years ago

¿Qué es sobre lo que más te gusta escribir?

Siento la inmensa tardanza, no tenía idea de que tenia un mensaje, sobre lo que mas me gusta escribir es sombre experiencias, miedos y sueños, metaforizandolos obviamente

11 years ago

Absolutamente maravilloso!

Captain Nemo

Captain Nemo

Victo Ngai

Nautilus is a marine organism, Captain Nemo’s submarine, as well as an exciting online magazine launched this week, dedicated to science, philosophy AND committed to illustrations! Check out the cool articles and art on their site: http://nautil.us/

The image above is for an article written by Linda Zeldovich. It’s about the power of a great book. In this case, how the infamous science fiction “20,000 leagues under the sea” has influenced the young minds of its readers and eventually shaped their career choices.  So I came up with the idea of a child following the adventure of Captain Nemo in his/her transcendental bedroom.

It was a great honor to be part of the preview issue along side with great artists such as Gerard Dubois, John Hendrix, Andrew Zbihlyj, Matt Stevens and Daniel Hertzberg. Big thanks to AD Len Small! 

One of the most often asked question from student is “Now that print is dying,  how do you see the future of illustration?” I don’t know if print is actually dying but I think Nautilus provides a perfect (and relieving) example on how there will always be a need for good illustration, despite the change of media. Over the past thousands of years, illustrations have been presented on cave walls, parchment, tapestries, fresco, canvas and paper. I don’t see why it won’t make the transition to digital and interactive platforms.   

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inerhum - La Rose et le Croix
La Rose et le Croix

Estuve bajo rehabilitación buscándole sentido a el mundo, cosas que no he logrado comprender, encendí mi alma y apague mi mente

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