when I was around twelve I used to sit at the family computer and send hatemail to a white french dude named Jacques who was a self proclaimed communist on Tumblr. This was back in the day when you didn't need a blog to send anon hate. I had no real beef with him but I just didn't like his tone. used to send him "SHUT UP Jacques" periodically. and he'd answer every single one of my asks like "who is this?? show your face or I'll fucking kill you" and I'd be like "now now, that doesn't make sense, jacques" all haughty and he'd get so fucking mad at me. One time he posted a selfie and I sent him an ask claiming I was a psychologist and that his hair parting suggested that he wasn't a communist at all. and he took it deliriously serious and went off on a 2,000 word rant. I can remember going to stay at my grandparents over that weekend, so I didn't even respond to the rant until I came back. I could've chosen to end it there, but when I returned, I sent him another ask which was like "psychologist here again: if you were a communist your hair parting would be in the middle. evenly distributed. All behavioural signs point to someone who doesn't take their own values seriously." and he went ballistic. really swearing at me. all caps type beat. he never turned the asks off, btw. which always made me wonder if he didn't know how to, or if he didn't want to cause he was convinced he was fighting a war, and this action would ensure he lost it. anyway this went on for weeks until one day I completely forgot about him like he was some kind of childhood imaginary friend I'd conjured up in my loneliness. but yesterday I happened to recall the whole scenario, because my buddy was like "remember when you were twelve and I came over to your house, and you showed me on the computer how you'd been terrorizing this random French guy for days on end. And you were laughing like fucking crazy. and I said it wasn't funny because he probably had problems, and you were like 'oh.' and you looked a bit guilty for a second, but then you went and got a grapefruit from the kitchen and threw it out of the second story window at my kid brother, who was playing in the street, and then you started laughing again?" Well. when she put it like that, needless to say I felt bad. so Jacques if you're out there I'm sorry I was such a little shit. you had totally normal hair, and you only wanted people to share stuff. If it's any consolation I know every day of my life that I'm probably going to hell for the sick things I have done
This is the definition of Chaotic Evil.
Wow what an interesting way to say "countries with strong employee protection laws aren't at the mercy of tech billionairs in late stage capitalism" but with a real boot licker angle.
I played the new sonic game, it was good, I blacked out and this was in my hands
Close-ups:
I enjoyed the game a lot, the lil guy was great, 10/10
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tbh y'all get too caught up in the idea of like. whether someone is ""genuinely"" experiencing a certain -ism or -phobia aimed at them if they are not genuinely part of that group. as if it matters. as if a guy getting attacked for holding another man's hand has actually ever had sex with another man or if he actually is married to a woman like it literally does not make a difference. he is a victim of homophobia in actual reality in the actual world. stop being pedantic and drawing little circles around words and realize that people are getting fucked over regardless.
order up! π£π
Hey I was just wanting to ask if you some tips on drawing Slugcat legs. I really want to be able to draw these little cuties and I have everything else done but the legs (specifically poses and action) is really tough for me
It'll depend heavily on how you actually wanna do their legs, but since your asking me I'll assume you like how i do them- I draw them digitigrade when in motion, which basically means that the weight of the animal is carried on the on the toes (the other is plantigrade, which means the back of the foot makes contact with the ground when moving.) This is important since it changes how the leg tends to be formed and rest, but slugcats have a lot of flexibility here.
The other thing to keep in mind is that slugcats are *sleek* and tend to be smooth no matter what pose they're in, so you can hide the specifics of the legs under this and squash and stretch them as you see fit. Think about how fur or feathers tend to hide exactly how the body looks (and thats why so many animals look weird when wet and all that stuff lays flat) As for how I do it, I try to keep slugcats to a tube or triangle shape with most of the weight/fat being in the hips and tail. In most cases, you can get away with just imaging the leg as a flexible ball, and treat the foot as a point (like your pulling on a water balloon). The further the foot from the body, the more that ball stretches. The specifics of whats going *on* in the ball can be hidden unless its its really stretched out
Mentally I don't put much thought into it, but if you need more structure think of the bones of the leg as three sections- the foot, fibula/tibia (Lower leg bones) and femur (Upper leg bone/thigh). Digitigrade and plantigrade tend to favor certain positioning, but ultimately the only major focus is on how the foot functions. Digitigrade in particular tends to favor this sort of 'z' formation even when fully stretched (Humans, in contrast, are plantigrade, and our legs can be fully straighten out even if they still fold the same way). So if your going for that you'll always want to keep a bit of a 'z' shape even if your stretching it waaay out. When at rest, I keep the foot of the slugcat flat. But anytime it's in motion or would be active they shift weight to their toes. You could keep them fully plantigrade, but personally I think digitigrade allows for easier shows of motion and more natural looking action shots with the upright posture if you dont want to stretch the leg out fully. Also i just like the look of it more. (If you want to get into biology more, this would normally be hard on the legs weight-wise, but I like to imagine slugcats are mixed tripedal rather than strict bipeds, and make use of their tails as a third grounding point.)
And heres a very quick run over some of the official cutscenes to show similar:
I personally just wing it when it comes to the sizes of those sections, but a general rule of thumb is that everything gets shorter as you go down- the upper leg has the longest bones, then the middle leg, then the foot. A lot of that is hidden in the body of the slugcat, but keeping that in mind might help keep the leg length feeling natural. (But the biggest secret is that your drawing a fake, stretchy blobby animal so you can bs a lot and be imperfect and honestly just do whatever in a lot of cases and not end up with something that noticeably wrong. This DOES get a little harder if you draw them more lithe or cat like, just because that exposes the leg more) And lastly, if cutscene art isnt helping and you might benefit from a real life reference- rather than using an actual cat I would actually recommend mustelid like a ferret, otter or stoat. They're plantigrade rather than digitigrade, but their form and posturing is a little bit closer to the slugcat and it might help with visualizing the way the legs can sink into the body. I will give a heads up that these are little predators so general search results do tend to show them hunting small animals like mice, if your sensitive to that stick to domestic ferrets for safer results.
Just remember to fatten them up- they're way longer and thinner than slugcats are