I'm thinking of rewatching MH after many, many years, but I missed a lot by only watching Marble Hornets and totheark. Would anyone have suggestions on how to find a good selection of the other content without spending hours trying to track it down and contextualize it?
ok hot take but i think there is, actually, some linguistic utility to calling twitter 'X'. Twitter was a social media platform with certain functions and a particular culture. After elon took it over, its functions dramatically changed, and the culture on it likewise shifted. EG: paid blue checkmarks, moderation actively biased against the non-rightwing, 'cis is a slur', pay-to-win features, active promotion of misinformation, active promotion of toxic posters, worse branding, a stupid fucking AI tool, and a virulently right-wing culture are all new things that came along after elon took over.
I think in a meaningful sense Twitter is a website that is gone now, like google+ is gone. It has been replaced by X, which is a meaningfully different website. That we saw one website slowly transform into the other is beside the point, at this point the distinction between old-twitter and new-twitter is significant enough that i think using the new name actually makes sense.
Yesterday I deleted most of the reblogs in my queue. I need to either commit to this being a shitpost blog or GTFO. If I can't leave a compliment or comment on something, it's just not getting one. Anyone who cares can browse my likes.
This has been a major frustration of mine since I noticed it a few months back. I'm so glad OSP Red @comicaurora found such a clear and concise way to express it.
Every time I watch a Miniminuteman video, the comments are full of people just dunking on some random conspiracy theorist or fringe believer, just to make themselves feel better. I don't even think most of them are genuinely concerned, they just want to feel superior.
And I'm also noticing, more and more, that people who clearly consider themselves progressive seem to have forgotten that calling something "stupid" or "crazy," or calling the person saying it those things, doesn't refute or disprove it. All too often I see someone set out to "debunk" something, and wind up descending into a rant about how foolish or demented they think it is, or how mentally ill they think the person saying it is.
Not a good look if you're trying to be an advocate of science, logic, and tolerance.
Red's way is far better. Just focus on the truth, detail it out, and don't even bring up the post-consensus hypotheses, or the conspiracy theories which people build around them.
There's at least as much Hermetic and/or Merkabah imagery in Evangelion as Christian imagery, if not more.
Brave Exkaiser 勇者エクスカイザー (1990 – 1991) "There’s a Lot of Santas" dir. Shinji Takamatsu
Last year, @strange-aeons released a YouTube video about what she calls the Vanessaverse: the seemingly half-intentional alternate reality in which Netflix's Vanessa Hudgens Christmas movies are set. It is a deeply hilarious and fascinating video and you should watch it, if for no other reason that this long post will not make much sense otherwise.
Because, you see, I've been crack-theorizing about the Vanessaverse, and what I've come up with feels sound enough to share, at least on Tumblr.
I have two separate cracktheories, so let's establish some terminology and some common elements, first.
The Vanessaverse differs from our own in that much of Eastern Europe is controlled by an incredibly powerful, reality-warping entity that I call the Eldritch Master of Secular Christmas, or EMOSC for short. Who or what this entity is, and what its purpose is, differs between cracktheories. I call EMOSC's domain the Christmas Realm.
The Christmas Realm extends across southeastern Europe and possibly parts of western Asia. Outside this area, EMOSC's power to warp reality is severely limited. This is why Scotland and the US are (relatively) similar to the way they are in the real world. Montenero is a special case, it seems: an independent country on the fringe of EMOSC's influence, highly analogous to real-life Montenegro, and the location of choice for diplomats from the Vatican, or the rest of the world, to interact with EMOSC.
Native subjects of the Christmas Realm, however, and those around them, may be influenced by EMOSC wherever they are. This is one explanation for why seemingly unaffiliated protagonists and other characters wind up experiencing effects and narratives that should only occur within the Christmas Realm (but that commonly occur in highly sentimental straight-to-video movies). It's possible that EMOSC is able to psychically influence people whose ancestors came from the Christmas Realm, and those close to them.
So much for commonality. Let's get into the individual cracktheories about what's actually going on in these narratives.
Cracktheory 1: The characters of the Gaffer and the Crone are both aspects of the Eldritch Master of Secular Christmas, which manipulates its subjects according to strange and inscrutable whims, mostly revolving around matchmaking and the concept of secularized Christmas. Within the Christmas Realm, it is considered taboo to speak of Them or Their powers. Instead, one should pretend that events are entirely ordinary. It's possible that the Gaffer and the Crone are able to alter people's perceptions, so that they don't notice any contradictions. The latter would explain how the Gaffer and the Crone are able to create bizarre secular-Christmas situations ouside the Christmas Realm.
This version of EMOSC is fairly benign, actually, at least as far as we know. It seems to be managing Its own affairs, for the most part, occasionally calling a child of former subjects home, but little more. It seems to just like to mash the action figures together and make everything Christmassy.
In this theory, the self-referential Netflix Christmas movies are "based on a true story" or actually dramatized documentaries of some kind, made for an audience interested in EMOSC, but they respectfully obey the Christmas Realm's taboo and pretend EMOSC doesn't exist.
Cracktheory 2: EMOSC is, in fact, Vanessa Hudgens: a vast polydimensional, chrono-dynamic entity that can manifest a possibly infinite number of avatars of itself into multiple timelines broadly similar to our own. This is a more malevolent EMOSC, obsessed with stage-managing complex, WandaVision-like scenarios for its avatars and whoever catches its attention. It is even able to manifest avatars outside the Christmas Realm, although sometimes they end up looking a little less like EMOSC's chosen appearance as a human. The power and selfishness this implies makes this version of EMOSC seem like an incredibly dangerous entity to cross.
In this theory, the Gaffer and the Crone are avatars of a far older and more benevolent polydimensional entity, that is trying to contain Vanessa Hudgens and limit the damage It can cause to the Multiverse. This entity can't face EMOSC direcly, and has to resort to subterfuge and redirection in order to keep itself safe while still mitigating EMOSC's machinations. It seems to only be able to manifest one avatar at a time, although understanding how these entities interact with linear time is difficult for baseline humans.
Also in this theory, the self-referential Netflix Christmas movies are produced directly by EMOSC Itself, in furtherance of Its goals. They may actually have some sort of esoteric effect on baseline humans, but are also useful in reinforcing core Vanessa Hudgens characteristics on avatars that may be diverging from EMOSC's consciousness. It's also highly likely that they are EMOSC's way of creating an audience for the scenarios It likes to act out.
Dark eyes open in what the adventurers thought was a tree. Now fully alert, they can easily make out the massive, spreading colossus staring down at them. It speaks to them in a deep groan that echoes through the misty forest.
The Mercenary stammers as he steps forward. "We... we didn't mean--"
"Oh."
Offbeat TTRPG adventure arc:
An adventurer NPC, who is known far and wide as an incorrigible chaos gremlin, has obtained a Ring of Wishing, and nobody in the known world trusts them with it. The players' heroes are just some of many people who are trying to stop this person and get the Ring of Wishing away from them before they blows up the entire world with it.
I have thousands of shitposts, rants, and essays sitting in notebooks, left over from decades of not using social media or having many friends. Hold on tight.
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