i get tears in my eyes whenever i think of how karasuno was the foundation of kageyama’s growth. tobio found a team that accepted him & gave him the space to grow as a setter. not being accepted into shiratorizawa was the best thing that could happen to him. because of that rejection, he found his way to shoyo, who would become his lifelong partner and rival. because of his teammates, he finally understood what it meant to be a team. he felt valued and was able to build a connection with people that went beyond volleyball. it’s because he played at karasuno that he’s now able to create connections that help him become a better person AND player. karasuno needed tobio & tobio needed them.
Ohhh I'm going to cry. I think Riddle might be the dreamer most dissatisfied with his life. He's completely different from who he really is.
He's not a mage at all. His mom is a housewife and his dad's a writer. He hates school. And worst of all, Trey is very uncomfortable because Riddle basically injected himself in his and Chenya's life.
Riddle was never there when they were growing up, but in Riddle's dreams, he goes to the same school as them, spends summer with them, enjoys the holidays with them, and overall is just best friends with them.
It's so incredibly sad. All he wanted was to spend his life with the people he cares about.
ko-fi doodle request from 2022: dice and gentaro having tea
Tealhua Bluehua Yellowhua Northern Deserthua
I translated the Main Story Book 7 Chapter 4 Ep 63 (which is posted on my tl account over here) when it was first released, and looking back on it now, i realized that there's this part that hasn't been talked about(?) (or maybe i'm just out of the loop now LOL).
But basically there's this part where baul and lilia explains that they were going to 野ばら城 (which i translated as Wild Rose Castle) to deliver a message to Queen Maleanor, Malleus' mother.
If we break down the meaning of each character:
• "野" ("の/no") means "wild,"
• ばら ("bara") means "rose,"
• while "城" ("shiro") is just the word for "castle";
Thus, I translated 野ばら城 to 'Wild Rose Castle.'
HOWEVER. 野ばら on its own is also the Japanese translation of Goethe's poem, "Heidenröslein," which is a story about a young man who decides to pluck a small rose on the heath despite the rose's warning that she will stick him with her thorn. Here is a screenshot of a summary of the poem's text from its wiki page.
I think it's an extremely interesting choice on the Twst writers' end to choose this specific word as the name for Maleanor's castle since if you just wanted to search up an actual wild rose, you would have to type 野バラ instead (using the katakana バラ as it's the more common way to type the word 'rose' in Japanese).
Plus, taking into account the message behind Heidenröslein, I can't help but recall the actual Sleeping Beauty fairy tale AND the Maleficent (2014) movie. (Angelina Jolie herself said that Henry betraying Maleficent's trust and love just to take away her wings is like an allegory to rape).
Well, nothing much, really. Since they never touched on this topic again after Silver and the guys left Lilia's dream 😔. We'll have to wait until Heartslabyul dreams are over until we get new lore drops related to Diasomnia, but I just found this as an interesting etymology that I wanted to share! It also just shows the detail that the writers put into writing the main story as they reference content somewhat related to the stories where the characters are twisted from.
(I like to yap about twst lore so follow me if you want to see more of that + i'm in dire need of friends </3)
Silver being mostly pink and in a bright palace without thorns
And Malleus with mostly blue in a more dark palace "decorated" with thorns Same pose, the pov as if they were facing each other... I'm so sick....... my babies........
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
“Be careful. Don’t hit it again.” Chu Wanning’s voice was deep, like porcelain submerged in a creek, steady and dignified. It would have been a striking voice to listen to, if one weren’t listening to it through a shroud of hatred.”
nrc is full of people who need to be studied under a microscope
one day i will make a comparative analysis of oz-arthur father-son dynamic and lilia-silver father-son dynamic. i love it when a hundred/a thousand year old wizards unintentionally adopt a kid who has royal blood ❤️
1. Start with a false sense of security
• The best plot twists work because the audience feels confident they know what’s coming.
• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.
• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.
2. Plant the seeds early
• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.
• How? Use small, seemingly insignificant details that take on new meaning after the reveal.
• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.
3. Subvert expectations without betraying logic
• A twist should surprise readers, but it must feel plausible within the story’s framework.
• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.
• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.
4. Exploit emotional investment
• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.
• How? Create twists that change how readers perceive the characters they thought they knew.
• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.
5. Use red herrings strategically
• Mislead readers by planting false clues that draw attention away from the real twist.
• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.
• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.
6. Timing is everything
• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.
• How? Build tension to a breaking point before the twist shatters expectations.
• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.
7. Allow for multiple interpretations
• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.
• How? Design the twist so that the story works both before and after the reveal.
• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.
8. Pair the twist with consequences
• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.
• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.
• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.
9. Keep the reader guessing
• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.
• How? Build twists that complement each other rather than competing for attention.
• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.
10. Test the twist
• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?
• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.
• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.
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