Noticed The Runes On The "thisisnotawebsite.com" Website Seem To Correlate To Journal #3 Pages. Maybe

Okay, the ending of Fiona and Cake was cute and all, but how the hell are the citizens of the real world Ooo gonna react when they see a show other than Cheers playing on their TV's ?!

Like, imagine waking up, constantly just watching Cheers, and then you hear the damn Law and Order intro for the first time. Like yeah, beating Scarab, and not dying horribly and painfully was cool and all, but I'm more psyched about the new cable channels.

matching not-a-tattoo ideas for you and your twin!

so that mention of brands in the new book huh

AND BABY FINN TOO!!! WHAT IS GOING TO HAPPEN TO THAT BABY!!! I NEED TO KNOW!!! SOMEONE KEEP HIM SAFE!!!

I'm goin through it

I think this is a really valid criticism, OP! Though, maybe I'm just optimistic, but I actually took the ending in a different way. I do agree with you that a lot of these mutliverse shows and movies lately have had that pattern of, "lmao get good loser", in response to valid issues, which is absolutely infurating to see. It feels demeaning, handwavy, and just overall frustrating!

But to me, I think the story of FC was about stagnation vs. growth; and about how wish fufillment isn't quite the way to achieve life of your dreams. Both Simon's and Fiona's stories are about acceptance about the shitty aspects of their lives, but more specifically, they're about how that acceptance begins to pave the way towards joy. At first it seems like it's the same message, but when you look a little deeper, it takes on a different form. Especially once you take in GolBetty and the Lich into account.

Fiona wants nothing more than to live in a magical world, one where she doesn't have to deal with the infurating nature of modern life. But once she goes on her big ol' magical, life changing adventure, she realizes that the world she holds dear is special in its own right. Her joy doesn't come immediately. She definitely seems happier after seeing Gary and Marshall together and not trying to kill eachother- but I think her true development comes from her being able to finally fulfill her dreams; and then being given a purpose: to rebuild their world and town. Sure, it's a lot of responsibility, but she's Fiona!!! I don't think this girl will ever go back to a traditional 9-5 ever again. She's their world's hero now.

Simon, on the other hand, is a bit slower to change. Yet again, though, his story is less about acceptance and more about ingenuity. As much as I hate to say it, because Finn is in no way a "mental health king", I think he was on the right path when tried to take Simon on an adventure to make him feel better. What Simon needed more than anything was to know that he was still needed. That he still mattered. Even though he felt alienated, like an artifact in a museum, he still had a point to be on that shelf. What Finn screwed up, though, was how he went about it. Simon could've gotten through this period by just talking to Marcy and being honest, but he's far too scared of letting her see him that unstable again. But once he's able to talk to Fiona about it, and see for a fact, that his actions mattered: that the simple act of caring for Marcline kept the Vampires from taking over Ooo- he begins to develop.

Again, although his final development wasn't shown until the montage, I think that's simply because we haven't seen the last of Simon. Or Fiona, for that matter. They aren't being told to accept the fact that they have nothing to live for, but to find it.

It's a story about how wish fulfillment doesn't always work out for the best and that sometimes, the true slice of heaven that you've been craving was just a world where you felt like you had a place. It's one where even a god who can make all your wishes come true can end up depriving you of a purpose once it's achieved. It's one about how dreams come true in stranger ways, like Scarab becoming Prismo's apprentice and being given the chance to make his own worlds, too. It's one where even when given the chance to imagine a new reality with your lover, you know it's time to accept the one you have for what it is.

Still, absolutely valid analysis, this was just my take! :D

Wasn’t crazy about the Fionna and Cake ending

A lot of things were fine. Good even. this isn’t about something as simple as “Simon didn’t end up with Betty 😡” because frankly I didn’t ever see that happening. No, it’s about this wishy-washy message I keep seeing in all this multiverse media. Tell me if this one sounds familiar: our heroes are unhappy with some aspect of their lives, like maybe they’re struggling to get by due to bad finances. then they go on some zany, multiverse-spanning adventure where they eventually learn that their universe is just fine!!! and that they’ve got to make the most of it!! (Also usually the big problem is cheaply resolved, like it never even mattered.)

and frankly, this style of story, which we keep fucking seeing, is starting to sound a hell of a lot like “suck it up, buttercup! if you wanted a good life you should have tried harder. have you ever considered getting out of your own way?”

you see this in EEAAO of course. “oh is the world too financially cruel? is your mom homophobic? well have you ever considered just asking nicely about both of those things, you dummy?” And honestly in a lot of ways the ending of Fionna and Cake is even worse. Why should Simon be happy with his shitty job at the fucking human zoo? Why should Fionna be happy with working a shitty job her entire life?

and then you think about who’s actually writing and directing our oh-so-uplifting multiverse stories and it’s like. oh yeah. millionaires. successful people. who actually got what they wanted out of life. they’re not saying *they* should be happy with nothing, no no no. they’re part of the *special people* who get to dream. *you’re* the one who should be satisfied with nothing. and let’s take it even further why not. how many of these successful types even deserve it? how many of them even make beautiful things? not a lot!!

personally, being told by someone who’s living their dream that I should just be happy being a little scrap of nothing makes me want to burn down the whole world. and I would have at least preferred at least a drop of that catharsis in the ending of Fionna and Cake

D:BH - 28 Stab Wounds Explained

It's 28th so it's the best day to share Bryan's explanation of the famous "Twenty-Eight stab wounds!" scene.

Bryan confirms there is 'a lot of little moments like this in the scenes' but personally I know only about very few of them. "Got it!" / Slamming the table / Pushing away by arm / Angrily gesticulating frustration from boss / More humane movements and expressions Did you guys noticed some other subtle things Connor repeats from Hank? Let's find them :D

This clip will live rent free in my mind for 3000-5000 business days.

this show is so fucking funny

sorry neil gaiman the post was too godot-coded

Okay hear me out ...

I'm sure this has been said before, but I don't care. While I was working on a little bit of planning and world building for my future TOH/Gravity Falls- Post Timeskip Fic; I noticed something hilarious.

Seems... Uh... a little familiar. Doesn't it?

Okay, maybe I'm just overthinking. Surely, it's impossible that there's a direct connection. I mean, that's like saying all magical amulets that glow and look a little like a bolo tie are the same! They have different powers, clearly. And-

Oh...

If I had a penny for every time a Disney capitalist antagonist clutched their magic glowing gem necklace angrily at the protagonists; I'd have two pennies. Which definitely isn't a lot, but it's weird that it happened twice. (Or more pennies, who knows at this point.)

I hope Odalia received a worse fate than Gideon, though lmao.

the doctor says three sips a day will make the visions go away