idk how on purpose it was, but i love how in 1917 the generals are played by big actors while Sco and Blake were pretty new to the movie scene, bc the generals are the faces of the wars and the soldiers all unknown, it's a neat detail and I wanna believe they did it with intention
𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴: 𝘪𝘷𝘢𝘳 𝘵𝘩𝘦 𝘣𝘰𝘯𝘦𝘭𝘦𝘴𝘴, 𝘩𝘷𝘪𝘵𝘴𝘦𝘳𝘬 𝘳𝘢𝘨𝘯𝘢𝘳𝘴𝘴𝘰𝘯
𝙬𝙖𝙧𝙣𝙞𝙣𝙜𝙨: 𝙣𝙨𝙛𝙬
-/-
you sat in the main hall as everyone finished celebrating. ivar had just announced the next raids and everyone was more than excited. you, however, weren’t looking forward to being without your husband as you both had just married. you wished to spend time with him but you knew what kind of person he was when you both wed.
at last, the only people left in the hall were you, ivar in his throne and a drunken hvitserk. noticing them seemingly in a deep conversation you turned to the bedroom when you were called.
“brother,” ivar began, hand pulling you into his lap. “something has been troubling me. my beautiful wife has noticed you staring at her.” his mouth quirked upwards with that familiar sense of mischief.
your eyebrows furrowed in confusion, when had you told ivar this? “staring? when?” he finished with a mouth full of ale.
“never mind that. you know what this tells me, it tells me you think you are better than me brother.” ivar’s hand began to rub your thigh. “am i correct?”
“no- i could never..”
“staring at her beautiful face, “ his fingers brushed your cheek. “staring at her body,” his hand squeezed your thigh as you stared at him timidly. “staring at her chest.” suddenly his hand ripped open your top, your boobs spilling out.
“ivar!” you exclaimed, arms going to cover your self.
“i understand now!” he clapped, “you wish to fuck her.”
“no.” hvitserk seemed to have sobered up at his brother’s actions.
“yes,” ivar chuckled, “yes you do, brother. well go head.”
“what?” both you and hvitserk asked in sync.
“no, i can’t. she’s yo-your…” hvitserk mumbled inaudibly. your eyes traveled to his and he quickly looked away, refusing to make eye contact. had he really been staring at you this entire time, wishing for your affections?
“my what, hvitserk?” ivar’s tone had darkened as if he had grown tired of the little game between him and his older brother.
“your wife.” he finally coughed up.
“correct. now watch me fuck my beautiful wife.” his hand roughly grasped your cheeks, planting a hard kiss to your lips. his other hand began working on your skirts, ripping them open till you were only down to your garments.
“ivar…” you whispered.
“ssh, my love.” too soaked for your dignity you began opening his pants revealing his hard length. “go ‘head, darling.” you sat down on his length, allowing him to stretch you out slowly.
“fuck.” he grumbled, hands going your guide your hips. “faster.” he commanded, a slap landing on your ass.
you sped up, hips grinding into his length with velocity. you could care less where you were right now or who was watching. this was the most ivar had touched you in awhile.
moaning, you began to lean back. as your head curved back, your eyes met hvitserk’s. ivar chuckled as his hands went into his pants revealing his member.
“i guess he did want to fuck you after all.”
𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴; 𝘯𝘦𝘵𝘦𝘺𝘢𝘮, 𝘫𝘢𝘬𝘦𝘴𝘶𝘭𝘭𝘺, 𝘯𝘦𝘺𝘵𝘪𝘳𝘪, 𝘪𝘮𝘢𝘨𝘪𝘯𝘦 𝘪 𝘸𝘳𝘰𝘵𝘦 𝘭𝘰’𝘢𝘬 𝘪𝘯 𝘩𝘦𝘳𝘦 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦
𝙬𝙖𝙧𝙣𝙞𝙣𝙜𝙨; 𝙬𝙖𝙧, 𝙖𝙣𝙜𝙨𝙩
𝙩𝙖𝙠𝙚𝙨 𝙥𝙡𝙖𝙘𝙚 𝙙𝙪𝙧𝙞𝙣𝙜 𝙖𝙬𝙤𝙩𝙬 𝙗𝙪𝙩 𝙘𝙝𝙖𝙧𝙖𝙘𝙩𝙚𝙧𝙨 𝙖𝙧𝙚 𝙖𝙡𝙡 𝙤𝙡𝙙𝙚𝙧 𝙖𝙠𝙖 𝙩𝙝𝙚 𝙘𝙝𝙞𝙡𝙙𝙧𝙚𝙣 𝙖𝙧𝙚 𝙖𝙙𝙪𝙡𝙩𝙨!!
·˚ ༘₊· ͟͟͞͞꒰➳
The clan would be lying if they said you were the ideal mate for the future Olo'eyktan. You were bad-mouthed, ill-tempered and far too unpredictable even for the Na’vi. But you paid little mind to the various different words now associated with your name. You were to be mated with the future chieftain and love of your life, Neteyam.
Life had been easy with the eldest of four. His family had accepted you with open arms back before you had even fallen for him. So when you insisted on attending war parties, they were eager to have you by their sides on the battlefield.
Battles usually went one of two ways - clean and easy with little to no casualties or high risk and unforeseen consequences. It seemed this one was the latter as the party had been backed into a corner without your ikrans to provide aerial support.
At this point, there was a handful of options and the clan wasn’t too keen on falling on a consensus.
“We charge!” A younger Na’vi bellowed, bow bouncing in the air. Other voices agreeing whilst others booed.
“Splitting for the ikrans is the best idea, Jakesully.” An older Na’vi, who seemed to already have healed scars coloring his blue body, spoke calmly with the ease of a determined warrior.
“Let me think for second!” Jake exclaimed, clearly overwhelmed with the weight of the clans men’s lives on his back.
“Ma Jake, you will get us through this.” In came Neytiri, comforting the agitated male.
With the distant sounds of gunfire slowly dissipating, it gave the party space to think and contemplate your current predicament. You grew inpatient, sitting in one place knowing the enemy was just a few hundred feet away waiting, making eye contact with Neteyam who stood with his father.
Sitting on the large rock you watched as groups of men continued to converse different ways for this situation to go. As you began tapping your leg in preparation, little did they know you were cooking up your own plan.
Making eye contact with your mate for one last time - who currently eyed you with that same look he usually gives you before a brief scolding - you stood slowly backing into the forage behind you.
You ran towards where the previous gunfire only stopping when you knew you were close. You looked up at the trees to determine which one would give you the best vantage point before preparing to climb it. Sliding your bow over you chest, you steadied yourself into the ground below.
“Y/n!” A familiar voice echoed out.
Ears piqued, your eyebrows furrowed. “Nete?”
An out of breath Neteyam ran towards you, stopping in front of you to catch his breath. “I,,,” he muttered. “Trying to run out of here already?” He asked, eyes landing on yours.
“Listen.” You already knew where this was going.
“I do not wish to hear it. My father told me to fetch you. You’re coming with me.” He went to grab your arm but you pulled back, leaving him surprised as this was the part where you would usually gave in.
“No, I am staying here and you are leaving.” You whisper-yelled at the 8 foot tall male. “ I have something to do and it is important.”
“Important? You think I do not understand-“ He rolled his eyes, “I do not like seeing you act the way you do but I love you despite it. But now, I cannot sit and watch you commit such dangerous acts.”
“No, you don’t. If you understood how I felt at all about situations like this then you’d let me go.” You cut him off.
“And what about my feelings? Do they not matter?” He insisted.
“They do-“
“Then do not risk your life, yawne. For me, come back with me and let my father figure it out. “ He whispered with urgency sensing exactly how this would end.
Seconds would pass in silence as birds cawed above. You stood looking at the ground in contemplation. You took a deep breath before speaking again.
“I am sorry. This is far too important for the sake of the clan and I must do what I have to.” You felt Neteyam’s chest fall with every word that escaped your mouth.
“Y/n, please do not do this.” But you had made up your mind.
“Hayalovay, Neteyam te Suli Tsyeyk'itan.” You reach upwards, exchanging a deep kiss with your mate. He neglected to open his eyes and you departed. Perhaps to not see what would happen next as you ran ahead, leaving him alone once again.
·˚ ༘₊· ͟͟͞͞꒰➳
(meant to be a blurb but guess who got carried away)
(Yeah I said it. And I'll tell you why.)
In the very bittersweet context of being in the middle of the final season, and with the knowledge of all the press notes/directional spoilers out there ramping up to the finale, I’ve been thinking a lot about The Handmaid’s Tale as a a whole. What it’s about, at its core, and what would accordingly make for a truly satisfying ending. Margaret Atwood’s novel, of course, has presented a disturbing and brilliantly crafted political commentary and cautionary tale since its debut in 1985: the bleak but ultimately hopeful story of an ordinary woman’s survival trapped in a cold and cruel extremist regime where human rights (and particularly women's rights) are a thing of the past, made possible by environmental ruin and the everyday apathy of ordinary people. The show is that too, of course. It’s also at it's core a story of loss, perseverance and ultimately revolution. But moreover what weaves all the themes together in a truly compelling way: I think at essentially the very heart (fittingly), it is a love story. Not just in the most obvious romantic sense, but on so many broader levels. It’s a love story of parents and children, of family (born and chosen), of human connection. It’s a love letter to the perseverance of the human spirit, the ability of the heart to expand and evolve, the triumph of light over dark in the soul and in the world at large. And dancing at the center of it from the very start (and enduring against incredible odds) has been Nick & June: yes, the very epitome of epic, passionate romance with a capital “R”, but also on a deeper level, the symbolic and tangible embodiment of all of the above.
I’ve also been reflecting a bit on some of the things the show’s writers and producers have been saying about the ending and the last season in general, like how it has been “crafted with viewers in mind more than ever” and focused on “delivering a rewarding conclusion for the audience.” They’ve also hinted at a purposeful harkening back to the very first season and touching on all the seasons in between. All of this would have me believe they are paying close attention to staying consistent with the repeated motifs of the show, and striving for satisfying, full circle cohesiveness AND catharsis in the end. With this in mind, I wanted to go back and explore how the ever-present and echoing theme of love is depicted through the words of the characters themselves. Namely here, a trio of major power players since the beginning: June, Nick, and (in the opposing corner) one Mr. Fred Waterford.
…
"What else is there to live for?"… "Love." - 1x05 "It’s lack of love we die from." - 3x05 "Nichole, she was born out of love. Her father’s a driver named Nick… he helped me to survive." - 3x05 "It’s too dangerous” "No it isn’t… at least someone will remember me… at least someone will care when I’m gone. That’s something." - 1x08
June believes in love. This is made clear from the very beginning and is one of the core tenets of her character. It’s not a “nice to have” and it’s not something she’s able to separate from herself, even in Gilead, a place where love is essentially forbidden, where it should feel impossible. It is framed by her as essential to life itself, like water or oxygen. It’s what she credits her very survival to. Moreover, she believes that love is worth dying for, it’s that vital to her. If June stops fighting for love, stops believing in the power of or perhaps even the very existence of love, who is she then? How depressing and devoid of hope would that ending be? Sure, the June we bid farewell to at the end of 6x10 will inevitably not be exactly the same June we met in 1x01, but given the consistent through narrative, we should expect this core value of hers to remain steady, if not indeed grow in conviction.
...
" Love is patient, love is kind... Love does not delight in evil but rejoices with the truth. It bears all things, believes all things, endures all things. Love never fails." - 2x05
It’s fitting that it’s Nick who reads this passage in the show because perhaps more than any other character, Nick’s love throughout has been the very epitome of the verse. We’ve seen his actions play it out literally line by line. Nick knows his Bible verses. He picked this one for a reason, his (barely) coded Hail Mary message to June: I’m still here, this isn’t over, please don’t give up on us. Nick believes the words he reads to her, believes them to his very soul, and he continues to show it in his efforts season after season, demonstrating the constant and undying nature of his devotion. It’s notable that in fact, the full 13:8 verse reads "Love never fails, but where there are prophecies they will cease, where there are tongues they will be stilled, where there is knowledge it will pass away," emphasizing love as the one true thing that remains.
"I’m trying to keep you alive. You and our baby" - 2x02 “I’m trying to keep you alive" - 4x02 "I just want her to stay alive"- 4x03 "She changed you, she changed me" - 4x03
It’s Nick's love for June (and Nichole) that drives him more than anything else, and we see the real, tangible reverberations throughout the story. June and Nichole are safe, alive and free (at least in part) because of his love. Nick is changed because of this same love. And June’s love saves him from a life lacking in meaning, purpose and true connection. If Nick fully turns to "the dark side", if he becomes somehow irredeemable (particularly in June's eyes), it would negate in the cruelest and most nonsensical way all of this, and in one fell swoop rip to shreds the hopeful rainbow of his cumulative character arc.
...
"Love isn’t real. it was never anything but lust with a good marketing campaign" - 1x05 “Every love story is a tragedy if you wait long enough." - 1x05
Fred on the other hand, scorns the idea of love. His cynical, contemptuous views are presented as the antithesis to June's quite early on. In rose-glass tinted flashbacks of early life with Serena, we see glimpses that this may not have always been the case, but what was once their love story has indeed turned to tragedy: corrupted into a bitter, twisted thing under the weight of the monster they created together. In the present, he does not believe in love and the selfish callousness of his actions (in stark contrast to Nick) clearly shows it, over and over again. To Fred, 1 Corinthians 13 is just a silly meaningless little verse (of no more consequence than the vapid old fashion magazines he "gifts" to June) in the book that he uses, not as a guide or an inspiration, but as a weapon: a cudgel to wield for his pathological ego-driven power trips, no matter how many must suffer (including his once beloved wife), how many innocent lives it ruins or much how it blackens his soul.
...
If in the final episodes Nick were to be exposed as a “true villain” who ends up burning June (and in fact his soul) in favor of “power and prestige”, then Fred will have been proven correct all along, and we (like June) will have been stupid to ever believe in love.
- If Nick truly decides to throw away everything he's done, everything he's held close to his heart even at his own peril all these years, to remain in a dismal teeter totter of emotional pain and privilege in Gilead;
- If June refuses to forgive, to endure, to truly fight for Nick as he's fought for her;
- If they truly flame out in epic betrayal and irreparable rupture:
Then we will know love has failed. And Fred was right. Love doesn’t save, it destroys. Love doesn’t endure, because in fact it was never even real to begin with. Love isn't the ultimate reason and purpose, but a tragedy. A lie.
That's not the story. That CAN’T BE the story. Fred doesn’t win. He was so dead wrong that he is now dead and buried for it. He eschewed love a long time ago and it warped him into a depraved, cruel shell of a human with acts so heinous under his belt that we all cheered as he was hunted down and the flesh savagely torn from his body, because he deserved it.
No, this isn’t The Debased Delusional Small-Weak-Man Commander’s Tale. This is not the story of how Fred was right after all.
This story is love endures all things. This story is love never fails. This story is love lifts us up, love saves us and gives us the will to fight. And that (someday) a child conceived in love in this brutal place and saved by the love of her parents will unite with her long-lost but dearly loved sister to burn it to the ground.
They may want the viewers to believe that it’s possible for Nick to be irrevocably lost for the drama of it all; for the shock of the reveal, the reckoning and the emotional payoff when the ship rights itself. And I’ll keep my clown makeup handy in case I end up being astonishingly wrong, but I just can’t see how they would so blatantly, not just blow up the story, but in doing so essentially erase the very core of the story we’ve been told up til now.
(just look at them, don't you fucking dare break up this family for good!)
*screencaps/captions sourced by me*
Warnings: Explicit Sexual Content, Sex Pollen, Angst & Fluff
During a fundraiser, you’re hit with an odd quirk; your ex-boyfriend is there to save you.
Read it Here!
why do i feel like shoto would overhear the word dookie then try to call you it after
like on sum “hey lil dookie” then u just burst out laughing and he’s just there like 🙁
“She looks fucking gorgeous.” Shoto opted not to respond to the comment choosing instead to focus on the soft rain that cascaded down his window pane.
With the soft plat! of the magazine on his wooden desk, however, Shoto begrudgingly made eye contact with his former classmate.
He had previously sat comfortably in his chair but now he shifted with uncertainty as the air around him squeezed him in shame.
“She does.” He agreed, looking down at the braided coils and brown skin that donned the magazine cover.
The soft plattering of water echoed on the walls around the two men as neither looked up from the thin paper booklet.
“You fucked up letting that one go.” The hero spoke again after a few beats. The palpable energy in the room rivaled that of a battle zone. Two men who seemingly once had everything and lost it all.
“There’s nothing better you have to do, Bakugo?”
“Ha, then rub this shit in your face?” Shoto let out a sigh.
“Y’kno, when you got her in the end, I swallowed my pride for her sake,” He smirked but his red eyes glowed in the dark room, screaming with something deeper than petulant contempt. “Turns out I gave her up for some righteous bastard who doesn’t even know what he got.“
The wind swirled outside as Shoto sat in silence in the dimmed room. He knew he was right.
“Fix it.” He spat.
imagining a love-struck shoto following you around because he just doesn’t know how else to express his feelings. and when you confront him he’s just like 😄🥰 cause you’re finally showing him attention.
“stop following me like a lost puppy.” you rolled your eyes, finally turning around to confront your tail.
“but I like you.”
“i’ve told you this already, you do not like me.”
“why not?”
“because you can’t like me.” this seems to surprise him for a second, causing him to stop and think.
“but-“ he began, almost second guessing himself. “mina and jirou told me that when your heart quickens and your palms get sweaty around someone then you like them. so you should know that i like you.” his eyes bored into yours as if this was common sense, hand going to grab yours.
“see, your hand fits perfectly in mine.” his fingers clasped onto your hand.
rolling your eyes at his whole charade you turned and continued walking, hand in hand.
Broooo T4t Denali fic? He’s my comfort character for sureeeeeeee
you both had been friends since first year thus you got to watch his journey first hand
from the patchy hair dye to the awkward alt phase, you were there with him through it all
so when you finally came out yourself he was more than comforting
you sat in the class 3A common room. it was dark and everyone had gone to sleep but you? you couldn’t get a wink in. plus you had something on ur mind that had been bothering you.
“yo, y/n?” the sparky make appeared from the dark hallway, quickly making his way to the couch you were on. “why are you here? are you good?”
at first you were silent debating even bringing up the topic. “i have something to tell you, denki.”
“wassup?” he mumbled timidly, slowly sinking into the cushion next to you.
“i’m trans.”
“your trans.” you both said in sync.
“wha-how’d-“
“babe,” he placed a hand on your arm. “we all do.”
you cutting his hair when it gets too long and doing his t shots for him
u both exchanging clothes from when u were both pre-t/pre-e
both ur favorite halloween movie being wendell & wild
class 3a raising money for both your surgeries
eventually once his voice dropped, he saw bottom growth among other things and the immediate thing he did was sent u nudes
denki
3 attachments 2:43 am
denki
can’t wait for you to fuck me good, babe 2:44 am
him begging for u to fuck his lil cunt and u gladly doing so
older brother! shoto taking you to the park every time there was a fight
you telling him to grow out his hair and not touching it till you tell him to cut it
physically fighting endeavor atleast once and him letting it happen
him highkey being into photography and u being his muse resulting in him constantly taking pics of you in vulnerable states
him copying every thing he sees you do and i mean everything because he just thinks youre so cool and loves you so much
dad!shoto picking up crocheting just to make lil booties and hats for the baby