2 Am Texts With The My Hero Boys

imagining being pregnant with simon’s baby and him stuttering while talking to ur belly

him insisting on you retire from service as soon as you find out

him being extra careful on the battlefield

imagining him carrying a pic of ur ultrasound in a tin box in his chest pocket

him finally getting home and cherishing you right at the end of your third trimester

greatest lovesongs vol. 666 ⛧

dabi’s the type to get a tongue piercing just to fuck u stupid with it

imagine fucking dabi after a mission gone well and fucking him after a mission gone bad

dabi’s fuck playlist consisting of partynextdoor, deftones & miguel

dabi promising to die for you while y’all fuck and only u

painter!dabi painting a pic of u sleep after a long night

Björk in Alexander Wang Bridal (2000) ph. Nick Knight

¡! ❞ ｔｒｏｕｂｌｅｓｏｍｅ

𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴: 𝘪𝘷𝘢𝘳 𝘵𝘩𝘦 𝘣𝘰𝘯𝘦𝘭𝘦𝘴𝘴, 𝘩𝘷𝘪𝘵𝘴𝘦𝘳𝘬 𝘳𝘢𝘨𝘯𝘢𝘳𝘴𝘴𝘰𝘯

𝙬𝙖𝙧𝙣𝙞𝙣𝙜𝙨: 𝙣𝙨𝙛𝙬

-/-

you sat in the main hall as everyone finished celebrating. ivar had just announced the next raids and everyone was more than excited. you, however, weren’t looking forward to being without your husband as you both had just married. you wished to spend time with him but you knew what kind of person he was when you both wed.

at last, the only people left in the hall were you, ivar in his throne and a drunken hvitserk. noticing them seemingly in a deep conversation you turned to the bedroom when you were called.

“brother,” ivar began, hand pulling you into his lap. “something has been troubling me. my beautiful wife has noticed you staring at her.” his mouth quirked upwards with that familiar sense of mischief.

your eyebrows furrowed in confusion, when had you told ivar this? “staring? when?” he finished with a mouth full of ale.

“never mind that. you know what this tells me, it tells me you think you are better than me brother.” ivar’s hand began to rub your thigh. “am i correct?”

“no- i could never..”

“staring at her beautiful face, “ his fingers brushed your cheek. “staring at her body,” his hand squeezed your thigh as you stared at him timidly. “staring at her chest.” suddenly his hand ripped open your top, your boobs spilling out.

“ivar!” you exclaimed, arms going to cover your self.

“i understand now!” he clapped, “you wish to fuck her.”

“no.” hvitserk seemed to have sobered up at his brother’s actions.

“yes,” ivar chuckled, “yes you do, brother. well go head.”

“what?” both you and hvitserk asked in sync.

“no, i can’t. she’s yo-your…” hvitserk mumbled inaudibly. your eyes traveled to his and he quickly looked away, refusing to make eye contact. had he really been staring at you this entire time, wishing for your affections?

“my what, hvitserk?” ivar’s tone had darkened as if he had grown tired of the little game between him and his older brother.

“your wife.” he finally coughed up.

“correct. now watch me fuck my beautiful wife.” his hand roughly grasped your cheeks, planting a hard kiss to your lips. his other hand began working on your skirts, ripping them open till you were only down to your garments.

“ivar…” you whispered.

“ssh, my love.” too soaked for your dignity you began opening his pants revealing his hard length. “go ‘head, darling.” you sat down on his length, allowing him to stretch you out slowly.

“fuck.” he grumbled, hands going your guide your hips. “faster.” he commanded, a slap landing on your ass.

you sped up, hips grinding into his length with velocity. you could care less where you were right now or who was watching. this was the most ivar had touched you in awhile.

moaning, you began to lean back. as your head curved back, your eyes met hvitserk’s. ivar chuckled as his hands went into his pants revealing his member.

“i guess he did want to fuck you after all.”

dabi’s the type to fake cry abt his scars to get you to kiss him

dabi’s the type to stop fucking you just to mock your moans

dabi’s the type to hunt down ur ex after you complained abt them once

dabi 100% listens to paramore specifically all i wanted & liar

imagine fighting over his need for revenge just to fuck it out later

Every fermentation, every dissolution, necessarily has to lead to either annihilation or a new organization; but there is no annihilation; hence the youth of the world has to return again from our decomposition.

Hölderlin, Letter to Johann Gottfried Ebel

hii i hope ur doing well, i love ur writing!! i've been reading it all weekend >_^ i saw ur requests were open!! if so, can i rq shoto todoroki bf headcannons/scenarios ( or whatever you feel comfortable w/) with maybe a male reader? can be ftm or cis, again idm. i hope u have a good day !! :p

aw thanks anon you have a good day as well !!

it was your softness that attracted the icyhot hero.

the way you treated everyone equally and kindness, it was addicting

stolen kisses in the locker room before training as a good luck ritual.

sometimes sharing uniforms when something happens to the other’s.

lying to endeavor when you would go over to his house saying you both were just “training”.

he absolutely loves cutting your hair when it gets too long

him being the little spoon regardless of your height, he just loves cuddles 🥰

him constantly playing with your long fingers

if you’re taller than him then he’s always resting his head on your shoulder in social environments

and if you’re shorter than he rests his head on yours

older brother! shoto taking you to the park every time there was a fight

you telling him to grow out his hair and not touching it till you tell him to cut it

physically fighting endeavor atleast once and him letting it happen

him highkey being into photography and u being his muse resulting in him constantly taking pics of you in vulnerable states

him copying every thing he sees you do and i mean everything because he just thinks youre so cool and loves you so much

dad!shoto picking up crocheting just to make lil booties and hats for the baby

THT Is a Love Story

(Yeah I said it. And I'll tell you why.)

In the very bittersweet context of being in the middle of the final season, and with the knowledge of all the press notes/directional spoilers out there ramping up to the finale, I’ve been thinking a lot about The Handmaid’s Tale as a a whole. What it’s about, at its core, and what would accordingly make for a truly satisfying ending. Margaret Atwood’s novel, of course, has presented a disturbing and brilliantly crafted political commentary and cautionary tale since its debut in 1985: the bleak but ultimately hopeful story of an ordinary woman’s survival trapped in a cold and cruel extremist regime where human rights (and particularly women's rights) are a thing of the past, made possible by environmental ruin and the everyday apathy of ordinary people. The show is that too, of course. It’s also at it's core a story of loss, perseverance and ultimately revolution. But moreover what weaves all the themes together in a truly compelling way: I think at essentially the very heart (fittingly), it is a love story. Not just in the most obvious romantic sense, but on so many broader levels. It’s a love story of parents and children, of family (born and chosen), of human connection. It’s a love letter to the perseverance of the human spirit, the ability of the heart to expand and evolve, the triumph of light over dark in the soul and in the world at large. And dancing at the center of it from the very start (and enduring against incredible odds) has been Nick & June: yes, the very epitome of epic, passionate romance with a capital “R”, but also on a deeper level, the symbolic and tangible embodiment of all of the above.

I’ve also been reflecting a bit on some of the things the show’s writers and producers have been saying about the ending and the last season in general, like how it has been “crafted with viewers in mind more than ever” and focused on “delivering a rewarding conclusion for the audience.” They’ve also hinted at a purposeful harkening back to the very first season and touching on all the seasons in between. All of this would have me believe they are paying close attention to staying consistent with the repeated motifs of the show, and striving for satisfying, full circle cohesiveness AND catharsis in the end. With this in mind, I wanted to go back and explore how the ever-present and echoing theme of love is depicted through the words of the characters themselves. Namely here, a trio of major power players since the beginning: June, Nick, and (in the opposing corner) one Mr. Fred Waterford.

…

June:

"What else is there to live for?"… "Love." - 1x05 "It’s lack of love we die from." - 3x05 "Nichole, she was born out of love. Her father’s a driver named Nick… he helped me to survive." - 3x05 "It’s too dangerous” "No it isn’t… at least someone will remember me… at least someone will care when I’m gone. That’s something." - 1x08

June believes in love. This is made clear from the very beginning and is one of the core tenets of her character. It’s not a “nice to have” and it’s not something she’s able to separate from herself, even in Gilead, a place where love is essentially forbidden, where it should feel impossible. It is framed by her as essential to life itself, like water or oxygen. It’s what she credits her very survival to. Moreover, she believes that love is worth dying for, it’s that vital to her. If June stops fighting for love, stops believing in the power of or perhaps even the very existence of love, who is she then? How depressing and devoid of hope would that ending be? Sure, the June we bid farewell to at the end of 6x10 will inevitably not be exactly the same June we met in 1x01, but given the consistent through narrative, we should expect this core value of hers to remain steady, if not indeed grow in conviction.

...

Nick:

" Love is patient, love is kind... Love does not delight in evil but rejoices with the truth. It bears all things, believes all things, endures all things. Love never fails." - 2x05

It’s fitting that it’s Nick who reads this passage in the show because perhaps more than any other character, Nick’s love throughout has been the very epitome of the verse. We’ve seen his actions play it out literally line by line. Nick knows his Bible verses. He picked this one for a reason, his (barely) coded Hail Mary message to June: I’m still here, this isn’t over, please don’t give up on us. Nick believes the words he reads to her, believes them to his very soul, and he continues to show it in his efforts season after season, demonstrating the constant and undying nature of his devotion. It’s notable that in fact, the full 13:8 verse reads "Love never fails, but where there are prophecies they will cease, where there are tongues they will be stilled, where there is knowledge it will pass away," emphasizing love as the one true thing that remains.

"I’m trying to keep you alive. You and our baby" - 2x02 “I’m trying to keep you alive" - 4x02 "I just want her to stay alive"- 4x03 "She changed you, she changed me" - 4x03

It’s Nick's love for June (and Nichole) that drives him more than anything else, and we see the real, tangible reverberations throughout the story. June and Nichole are safe, alive and free (at least in part) because of his love. Nick is changed because of this same love. And June’s love saves him from a life lacking in meaning, purpose and true connection. If Nick fully turns to "the dark side", if he becomes somehow irredeemable (particularly in June's eyes), it would negate in the cruelest and most nonsensical way all of this, and in one fell swoop rip to shreds the hopeful rainbow of his cumulative character arc.

...

Fred:

"Love isn’t real. it was never anything but lust with a good marketing campaign" - 1x05 “Every love story is a tragedy if you wait long enough." - 1x05

Fred on the other hand, scorns the idea of love. His cynical, contemptuous views are presented as the antithesis to June's quite early on. In rose-glass tinted flashbacks of early life with Serena, we see glimpses that this may not have always been the case, but what was once their love story has indeed turned to tragedy: corrupted into a bitter, twisted thing under the weight of the monster they created together. In the present, he does not believe in love and the selfish callousness of his actions (in stark contrast to Nick) clearly shows it, over and over again. To Fred, 1 Corinthians 13 is just a silly meaningless little verse (of no more consequence than the vapid old fashion magazines he "gifts" to June) in the book that he uses, not as a guide or an inspiration, but as a weapon: a cudgel to wield for his pathological ego-driven power trips, no matter how many must suffer (including his once beloved wife), how many innocent lives it ruins or much how it blackens his soul.

...

If in the final episodes Nick were to be exposed as a “true villain”  who ends up burning June (and in fact his soul) in favor of “power and prestige”, then Fred will have been proven correct all along, and we (like June) will have been stupid to ever believe in love.

- If Nick truly decides to throw away everything he's done, everything he's held close to his heart even at his own peril all these years, to remain in a dismal teeter totter of emotional pain and privilege in Gilead;

- If June refuses to forgive, to endure, to truly fight for Nick as he's fought for her;

- If they truly flame out in epic betrayal and irreparable rupture:

Then we will know love has failed. And Fred was right. Love doesn’t save, it destroys. Love doesn’t endure, because in fact it was never even real to begin with. Love isn't the ultimate reason and purpose, but a tragedy. A lie. 

That's not the story. That CAN’T BE the story. Fred doesn’t win. He was so dead wrong that he is now dead and buried for it. He eschewed love a long time ago and it warped him into a depraved, cruel shell of a human with acts so heinous under his belt that we all cheered as he was hunted down and the flesh savagely torn from his body, because he deserved it. 

No, this isn’t The Debased Delusional Small-Weak-Man Commander’s Tale. This is not the story of how Fred was right after all.

This story is love endures all things. This story is love never fails. This story is love lifts us up, love saves us and gives us the will to fight. And that (someday) a child conceived in love in this brutal place and saved by the love of her parents will unite with her long-lost but dearly loved sister to burn it to the ground.

They may want the viewers to believe that it’s possible for Nick to be irrevocably lost for the drama of it all; for the shock of the reveal, the reckoning and the emotional payoff when the ship rights itself. And I’ll keep my clown makeup handy in case I end up being astonishingly wrong, but I just can’t see how they would so blatantly, not just blow up the story, but in doing so essentially erase the very core of the story we’ve been told up til now.

(just look at them, don't you fucking dare break up this family for good!)

*screencaps/captions sourced by me*