Literally All Of The Shadowhunter Chronicle Romances Are Completely Unhinged It’s Not Even Funny (I

But wouldn’t it then be

“don’t just stand there, Thomas,” said Matthew. “Alastair needs you”.

If Sona dies it feels like Alastair will require support more than Thomas?

But otherwise it would be a really sweet moment and like it will redeem Alastair a bit for Matthew (which is deeply necessary)

Okay but can we talk about the fact that Matthew seems to accept Thomas and Alastair‘s relationship? That he seems to warm up because he’s calling him „Alastair“ instead of „Carstairs“. That he trusts Alastair enough to save one of his best friends?

i really love rain

it’s incredible

but i also don’t want to be outside when it’s raining

The fact that Kit writes to Ty feels like something he wouldn’t have started doing just now, but instead has been doing for a while. They’re so in love with one another!! I cannot fathom my excitement for TWP

Kit to Ty

Ty,

I need someone to talk to and I don’t want it to be Julian or Emma. Or Jem or Tessa. So it’ll have to be you. Which means I can’t ever send this and you can’t ever read it. I’ll burn it in the garden when I’m done writing it so I’m not tempted to send it.

The gardens here are really excellent, by the way. I guess you know that since you’ve been here. There’s an old Georgian greenhouse, and a little pond with lilies and frogs and benches to watch them, and a walled garden, and it’s just very nice to walk around here with Mina. I never had a sister or brother before, you know that, but being with Mina makes me realize more about how you felt about Livvy. Still feel about Livvy I guess. I’m not saying I forgive you. Just maybe I understand more.

Blackthorn Hall is still being restored, of course, and there are faeries everywhere doing the restorations. They’re brownies, apparently, and even though they aren’t doing anything that interesting—weeding and carrying wheelbarrows of dirt and whatever—I can’t stop watching them. I have hardly seen any faeries at all since—well, since we were in that battle with them. I guess I didn’t realize how strictly I was being kept apart from them. Until now.

I should really stay away from them, because every time I get close enough for them to talk to me, they do something to freak me out. The head builder, this guy Round Tom— he’s not even that round, honestly — anyway the first time Round Tom saw me he did a little thing where he jumped in a circle and made some odd gestures in the air, and then bowed in my direction. I just turned around on my heel and walked off in the other direction like I had just remembered I forgot something.

And then General Winter, like Kieran’s General Winter, was there helping out—Julian says he’s there to keep all the workers in line since they are scared of General Winter but not Round Tom—and he knew I was the First Heir. Like the Riders did.

The Riders whose horses I made disappear. Or something. I don’t know if they ever came back. No one seems to know.

I tried to pretend I didn’t hear General Winter either but we were just out in the open and it would have been way too obvious. So when he addressed me as First Heir all I could think of to say was, “That’s me. Or at least that’s what I’ve been told.”

“If you’ve been told,” he said, “then it is true, since we do not lie.”

I wanted to say buddy, I worked at the Los Angeles Shadow Market for years. Faeries do all kinds of sketchy stuff. Instead I just said, “I don’t really know what I’m supposed to do about it.”

 General Winter watched me with this thoughtful look on his face, and said, “You need do nothing about it, yet. Indeed, at this moment that might be the wisest course of action. For things are strange in Faerie.”

“What do you mean?” I said.

“There are disturbances,” he said slowly. “Rumors swirl about the Seelie Court. And Mother Hawthorn walks again.”

BI could ask him what any of that meant, Round Tom came rushing over. “Cousins.” (I had forgotten faeries sometimes addressed each other like that, and it gave me a little shiver, like he was saying, you are one of us.) “I have found something. Please come with me.”

He led us around to one of the big plane trees. A little ways away from the trunk was a huge hole, and then on the other side of the tree were two sawhorses across which balanced a coffin.

At least I think it was a coffin. It was really busted up, half-rotted, cracked everywhere, caked in dirt. It was obviously the thing that had come out of the hole.

“A tomb?” said General Winter as we got closer, but Round Tom was shaking his head.

“We would not have disturbed a tomb,” said Round Tom. “But none lie buried here. Only magic, of a dark and powerful kind.” He stepped back. “Look inside.”

I came closer. There was indeed a bunch of random stuff inside the coffin. It looked like—well, you know how old Egyptian pharaohs were buried with all their belongings? It was like that, I assume for a Shadowhunter, except the belongings were a weird assortment. It was dirty and falling apart and mostly just junk—papers and little jars and bits of fabric and the hilt of a sword with no blade, that kind of thing.

“How old is it?” I said, and Round Tom reached it and fished out a liquor bottle. The label was pretty faded and ripped but it was a printed label, in a Victorian style. I wondered if Jem or Tessa would have any guess whose stuff it could be.

“You said there was magic here?” I said.

“Dark magic,” Round Tom said gravely. “Wild magic.”

“The curse?” said General Winter.

Round Tom’s expression cleared and he shrugged. “Perhaps not. It’s actually much less demonic in nature than the curse on the house. But emanating from the foot of an unremarkable tree it bore exploration. There are two items that might be of further interest.”

He cleared away some of the mess and revealed a scabbard. It was a very nice scabbard. Sorry, that doesn’t really capture it. A very very nice scabbard. It needed some cleaning up, but it was obviously beautiful and, I’m sure, valuable. It was steel but covered in gold inlay all over in the shape of leaves and birds. There were some runes on it, too, so it was definitely a Shadowhunter’s at some point.

“Nice,” I said.

“It is more than ‘nice,’” General Winter said. “It is clearly the work of Lady Melusine herself. See how it has not deteriorated at all?”

Round Tom looked important. “And yet it is the less interesting of the two pieces,” he said. With a great dramatic gesture that he had clearly practiced ahead of time, he pushed all of the junk to one side in the coffin, leaving—

“Is that…a gun?” I said.

“One of those mundane weapons, yes,” said Round Tom. He picked it up as though it might go off, though it was rusty and covered in dirt. It was a revolver. It didn’t look any different than revolvers from a million gangster movies, or Westerns—I guess if I were really sending this to Ty I would have to explain what a Western was.

Anyway the big difference was this gun was covered in etchings and runes and words and was obviously magic af. (Which means . . . oh, never mind what it means.)

“But Shadowhunters don’t use guns,” I said.

“They never have,” General Winter agreed. He picked up the gun with a surprising amount of familiarity, and sighted along it in the direction of a nearby tree. He tried to fire and it just clicked — the cylinder didn’t even turn.

“Rusted shut, probably,” said Tom. General Winter handed it to me to look at. I’m not good enough with runes to know any of the ones that were on it. I pointed it at the same tree, kind of as a joke, kind of just to feel how heavy it was, and pulled the trigger, and there was a huge BANG and a bunch of wood splinters exploded from the tree.

My arm kicked back from the force of the shot. And we all stared. My ears were buzzing, but I thought I heard Round Tom say something to General Winter. I’m pretty sure the words First Heir were in there.

Certainly when I looked at them again, at Round Tom and General Winter, their expressions were guarded. Closed.

“Perhaps we should take this item inside and see if the other Nephilim recognize anything about it,” General Winter said flatly.

 “I’m sure it just only works for Shadowhunters,” I told General Winter, but he just gave me kind of a troubled look and said nothing. “Anyway. I’ll bring it in.”

I could feel General Winter and Round Tom watching me as I ran across the lawn and into the house. Jem and Tessa were sitting on a couch in the drawing-room, watching Mina coloring with crayons on some butcher paper.

The moment I came in holding the gun both of them looked utterly shocked. Tessa got to her feet and moved between me and Mina. I told myself she was standing between the gun and Mina, but it still felt rotten.

“What—” said Jem, standing up, but he didn’t finish the sentence. He just stared at me, and the gun.

“Round Tom found it in the garden,” I said. “Is this a gun for Shadowhunters?” I could feel my voice getting tighter. “Shadowhunters don’t use guns.”

“Long ago, Christopher Lightwood tried to create a gun that Shadowhunters could fire,” said Tessa. She was still staring at the gun.

 “It was in a coffin,” I said. “With a bunch of other stuff. A broken sword, and a fancy scabbard.”

“I wondered what he did with it,” said Jem. He? Who was he?

Jem and Tessa exchanged a look.  “The gun belonged to my son James,” she said. I felt kind of sick. Tessa hardly ever talked about her children with Will. “He was the only one who could use it. It would not fire in anyone’s hands but his.”

“I fired it,” I said.

They both looked stunned, and not in a good way. 

“You are very special, Kit,” Jem said. “You are the First Heir. We don’t yet know the extent of how that power works in you.”

“Or perhaps it is just that he has faerie blood,” said Tessa.

I could have said that it definitely wasn’t just faerie blood because General Winter couldn’t use the gun and he doesn’t only have faerie blood, he has a full faerie body with faerie organs and everything. But I didn’t say anything. I just felt a weird feeling in my stomach. I said I would put the gun away and not use it, and Jem and Tessa seemed to feel that was the best thing I could do, and Mina piped up and said “Gun!” and then I felt like the worst person on earth.

So now it’s late and I’m up writing this letter to you that I am going to burn when I’m done, because I can’t sleep. Because I don’t want to be the only person in the world who can fire a magic gun. I don’t want General Winter to straighten up when I’m nearby like I outrank him. I don’t want any of this. I had five minutes where I got to think, oh neat, I found this cool-looking gun and I bet there’s a story behind it, I wonder if they’ll let me keep it or if it needs to go to a museum or something. And then I fired it and instantly—just another thing that’s weird about me.

Good night, Ty. I’ll never send this, and you’ll never read it.

Kit

Also, Julian researching Ouija boards definitely feels like him. And of course dru would want one

Secrets of blackthorn hall really makes every week so much better

EMMA TO DIARY

Dear Bruce,

Sorry it’s been a long time since I’ve written in you. Everything’s been kind of crazy since Ty sent the Ghost Sensor. Which was incredibly helpful and nice of him, and we decided that even if it didn’t work we’d still tell him it did, but that didn’t turn out to matter. It definitely works. The minute we unpacked it, it started to make weird little crackles and beeps. It didn’t seem to be reacting to anything specific, it was more like it was reacting to the environment of the house, fussing about it like a grumpy baby.

Julian decided to use it kind of like a divining rod, following where the strongest crackles and beeps seemed to be. We spent probably an hour traipsing through the house while the sensor made whistling sounds like an angry teakettle.

Eventually the sensor led us to one of the upstairs hallways. There’s no furniture in it now, and it looks a bit forlorn, with bits of tattered curtains hanging from the windows and an empty frame on the wall. It was also pretty eerie, standing in that room with the sensor going crazy but not being able to see anything. We both looked at each other, thinking,

Is there a ghost in here with us right now?

At that moment, I remembered what I’d read in Tatiana Lightwood’s diary, how she’d hidden the pages of her old diary in the wall. I went over to the wall and tapped on it. Jules picked up on what I was doing right away and started tapping on the wall as well, and we found a spot that echoed hollowly. We both stared at it for a minute, before Julian said, “Hang on.” He went downstairs and returned with a sledgehammer. He started to swing at the wall but I stopped him. “I really think you should take your jacket off while you do this. And maybe your shirt, too.”

Obligingly, he stripped down to his undershirt. That’s my guy. I may have taken a picture.

Plaster started flying everywhere. Pretty soon Julian had smashed through the wall, revealing a dark hollow space behind it.

Julian backed off while I reached inside. I cannot tell you how many spiderwebs I touched, Bruce. It was disgusting. Finally I pulled out a bunch of old clumped together pages. I can’t help but think they are Tatiana’s old diary pages, the ones she talked about destroying, but they were so water damaged that I couldn’t be sure. I was just wondering if I should tell Julian about the diary—for some reason I haven’t mentioned it to him yet—when he reached into the hole and pulled out a hard wooden board that had been engraved with letters and numbers.

“It’s a Ouija board,” he said. “Dru wanted one for Christmas last year.”

I’ve always thought of Ouija boards as being part of human superstition. Like palmistry, not something that Shadowhunters needed to take seriously. But the sensor was going crazy, beeping these dark red pulses that reminded me of Isabelle’s necklace.

“Should we try to use it?” I asked. Julian frowned. “I don’t know. When I was looking into getting one for Dru, I found out that these things can be kind of...dangerous.”

So I’m writing this right now while I’m lying in bed. Julian is already asleep, with plaster in his hair. He looks so cute. Anyway, we decided that we’d try using the ouija board tomorrow. We’re Shadowhunters, we can deal with ghosts, right?

Goodnight, Bruce. I think I’ll read a little of Tatiana’s diary to put me to sleep. Meanwhile, enjoy the eye candy.

book quotes are just incredible. they can be sad, happy, upsetting and a lot of other stuff. it’s just like: emotions

I love it

Having to clean the shower is so fucking annoying. It’s clean in there. That’s where I go to get clean. It’s clean dude trust me. Stop fucking growing bacteria and stuff man this is the clean locale. You’re embarrassing me in front of the sink

guys i think my squish might have been flirting with me

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

Hello!

I often see people who want to listen to the Radio adaptation of Good Omens, but can’t seem to find it or can’t afford to buy it, so I decided to share - you can listen to the adaptation in the following links.

This is the full version of the radio play, without the cuts from the aired BBC version, so, have fun!

Part 01

Part 02

Part 03

Part 04