Hyper-fixation-gay-edition - Sentience Was A Mistake.

I Made Another Low Quality Meme

Tuvix as a metaphor for Janeway's mindset throughout Voyager

When Tuvok and Neelix merged into a new individual after a transporter malfunction, Tuvix was born. Possessing a combination of the memories and personalities of his component parts while still being his own unique self, Tuvix quickly proved he was more than just a transporter accident, showing he had potential to find his place among the crew of Voyager and settle in to this new normal.

And when Janeway learned of a way to separate him, bringing back Tuvok and Neelix, Tuvix was killed. Against his wishes, against the doctor's ethical subroutines, Tuvix was killed.

I'm not going to discuss whether or not this was right. That's an entirely different subject that many people have debated ad nauseam.

I just want to talk about how the decision to kill Tuvix and bring back Tuvok and Neelix might actually be the defining moment in developing Kathryn Janeway's mindset for the rest of the series. The sometimes questionable mindset best described as

"There's the right way, the wrong way, and the Janeway."

To Captain Janeway, Tuvix is a problem to solve. He is the thing standing in the way of the status quo, the thing preventing her from seeing her loved ones again.

She says as much, when Kes is expressing reservations about developing feelings for Tuvix and says she hasn't given up on the idea of him being separated.

You’re experiencing what people on this crew have been going through since we first got stranded in this quadrant. Do we accept that we're separated from our loved ones forever, or do we hold onto the hope that someday we'll be with them again?

Tuvix, therefore, is a physical representation of being stuck in the Delta quadrant. He is the thing preventing them from being with their loved ones, and she might not be able to get everyone home right now if ever, but she's going to do everything she can to see Tuvok and Neelix again.

Whether or not it is right for her to kill Tuvix, that isn't as important to her as proving—to herself and to her crew—that she is going to do anything she can to get them home, and killing him is a symbolic representation of that.

We see this mindset continue throughout the series, and the Lower Decks episode Twovix gives us some great examples.

While most of the crew is dealing with another transporter malfunction, Boimler and Rutherford are dealing with holographic representations of various things the Voyager crew encountered. And they just happen to be some of Janeway's greatest hits… Or misses.

Michael "delete the wife" Sullivan—Janeway's holographic Irish boy toy, who she widowed and altered to suit her preferences even though those episodes deal with the possibility of all holograms having a chance to achieve sentience

The macrovirus—which was dealt with by Janeway unleashing it on a crowd of (again, possibly sentient?) holograms

The personification of fear—the clown who was defeated when Janeway went so far to save her crew that she literally made the concept of fear afraid of her

Chaotica—Janeway didn't particularly want to play the role of Queen Arachnia but she got very into it because when push comes to shove, she really doesn't mind being the villain if it means protecting her crew

And of course, the Borg…

The series finale of Voyager is the ultimate example of the "anything to see our loved ones again" mindset Janeway shows in Tuvix.

Voyager gets home. It takes 23 years, but they get home.

However, Seven is lost along the way, Chakotay dies after reaching earth, and the delay in getting home has exacerbated Tuvok's Vulcan equivalent of Alzheimer's to the point that he is not himself anymore.

Three of the most important people in her life, gone.

So what does she do? Of course she doesn't accept that, she can't, she never has been able to.

Kathryn Janeway goes back in time, erases the lives of everyone in the universe to rewrite history on her terms, she defeats the goddamn Borg—just to see them again.

And of course she does it herself. As we learned in Tuvix when the doctor refuses to separate him, Janeway doesn't care. She'll do it all herself, ethical consequences be damned, she just needs everyone she loves to get back to the Alpha quadrant.

So whether or not it was right to separate Tuvix, it doesn't matter. The right way, the wrong way, none of that matters. Not to her, not as long as doing things the Janeway gets everyone she cares about home safely.

jake and ace

People talk a lot about how reading is necessary for writing, but when you really want to improve your writing, it’s important to go beyond just simple reading. Here are some things to do when reading:

Note how they begin and end the story. There are a ton of rather contradictory pieces of advice about starting stories, so see how they do it in the stories you enjoy. Don’t only look at the most popular stories, but look at your more obscure favorites.

See what strikes you. Is it fast or complicated scenes with a lot of emotions? Is it stark lines? Pithy dialogue? What do you remember the next day?

Pay attention to different styles. It’s not just whether they use past or present tense, first or third person. It’s whether the writing is more neutral or deeper inside character’s heads. Do they use italics? Parentheses? Other interesting stylistic choices? Take the ones you like and try them out in your own writing. See what works and what doesn’t.

Keep track of how they deal with other characters. Do we see a lot of secondary character each for very brief periods of time or are there a couple that show up a lot? How much information do we get about secondary characters? Do they have their own plots or do their plots revolve entirely around the main characters? 

Count how many plots there are. Is there just one main plot or are there multiple subplots? Are the storylines mostly plot-based or character-based?  

Pay attention to what you don’t like. If you don’t like what’s going on in a book or even just a scene, note what it is. Does the dialogue feel awkward? Are the characters inconsistent? Does the plot feel too convenient or cobbled together? Does the wording just feel off? See if you can spot those issues in your own writing, especially when reading a completed draft or beginning a later draft.

This is the first time I noticed Travis in the background, and he is lowkey enjoying the drama

Is this not how every scene between them went? 

when she says she doesn’t send nudes

More AA textposts!! because I have Problems <3

thinking about parents

Whatever this is