Juanjo Guarnido

My Hero Academia is the first series ever where the main character get throw in the sideline so much he is not the main character anymore for another character. Like holy shit wtf man. I am still struggling to understand the ending despite rereading the entire time. There are rushed endings but my god at least the author in rushed endings do give him some of respect to main character. In MHA, it is nothing

When it comes to shonen anime and manga (i say shonen because that's where i have seen, it mainly happen tbh)

Heck, this is a common thing to the point that there are YouTube videos based on showing it. Take, for example, this👇.

In this case, you kinda get the obvious, which is the main character : izuku midoriya and the one who stole the show : katauki bakugo.

See here is the thing a lot of the time mangakas due to the competitive and toxic industry they are in will prirotise and parade the fan favourite character as that's what gets them money. While you can argue that this may not be true for every series, you have to admit that it's weird that just right after bakugo started getting popular after the sports festival arc he also ended up getting a lot more screentime and that in my own opinion is due to the money that bakugo can bring into the series.

Now add this and combine it with the fact that horikoshi has stated that his favourite character is also bakugo katuski, and then you get well a certain mixture (unpleasent to say the least)

Due to this combination, the focus of the story shifting to bakugo makes sense while izuku becomes an accessory piece to the story that the author uses to vaguely delve into the intracies he built in his story.

I wasn't particularly surprised by the ending as the treatment of the izukus character and the way the stories themes were being handled were already quite poor from the beginning of the bakugo vs. izuku 2.0 fight, meaning that my expectations were low.

There are various posts talking about the characters' assassination that izuku has been through, and honestly, I agree heck I was one of them.

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"Deku is written like a goddamn side character": My Hero Academia Ruined Deku's Character that a Decade Long Run Should Have Saved and Perfe

Someone, please save Izuku. FandomWire released an article about how Horikoshi enjoyed working on Bakugou more than Izuku. 🥲🥲🥲 The only way

When queer media is actually censored Proshippers/dead dove: I cannot see nor care When abusive material and media is gratifying to parafiles gets censored Proshippers/dead dove: FACISM!! COPS!! DISGUSTING PURITANS!!!

Australia: commits genocide and does actually facist shit Proshippers/darkshippers: eyes closed Australia: Arrests woman/other people for being attracted to minors and making media where children are abuse and its portrayed as hot and sexy Proshippers/darkshippers: FACISM !!!!

*When CSA/SA victims commit acts and promote material that furthers the abuse cycle and contributes to rape culture* Proshippers/dead dove/"Anti harassment": YASSS QUEEN/KING, KEEP DOING THAT AND PUTTING YOURSELF AND OTHERS IN DANGER!!! **When CSA/SA survivors admit to the healing process being messy and some coping mechanisms not being healthy, and are against the creation and distribution of gratifying/glorifying material of their shared experiences** Proshippers/dead dove/"Anti harassment": YOU DISGUSTING WHORE, YOU DESERVED EVERYTHING THAT HAPPENED TO YOU, HOW DARE YOU NOT ENABLE US AND THE RAPE CULTURE WE LIVE IN!!! GO ENTER THE TRAUMA OLYMPICS YOU FACIST PURITEEN

If I’m being I don’t feel the ship of Jasper and Spinel but I like that Jasper is like “Oh you want to be in a relationship with me? Ok then I guess?” like she doesn't care much she just accepts it like whatever personality lol

That is pretty much the vibe I'm going for. I see the very early stage of their relationship being pretty dysfunctional. Let me explain!

Other people with their ships: Romance, thrill, passionate declarations of eternal love. Me with my ships: Dumbasses. Complete hot mess. An entire airport worth of baggage.

Movie!Gabriel: Where have you been? You didn’t return last night?

Show!Adrien: Wait, you care?

Movie!Gabriel: Of course I do.

Show!Adrien: (teary eyed) The girl I like didn’t like me back.

Movie!Gabriel: oh… my boy.

Show!Adrien: (hugs his dad) It hurts Dad.

Movie!Gabriel: I know… it will be alright. I’m sorry I haven’t been present since your mother…

Show!Adrien: I just want you present now.

Movie!Gabriel: (crying) my baby boy.

(And now for a swap in the other direction)

Show!Gabriel: Where have you been?

Movie!Adrien: (sad from earlier) So now you care?

Show!Gabriel: What is with that tone?

Movie!Adrien: (starts walking to his room)

Show!Gabriel: Adrien. I am your father and you will tell me where you were this instant.

Movie!Adrien: Just go back to focusing on your work, it’s what you really care about. (Walks off)

Show!Gabriel: (fidgeting with the ring) what is wrong with this thing, why didn’t that work?

Strange little family 🌿🦖

Writing Notes: Metafiction

Metafiction - a self-conscious literary style in which the narrator or characters are aware that they are part of a work of fiction.

Often most closely associated with postmodern prose, it involves a departure from standard narrative conventions, in which a self-aware narrator infuses their perspective into the text to create a fictional work that comments on fiction.

This kind of fictional writing can appear in novels, short stories, plays, video games, film, and television.

Characteristics of Metafiction

Breaking the fourth wall: Breaking this boundary between writer and reader blurs the lines between real life and fiction. Metafiction often directly addresses the reader, openly questioning the narrator’s own story.

Self-reflexive: Authors use self-reflexivity, or self-consciousness, to reflect on their own artistic processes, drawing the audience’s attention away from the story and allowing them to question the content of the text itself.

Experimental: Metafiction is often experimental in nature, fusing a number of different techniques together to create an unconventional narrative. Metafiction can also experiment with the role of the narrator and their relationship to the fictional characters in the story.

The main purpose of metafiction is to highlight the dichotomy between the real world and the fictional world of a novel.

Metafiction can be used to parody literary genre conventions, subvert expectations, reveal truths, or offer a view of the human condition.

Often used in postmodernist fiction to comment on the world that our character inhabits, metafiction helps give a work of text more significance by providing an outward, exploratory look of a self-contained world.

Examples of Metafiction in Literature

The Canterbury Tales (1387): Geoffrey Chaucer’s classic anthology of interconnected stories that parody the conventional elements of fiction. Chaucer blends linguistic styles and rhetorical devices to craft a collection of stories within the overall story, regularly breaking the fourth wall to address the audience directly and apologize for any offense the narrative may cause.

Don Quixote (1605): Miguel de Cervantes Don Quixote is essentially a book about books. In the prologue, Cervantes breaks the fourth wall by commenting on his process of writing the book, in which he urges the reader to make up their own mind about the written text. The ensuing novel discusses the adventures of the protagonist, Don Quixote, who has gone mad from reading too many chivalric romance stories.

Giles Goat-Boy (1966): John Barth’s fourth novel is a prime example of the metafiction characteristic of postmodernism, featuring several fictional disclaimers in the beginning and end, arguing that the book was not written by the author and was instead given to the author on a tape or written by a computer.

The French Lieutenant's Woman (1969): Written by John Fowles, The French Lieutenant’s Woman is a historiographic metafiction novel about a love story between a gentleman and a governess in the Victorian era. The book features a narrator who becomes part of the story and offers several different ways to end the story.

Slaughterhouse Five (1969): In Slaughterhouse Five, Kurt Vonnegut includes his own voice as a character in this non-linear narrative. The main character has been “unstuck in time,” oscillating between the present and the past with no control over his movement, emphasizing the senseless nature of war.

Gravity’s Rainbow (1973): This story by Thomas Pynchon is the poster child of postmodern literature, using a complex, fragmented structure to cover various subjects such as culture, science, social science, profanity, and literary propriety. In this particular narrative, Pynchon questions history and how it gets created, and also how it affects both society and the individual.

Source ⚜ More: References ⚜ Writing Resources PDFs

MHA Wild AF for calling this man a villain when really he was just activating for basic human rights

Lesser-Known BNHA Character Details

A list of things from the light novels, spin-offs, and such that I think more people should know about because they’re fun •w•

For reference on my personal canon hierarchy, with the exception of spoofs (SMASH, I’m looking at you) I consider the main manga and anime the top, and accept everything else that doesn’t contradict the information provided there—for example, I’ll accept Tsuyu’s ghost encounter as canon, but I personally believe she was with a cousin at the time since we know she doesn’t have an older sister.

Yaomomo’s mother is a very sweet person who goes out of her way to make her daughter’s friends feel welcome, adores Jirou, and has been nicknamed Yaomama. She is also a terrible cook and has the critical thinking skills of a sea cucumber (source: light novels, specifically volumes 2 and 3)

There is a pro hero named Odd-Eye who basically embodies Middle Schooler Syndrome. His Quirk is forcing people to reveal their embarrassing secrets (source: Team Up Missions volume 2)

Izuku likes zombie movies, or at the very least has seen enough of them to know their common tropes (source: Training of the Dead OVA)

Aizawa became a teacher out of peer pressure, mostly from Midnight (source: Vigilantes)

Izuku becomes a “bloodthirsty quiz demon” during trivia games. Most people are terrified by this, but Eri thinks it’s cool (source: light novels volume 4)

The large scar on Izuku’s right arm is from Dabi, not Muscular. When the boys land in the clearing, Dabi’s fire is seen brushing his arm exactly where he later has the scar (source: main story, training camp arc)

Kendo doesn’t feel fully comfortable being called a woman, noting that the word feels like “a burden” and she prefers to be defined on her own terms (source: light novels volume 4)

Rody’s younger siblings are baby weebs (source: Team Up Missions volume 3)

After the events of Two Heroes, the Shields are no longer living on I-Island, which is likely why Melissa is able to travel freely (source: Team Up Missions volume 1)

Shouto’s listed blood type of O is impossible, as Endeavor’s blood type is listed as AB. My best explanation for this is that Shouto has a mutation that results in his blood genotype being A and phenotype being O, meaning his actual blood type is A (source: Ultra Analysis and my 10th-grade biology class)

Hagakure knows how to make booby traps, and likely does so regularly (source: Team Up Missions volume 2)

Shinsou can read lips (source: Team Up Missions volume 3)

Kouda can’t actually understand animals, only control them (source: light novels volume 3)

Shouto spent a good part of move-in day running around campus helping Hatsume. Recovery Girl gave him the tatami mats, which he specifically wanted because he didn’t like how the floor felt on his feet (source: light novels volume 3)

Hagakure and Tsunotori liked the same anime as kids (source: light novels volume 3)

If Ochako could have any of the boys’ Quirks, she would want Bakugo’s, specifically so she could go wild in a fight (source: light novels volume 2)

Bakugo has never gotten Valentine’s chocolate (source: light novels volume 6)

Shouto has stated he’s “not looking for that kind of action” while in conversation with the grape, which to me implies that he’s not interested in girls (source: light novels volume 6)

Aizawa is supposed to tell Mic if he’s going drinking (source: light novels volume 3)

There’s plenty more of these, but I’m out of time for now! Let me know if you want a part 2 •w•

"Why do you have leave by midnight?"

I actually have nothing to say right now.

A sketch for my Serial Killer! AU.