Heytemporary - Heytemporary

MHA is like those webtoons where the kids are always fighting and it's just like "where are the adults??" (like Weak Hero) except the adults are right there and just doing basically nothing.

shipping renkaza fucking sucks because you either get people who hate real enemies to lovers and call it toxic or pr*ship because they actually are enemies who want to kill each other instead of friends who bicker sometimes (these people are the weakest link and will not survive the winter)

or you get people who do ship it but only in the gooner dumbing-it-down-to-hardcore-porn way where they romanticize and get off to abuse and r*pe (these people are just gross sick individuals and i hope they go extinct)

and the few people who do see the emotional depth in the homoerotic minutes renkaza spent together and the potential in that for top tier doomed yaoi are few and far in between and i rarely find good fics that aren't just insanely ooc porn

MHA has a gender problem.

Before I begin unpacking my thoughts, I would like to make clear that I am aware that Shonen is a genre which caters to boys. I do not think that a genre catering to a specific demographic excuses poor writing choices.

I am not by any means the first person to make a case for the importance of well-written female characters, however, as a lifelong anime fan, poorly-written women are a consistent issue in many anime/manga. The treatment of female characters in MHA limits the story's potential and at times makes the manga utterly unbearable.

MHA presents us with an unequal society, however, in the world of MHA, women uniquely lose out. In the hero world, women are sexualised and clearly provided with fewer opportunities than men. This is reflected in both the gender distribution of the classes at UA as well as the hero rankings themselves. There are six girls in both class 1a and class 1b and there are only two women in the top 10 of the hero billboard chart, those being Mirko and Ryukyu. The costumes which female heroes in the story wear are often highly sexualised and impractical, and on numerous occasions in the story the sexualisation of these women is openly demonstrated to the watcher/reader. In our first interaction with Mt Lady, she is sexualised with her butt being focused on.

Need I say much more.

This isn't the only example of the sexism within the narrative. During the internships following the sports festival, Momo and Kendo internships with Uwabami, and instead of gaining valuable experience they participate in a hair commercial. To make matters even worse, the message that Uwabami imparts to them is that keeping up appearances is crucial. Here, Momo and Kendo are deprived of gaining training and development and the harsh reality of what the hero world is like for women sets in. This experience is humiliating, and the narrative plays this off as joke.

Beyond these two examples, other sexist things occur within the narrative which are barely commented on. There's a headline in a newspaper which references a rescue that Tsuyu and Uraraka are responsible for which refers to them not by name but as "two cuties". Endeavour literally purchases Rei to be his wife and domestically abuses her (let's not even get into the horrific power dynamics here). The women in class 1-a are sidelined and frequently saved by their male counterparts. Mineta frequently sexually harasses and violates women in the story (grabbing Tsuyu's chest in the USJ arc comes to mind here). Momo is made to wear a revealing costume because she wont be able to phase the items she creates through the fabric but Mirio's costume can stay on as the fabric in his costume is interwoven with his own hair.

Additionally, power scaling in this manga is gendered. The majority of female characters have non-combative quirks, and the female characters who have combat-oriented quirks are usually weaker than their male counterparts. Ryuku for example, struggles to take down Rikiya Katsukame in the overhaul arc and has to utilise her three student interns to accomplish this. In the overhaul arc, the girls are majorly sidelined and are thrust into a support role. Many of the women in the manga are sidekicks, and a lot of the female pro-heroes don't have heavy-hitting quirks. When characters do have heavy-hitting quirks, Horikoshi's poor power scaling becomes most obvious. For example, Mina's quirk allows her to produce acid capable of melting metal and she isn't regarded as having a formidable quirk within the story. Similarly, Neijire's wave motion quirk is under utilised.

Most disturbingly, though sexism is deeply entrenched throughout the story, none of the female characters acknowledge its existence and this is a bad writing choice because it is antithetical to the values held by someone who is pursuing a career as a hero. In the MHA universe, heroism is pursued to help others and to achieve justice within society. Within the story, heroes are presented as the protectors of the weak and the facilitators of order within society. Thus, as a reader it is hard to believe that women who are pursuing heroism as a career path would be content with their own oppression. The women in the story also do not strive to be at the top, save for Mirko who is the main exception.

UA is the top hero school in the country and has a highly selective admission process. It is astounding that the majority (if not all) of female students that we meet are comfortable with becoming support or rescue heroes. In classes 1a and 1b there isn't a single female student who has the ambition of becoming one of the school's top three. The female students are not as ambitious or competitive as their male peers and are forced into gendered rivalries with other women in the story (see the Kendo and Momo rivalry, Ochacho vs Toga).

The inclusion of moments of critical reflection by the female characters within the story would have made them feel more three-dimensional. If Momo's self-doubt during the final exam arc had been the result of being chosen for an internship due to her looks rather then her hero ability, it would have made her self-doubt more understandable and would have demonstrated her discontent with her physical appearance being valued over her talent. If Tsuyu and Uraraka had been disheartened that the major takeaway from their rescue was the result of their physical appearance, this would have added another dimension to these characters. Hakagure having to be naked all of the time is played as a joke at her expense, but understanding Hakagure's thoughts and feelings about this would have allowed us as an audience to greater empathise with her rather than viewing her as a spectacle.

Ultimately, MHA's depiction of women is disappointing and a lot of potential is wasted here.

Strange little family 🌿🦖

A Night Out (going to very different events)

WIP Wednesday feels like the only thing I can participate in anymore 🥹 but here you go!

Muzan as a medication ad

✴Muichiro and Yuichiro are traitors....✴

☾I finally began the multi-chaptered fanfic based off of my AU here.☀

Summary:

Kokushibo stumbles upon Muichiro and Yuichiro in the midst of a desperate struggle-one battling a demon with little but his bare hands, and the other on the brink of death. Kokushibo impressed by Muichiro's skills, and recognizing them as his descendants, saves them, and they perceive him as their saviour. Initially contemplating turning them into demons, Kokushibo convinces them that embracing demonic nature is superior to remaining human. Yuichiro, enticed by the idea of becoming powerful enough to protect his brother, readily falls for the deception. However, Muzan seizes an opportunity. He will only allow Kokushibo to turn them into demons unless they infiltrate the Demon Slayer Corps and reveal there secrets and where the Ubuyashiki family is hiding. As they infiltrate the corps and become the newest Hashiras, Muichiro excelling in ‘Moon Breathing’ and Yuichiro adapting with his own breathing style “Eclipse Breathing” and sabotage missions. Muichiro begins to feel torn between loyalty to Kokushibo and newfound friendships with the other slayers, and grapples with a moral dilemma as he uncovers the truth that had been hidden from him, all the while the threat of being revealed as traitors looms closer.

First chapter is out on ao3 so check it out here! Leave a kudo or even a comment (That would make me smile so much) if you enjoy!

If your looking be a beta reader for future chapters and projects message me on tumblr or in my ask box.

by taigapic

but what if i. rex was claire’s baby WHAT IF

With the Series Ending

I decided to do this solely based on canon, except for F which are so bad that they transcend the rule. I also put this in the lens of do I enjoy watching them, or do they infuriate me. Most of the ones in G are there because I can't tell who they are from the picture, or are so minor I don't get why they were on the list to begin with

Hawks was the hardest to place because as I've mentioned before I love villain fanon Hawks, and hate Canon for all the missed potential and the guy being shit.

Before the last arc, Deku would have been in C, and I felt most criticisms of him were undeserved. I still feel a lot of them are dumb, however, he's canonically a hypocritical, suck-up to labels, abuse apologist, idiot, etc. As much as it feels like character assassination it's canon, same with Shoji. I also just don't care to read fanfiction of him, and feel he takes a lot of roles where other characters would make more sense. If I'm not already following someone I'm not going to read fanfiction with him in it

Most of E I hate as much if not more than F but the fandom either doesn't write about, or treat them like the pieces of crap they are, looking at Mineta of course.

Fun fact Edgeshot is in E for bringing Bakugo back, and causing me both meta and dramatic issues for me. What the fuck was the point of killing Bakugo to immediately bring him back. How the fuck did Edgeshot know he could do this? How the fuck did he know how to do this? Why the fuck is he doing this for some random teenager he has never interacted with before, in the middle of a war? And now why the fuck does this fucker get to live, no one gave a single fuck about Edgeshot but he gets to live!

Centipeder would have been in E if not for the fact I know what my ringtone for him would be, Red Flags by Tom Cardy

Uraraka owes her rank in B for her arc with Toga, otherwise, she would have been in D. For the plot forgoing her original motivations so they could turn her into a generic love interest. Toga tried talking crushes with her 'twice' everything else regarding that shit, which started before they ever met, is on her

I actually love Endeavor fanfics as most of them either a treat his abuse for what it is, or b I view them as an own on canon Endeavor and his incredible laziness and selfishness. But Twitter exists and they flock to him and his bullshit so to F with him.

Speaking of Fs, Bakugo is a whiney spoiled rotten brat with a silver spoon shoved into his mouth since birth. I hope he never breeds. Damn near every shit thing that has happened to him, was either brought on by himself, literally applied to everyone, he literally doesn't care, and even with the two exceptions I'd give this, the Sludge guy, and being chained up at the sports fest (he should have been disqualified), do not justify his shit

Congrats to Dark Shadow and Tokoyami for being the only hero (student) to make it past B

Needless to say I love villains, Dabi is by far my favourite, followed by Himiko, they are way more engaging and convincing than the heroes. And by convincing I mean it actually feels like they are going to put in effort to make their goals happen, not just wish really hard. I truly wish we could have seen how Shigaraki's goals shifted during his reign over the PLF. We had already seen how he wanted the League to be happy and an exception to his goal of destruction